# King Sinister Reflects on His Path to Become Drum & Bass Royalty in India: TF Word 1. [TF Word](https://www.ticketfairy.com/fi/word.md) 2. [Interviews](https://www.ticketfairy.com/fi/word/category/interviews.md) 3. King Sinister Reflects on His Path to Become Drum & Bass Royalty in India - [Interviews](https://www.ticketfairy.com/fi/word/category/interviews.md) - [Music](https://www.ticketfairy.com/fi/word/category/music.md) # King Sinister Reflects on His Path to Become Drum & Bass Royalty in India The Bangalore-based drum & bass MC sat down with us to discuss his latest single, his role in shaping India’s growing DnB MC culture, and a sneak peek into his upcoming album. [Sagar Deshmukh](https://www.ticketfairy.com/fi/word/author/sagar0204.md) 18 heinäkuuta 2025 · Lukuaika 21 min ***The Bangalore-based drum & bass MC sat down with us to discuss his latest single, his role in shaping India’s growing DnB MC culture, and a sneak peek into his upcoming album.*** Drum & Bass is to MCing what MCing is to Drum & Bass. The relationship between the two is circular and symbiotic – almost spiritual. While the genre brings the sheer kinetic ferocity of rhythm and basslines, it’s the MCs who inject the raw, human element: urgency, narrative, and voice. Since its earliest roots in the UK rave scene, MC culture has been an inseparable part of the genre’s foundation. It’s the lifeblood that connects the DJ to the crowd, the fire that sparks movement in the dance. Though this culture first took root in cities like London, Bristol, and Manchester before spreading globally, its arrival in India has come significantly later. Now, it’s exploding at breakneck speed across the country, and leading that charge is **King Sinister**. Born and raised in Bangalore, one of India’s most vibrant cultural melting pots, King Sinister’s journey is as unexpected as it is inspiring. Initially immersed in hip-hop, he had little to no exposure to drum & bass MCing or its underground culture. The transition wasn’t just about adapting to a new genre; it was about learning an entirely new language of rhythm and energy. Yet, just three years later, he has emerged as India’s premier drum & bass MC, pushing an important cog of the scene with his uniquely aggressive and cryptic lyrical style that’s perfectly tailored to the genre’s breakneck rhythms. The journey began in earnest when he teamed up with Drum & Bass India, where he honed his craft, sharpening his voice and mastering the art of commanding a crowd with relentless, high-energy bars. His influence quickly exported itself out of Bangalore, and now he stands as the most sought-after MC in India’s Drum & Bass circuit, inspiring a new wave of artists to pick up the mic and make their mark at local club nights. [Spotify Embed: F-AKASA](https://open.spotify.com/embed/track/5Jzjm2HoPUpuiBG1JpDODW?si=69d86cd11e244f58&utm_source=oembed) But King Sinister isn’t stopping there. Drawing from his collaborations with a diverse range of artists he has worked with over the past three years, he’s channeled his experiences into his latest single, ‘Kettaman’ – a hard-hitting drum & bass anthem infused with rude boy swagger and the cultural flavors of his upbringing. The vision is complete with a high-octane music video that brings the entire vibe to life. Vibrant, raw, and dripping with style, it captures both the sonic chaos of the track and the cultural references that make King Sinister who he is. And if the original wasn’t enough, American drum & bass icon **Calculon** and UK heavyweight **Survival** have now dropped a weighty remix, giving ‘Kettaman’ a brooding and tense sonic direction. With the remix out and an album on the way, 2025 is shaping up to be a defining year for King Sinister. So naturally, with all this momentum, we had to sit down and catch up with the man himself to dive deep into his journey, his music, and what’s next. First up? Reflecting on 2025 so far, a year that’s seen him dominate stages and cement his status as India’s undisputed Drum & Bass MC. “*2025 has been good. Music’s always been good to me, and this year especially. It’s definitely been a year that’s put a lot into perspective for me, both musically and personally. I’ve been getting my life in order so I can really take this further on a professional level. In many ways, 25 has been a year of major change. It’s broadened my whole outlook, on how things work, how you move in this industry, and how you can make things happen if you approach it right.*“ *And yeah, I just dropped my first music video, like you saw. I’d say things really picked up pace this year. Back when I started, I used to produce most of my own stuff. But eventually, I realised I needed other minds involved – people who could bring different things to the table. That led to a lot more collaborations, and through that I got deeper into writing, rapping, structuring, really honing that side of things.*“ *But then at some point this year, I had this moment where I was like, ‘Okay, I’ve got all these talented people around me… why not bring myself back into the production process too?’ So yeah, 2025 has been the year where I finally decided, it’s cool, I’m doing this fully. No holding back.*“ One thing that becomes immediately clear when you experience King Sinister, whether it’s through his performances, his lyrics, or even just conversation, is the rich tapestry of influences he brings with him. His foundation in hip-hop, a genre that has profoundly shaped the DNA of drum & bass, gave him a natural entry point into the culture. But his journey didn’t stop there. He dove headfirst into the electronic realm, absorbing its textures and rhythms before cementing himself as a force in drum & bass. Given this unique convergence of sounds and styles, we wanted to trace his musical roots and how it all began. What sparked his transition from hip-hop to electronic music, and ultimately, to drum & bass? What were those early days like, and how did his eclectic background shape the artist he is today? “*Long before King Sinister emerged, there was just SJ – my original persona deeply rooted in hip-hop culture. As a dancer growing up immersed in hip-hop and R&B rhythms, music was always in my blood. My journey into MCing began when a beatboxer friend introduced me to Bangalore’s thriving hip-hop scene, where I became part of “Wanandaf” – a powerful collective of 200+ rappers, producers, and hip-hop artists that’s been shaping the city’s underground culture since around 2018.*“ *The transition to drum & bass happened unexpectedly about three years ago when Deb aka The Untitled One reached out through mutual friend Mikey. At that time, the concept of dedicated DNB MCs in India was virtually nonexistent, and I barely understood what MCing over DJ sets even meant. But when Deb from DNB India asked “Bro, I need an MC – you down to try?”, that simple question changed everything. We took that leap into uncharted territory together, and what started as an experiment quickly gained unstoppable momentum. Now here we are, having pushed something that’s grown beyond anything we could have imagined back when we first decided to just go for it.*“ Transitioning from one genre to another is never easy. Each genre has its own unique stylistic elements, rhythms, and tempos, making the shift not just a change in musical taste but a complete overhaul in creative approach and technical execution. Moving from the laid-back, groove-oriented beats of hip-hop to the fast-paced, high-energy velocity of drum & bass requires a deep understanding of both genres’ fundamentals, as well as a great deal of adaptability and patience. King Sinister’s journey is a prime example of this demanding transition. Despite the inherent difficulties, he managed to find his footing in drum & bass as though he had been a part of the scene for decades. Rather than merely dabbling or experimenting, he fully embraced the new genre and ultimately made it his own creative territory.  His experience emphasizes the importance of perseverance, open-mindedness, and a willingness to learn from each genre’s distinctive qualities, and he has shared insights into how this transition unfolded for him, delving into the challenges he faced and the lessons he learned along the way. “*Honestly, looking back, switching from Hip Hop to drum & bass was a real learning curve for me. The styles are just so different—Hip Hop’s got that chill, laid-back vibe, while drum & bass is just fast, gritty, and totally its own thing.*“ *When I first started MC’ing with Bangalore Massive, they threw me on a couple of tracks, and I immediately noticed that the UK sound, especially Grime and DnB did things way differently than what I was used to. That’s when it clicked for me: maybe I could actually connect the two worlds in my own way.*“ *Also, I like putting my own spin on things. Take the UK rap scene, for example. Back in the day, a lot of rappers had a similar flow, until guys like Skepta and Stormzy came in and just switched it up. That gave me the confidence to find my own style too. Stormzy especially was a big influence while I was getting into Grime and DnB.*“ *Mixing my Hip Hop roots with that drum & bass energy really changed the game for us, especially with Bangalore Massive and Drum and Bass India. It just took things up a notch. Even after a few years, I haven’t found anyone else who brings quite the same vibe to the stage. I’ve had a bunch of friends and rappers jump on the mic with me, but people always tell me, “King Sinister’s gotta be the one doing this,” because they feel that energy and grit I bring.*“ “*In the end, it’s more than just the music or the flow—it’s the whole package, you know? That’s what really hooks people in.*“ Following his transition from hip-hop to drum & bass, King Sinister embarked on an exciting and demanding journey with [Drum & Bass India](https://www.ticketfairy.com/word/2025/03/12/how-to-build-a-thriving-drum-bass-scene-in-india-feat-the-untitled-one), a collective that has been instrumental in shaping and nurturing the drum & bass scene across the country. His role with Drum & Bass India has involved working closely with a wide variety of DJs, each with their own distinct style and energy. Adapting his flow and delivery to fit seamlessly with an array of musical styles and tempos required both flexibility and creativity; the journey has been incredibly rewarding for King Sinister. The opportunity to collaborate with so many talented DJs has not only pushed King Sinister to refine his craft but has also allowed him to leave his distinctive mark on the scene. Over the course of nearly three years, his connection with Drum & Bass India has grown into something unshakable, and it has led to an artistic partnership that has helped build a vibrant community around the genre in India. Looking back, he acknowledges how the beginning of this phase was filled with challenges, as adapting to the drum & bass scene and its fast-paced demands required a steep learning curve. “*Over the past three years, the journey has really taken off. In the beginning, the drum & bass community was pretty open to what we were doing, embracing the blend quickly. But on the other hand, a lot of people in the hip hop scene were a bit unsure. It was like they were sceptical about whether this crossover with drum & bass would even work or resonate with the core audience.*“ *I’d have friends and fellow artists ask if I was sure this was the right move for me as a hip hop artist, questioning if branching out into drum & bass was a good call. But for as long as I can remember, I’ve never let myself be boxed into just one genre. When I started out rapping, I’d jump on any beat, no matter what style or genre it belonged to. My friends would throw on any track and tell me to just rap over it.*“ [THE UNTITLED ONE | #10YearsOfDrumandBassIndia Day 1 (#BangaloreMassive 015) \[2023-04-28\] 360°](https://www.youtube.com/embed/Lbs8nJVrpAc?feature=oembed) *That open-minded approach really gave me an advantage when transitioning into drum & bass. I brought my own unique style to it, since I was already used to adapting to whatever sound was thrown my way. When I started performing at drum & bass gigs, producers from that scene began reaching out, wanting to collaborate and experiment.*“ “*Through all those collaborations, I gained a ton of insight, not just into the sounds and rhythms of drum & bass, but also into how my own voice and delivery worked with those elements. The growth has been huge. Now, after three years, it’s become such a unique match that, honestly, I don’t think there’s anyone else who could replicate exactly what we bring to the table.*“ The release of ‘Kettaman’ marks a pivotal point in King Sinister’s journey, both as a drum & bass artist and as a creative rooted in cultural fusion. After years of collaborating with a wide spectrum of names within the drum & bass scene and refining his own sound, stepping into production felt like the most natural and exciting evolution for him. ‘Kettaman’ stands as his first foray into this realm: a genre-bending track that marries the gritty, high-energy pulse of contemporary drum & bass with the distinct flavors of his Tamil, Malayalam, and Bangalore roots. It’s not only an exhibition of technical skill in production but a personal statement, showcasing how seamlessly global electronic styles can mesh with South Indian influences to create something truly original. With the track finalized, out in the world, and a music video now live, there’s a tangible sense of pride and accomplishment. The response has been particularly rewarding, seeing listeners connect not just with the relentless energy but also with the cultural authenticity woven through every bar and visual element. “*There’s a real sense of satisfaction in seeing all the hard work pay off, knowing you’ve put everything into a project and the end result connects not just with your audience, but with your own high standards. I’ll admit, I’m pretty particular when it comes to my work, so getting “Kettaman” to a place where I genuinely felt proud took some time. The first version of the song was actually finished close to a year before it was released, but I held back, not fully convinced by the demo. I decided to share it with a few producers and friends, gathering feedback and opinions, and eventually, I reached the point where I just had to take the leap and see it through. After handling production myself, I sent the track off to Progressive Collective in Mumbai for mixing and mastering, which brought it up to a whole new level sonically.*“ *People kept telling me that the music deserved a video, that a strong visual would really lift the whole experience and help the track land with even more impact. That idea stuck with me, and with a little encouragement from Feni Fina in Mumbai, I decided to move forward with it. By a twist of luck and good timing, I ended up working with an all-women team for the video, which turned out to be such a seamless and collaborative experience.*“ [King Sinister - KETTAMAN (Official Music Video)](https://www.youtube.com/embed/GuXcC9kgvI8?feature=oembed) *In the past, working on music videos was always tricky, either I couldn’t find the right collaborators, or our ideas never quite clicked. But with this new team, led by Jess from JV Films, there was immediate synergy. My original concept was pretty straightforward: I wanted the video to reflect the drum & bass culture in Bangalore, the community and the energy that put me on the map. When I spoke with Jess, she took that idea and ran with it. She developed a whole storyline involving industry gatekeeping and the challenges artists face breaking through, framing it as a struggle to reclaim your place and make your mark. It was the first time someone really expanded on my idea, adding depth and bringing a fresh perspective to the project.*“ “*From those creative conversations to releasing the final product took around four months. Even with all the back and forth, refining the concept, shooting, editing, and piecing it all together, I found myself loving each step of the process. Seeing a simple idea evolve into something so meaningful, and being surrounded by a team who truly got the vision, made “Kettaman” as rewarding behind the scenes as it is on the stage.*“ Creatively, the progression of the tune was as organic as it was deliberate. Writing the song was about weaving together elements from his diverse influences – he built English hooks and layered verses with Tamil and Malayali phrases, ensuring that every part of the track felt true to who he is. The creative process involved sharing drafts with trusted producers and mutuals, refining the sound, and finally allowing the blend of drum & bass with his linguistic and cultural background to shine through. “*When working on “Kettaman,” I started out in Logic, digging through samples until I stumbled across one that really caught my ear. At first, the beat I laid down had a strong hip hop vibe, it was where my instincts took me naturally. But then I realized, having spent the last three years immersed in drum & bass, that people expected me to push further into that sound. So I thought, why not flip the script and create a drum & bass beat, but with the recognizable influence of both hip hop and my South Indian roots?*“ *I sent the early version of the track to a few producers for their input, but their takes always ended up crowding the same frequency range as my vocals, especially since my voice sits deep in the low-mid area. That’s when I decided to take things into my own hands. For me, “Kettaman” isn’t just a name; it means “bad man” in Tamil, and I wanted to celebrate my background by weaving Tamil and Malayalam into the song, alongside the English I usually rap in. The hook is in Tamil, and if you listen closely, the verses blend in hints of Malayalam, reflecting my family’s mix from Chennai, Kerala, and my upbringing in Bangalore.*“ [Spotify Embed: KETTAMAN](https://open.spotify.com/embed/album/5j2pBg5yoiaBI7mXS2UTVo?utm_source=oembed) “*Blending all of that together was a real challenge, especially since so many people had trouble producing a soundscape that let every piece breathe. After not finding quite the right fit from others, I decided to personally rework the track, adding some grit, infusing it with drum & bass energy, and arranging it exactly as I envisioned. The final structure took inspiration from Jason Status and Stormzy’s “Backbone.” Funny enough, I had written my track before their song was out, but after hearing “Backbone,” I realized its arrangement could help me shape my own. Once I aligned “Kettaman” with that structure and layered my vocals, everything clicked. The finished track truly lands in a space few others can, merging all my influences while remaining distinctly my own.*“ King Sinister’s journey in Drum & Bass represents a fascinating fusion of cultures, languages, and genres that has captivated audiences and propelled the scene forward in India. His multicultural background, having grown up in Bangalore with familial ties to both Kerala and Chennai, infuses his music with a blend of Tamil, Malayalam, and English, making his tracks resonate with a wide and diverse audience. This intentional use of multiple languages opens doors for listeners across India to see themselves represented in a genre that’s often perceived as niche or foreign. Inspired by the collaborative ethos of Bangalore’s hip hop culture, King Sinister has always prioritized building a strong, inclusive community, whether it’s by connecting with established names or encouraging new talent to experiment within drum & bass. His adaptability stems from years of rapping over all kinds of beats, giving him the flexibility to bridge genres and appeal to fans who might not have engaged with DnB otherwise. This ongoing journey serves as a powerful example of how authenticity and inclusivity can transform music scenes, making space for new voices, sounds, and shared experiences. “*It’s honestly a great feeling. Sure, there have been a few challenges along the way, but overcoming them just makes the journey more rewarding. My sense of community and the drive to push culture forward stems from my hip hop roots in Bangalore, where artists like Smokey the Ghost and Hmk showed me the power of building connections beyond just making music. Without that foundation, I probably would have been just another musician focusing only on my own work, missing out on the bigger impact music can have on a scene.*“ *When I put together “Kettaman,” I had no idea I was using a sample from an old Bollywood song until a friend pointed it out, realizing that connection to my roots made me even prouder of the track. My experience in hip hop taught me that while you can carve out a hardcore following with your music, access remains an issue for many, with hip hop gigs often feeling exclusive. Drum & bass, on the other hand, welcomed me in, and the love from that community has really fueled my creativity and growth. Even with industry gatekeeping and barriers, the collective energy and support keep me moving forward. And at the end of the day, people might appreciate elements from UK styles, but they also embrace what I bring uniquely as myself.*“ *Seeing the audience respond has been amazing, even a teaser led people from other cities to show up at my gigs just to hear the full track. That sort of support reminds me why I do what I do. The more I stay true to my style and my roots, the more I see others feeling inspired to blend their individuality with electronic music too. So while there are pressures to fit a mold, I’ve found that being authentic connects far deeper, proving there’s space for all our voices in this scene.*“ Following the success of the original “Kettaman,” the track is now enjoying a surge of fresh excitement thanks to remixes by renowned producers Calculon and Survival. Both have put their stamp on the song, taking its core energy into new territories. Calculon and Survival approached the remix with clear respect for the spirit of the original. He preserved the deep, low-end tension that defines King Sinister’s cut, yet delivered his signature “deep flip”, injecting the reinterpretation with moody atmospheres and tight percussive elements that lend the track a different kind of dancefloor allure. The remix process moved quickly and organically. As soon as Calculon and Survival dove into the creative work, the vision for his version became clear, leading to an almost complete remix that was rapidly sent over to King Sinister. The speed and ease of the collaboration show just how in sync everyone was. “*It couldn’t have been clearer in my mind who I wanted to collaborate with on the remix. Calculon hit me up one day, and before I knew it, he was working with Steve from Survival Audiotactics—and they’d nearly wrapped up the remix already. I was honestly stunned at how quick that turnaround was, especially since so many others usually take their own sweet time to deliver remixes.*“ *When I finally heard what Nik and Steve had put together in such a short span, I immediately knew they were the right fit. The energy they brought into the project as they worked on it made me genuinely excited to have them involved.*“ *What made the whole experience even more rewarding was seeing how much they loved the original track and the potential they saw in it. It made me feel truly appreciated for what I’d contributed. This remix experience really proved that borders and languages can’t hold us back from doing what we love.*“ [Spotify Embed: KETTAMAN (Remix)](https://open.spotify.com/embed/album/5X4ThsO90rPGTILWvk6YEI?utm_source=oembed) Having solidified his presence as a central force in India’s drum & bass scene and proving his skills in music production, King Sinister is now gearing up for another bold chapter. True to his reputation for innovation, he is shifting gears and setting his sights on new musical horizons, most notably, an album that promises to showcase his next evolution as an artist. This phase is marked by a spirit of exploration, where he draws from a wider landscape of influences, blending elements from electronic subgenres, hip hop, and regional sounds. The goal is to achieve a project that not only pushes his boundaries but also redefines the expectations of what Indian drum & bass, and his own music, can sound like. In discussing the album’s progression, King Sinister revealed that the creative process has been invigorating yet challenging. Even as he ventures into uncharted territory, King Sinister continues to ground his new work in the cultural richness and multilingual dynamics that define his sound. “*The album I’m about to drop this year is honestly the most wide-ranging thing I’ve ever worked on. I’ve thrown all kinds of influences in there, from Indian instruments and percussion to sounds and bits of language that come straight from my South Indian roots. It isn’t just sticking to one vibe either, it’s got a bit of everything. “Kettaman” is just the first glimpse of what’s coming on this album.*“ *The idea’s actually been on my mind for a couple of years. After I put out two or three EPs and got some good feedback, people kept asking, “Hey, are you ever going to put out an album?” For a while, I kept saying not yet, but somewhere along the way, I was sitting on seven beats I’d made myself (not counting “Kettaman”) and realized they all fit together, even though they stretch across a bunch of genres. None of it feels forced, some stuff leans into rock, other tracks bounce into drum & bass, jungle, hip hop, grime, R&B, and even a little dose of Indian classical sprinkled in.*“ *This time around, I want each song to feel like its own world, but still part of a wild, adventurous ride. I’m planning to drop tracks from the album throughout the year, leading up to the big release at the end. I can’t wait for everyone to hear how much the sound has grown and just how many new things I’m trying out. It honestly feels like the most “me” I’ve ever sounded.*“ As we wrapped up our conversation, talk naturally turned to the future and what’s in store for King Sinister in 2025. With singles rolling out from his upcoming album throughout the year, 2025 will see King Sinister performing new tracks live for the first time. With his momentum properly in motion, he’s charting out an exciting year filled with fresh ambitions. “*For now, I’m hitting pause on live shows. This year, my energy is fully dedicated to the album, making sure the marketing, promotions, and all the behind-the-scenes business aspects are locked in. That’s really where my focus is at the moment.* *Once that groundwork is set, I’ll be back on stage, likely around November or December, kicking things off again with live gigs. The plan is to drop the album and map out a tour for next year. In this industry, every bit of support matters and we need to take it wherever we can get it.*“ King Sinister’s journey is a testament to the power of reinvention, of trusting your voice even when the blueprint doesn’t exist. From the hip-hop cyphers of Bangalore to commanding drum & bass stages across the country, he’s opened the floodgates for a new generation of MCs in India to find their voice within the genre. And with his debut music video out, a growing list of collaborations, and an album on the horizon, King Sinsiter’s journey is one you’ll want to follow closely. **For more artist interviews and updates, keep up with TFword on [Instagram](https://www.instagram.com/tf.word/) | [Facebook](https://www.facebook.com/thefckingword) | [X](https://x.com/thefckingword)** **You May Also Like:** [Bass Music Acts to Watch Out for in 2025](https://www.ticketfairy.com/word/2025/01/15/bass-music-acts-to-watch-out-for-in-2025) [The Subtle Genius in Big Trouble’s Deep Dubstep Sound](https://www.ticketfairy.com/word/2025/06/09/the-subtle-genius-in-big-troubles-deep-dubstep-sound) [Rayska: An Unparalleled Genre-Blending Mastermind](https://www.ticketfairy.com/word/2025/04/04/rayska-an-unparalleled-genre-blending-mastermind) Jaa [X](https://twitter.com/intent/tweet?url=https%3A%2F%2Fwww.ticketfairy.com%2Ffi%2Fword%2F2025%2F07%2F18%2Fking-sinister-reflects-on-his-path-to-become-drum-bass-royalty-in-india.md&text=King+Sinister+Reflects+on+His+Path+to+Become+Drum+%26+Bass+Royalty+in+India) [Facebook](https://www.facebook.com/sharer/sharer.php?u=https%3A%2F%2Fwww.ticketfairy.com%2Ffi%2Fword%2F2025%2F07%2F18%2Fking-sinister-reflects-on-his-path-to-become-drum-bass-royalty-in-india.md) [WhatsApp](https://api.whatsapp.com/send?text=King+Sinister+Reflects+on+His+Path+to+Become+Drum+%26+Bass+Royalty+in+India+https%3A%2F%2Fwww.ticketfairy.com%2Ffi%2Fword%2F2025%2F07%2F18%2Fking-sinister-reflects-on-his-path-to-become-drum-bass-royalty-in-india.md) ## Sagar Deshmukh Drum & Bass head with a tinge of hip shake for Disco. A DJ when I am not glued to my screen! [Lisää kirjoittajalta Sagar Deshmukh →](https://www.ticketfairy.com/fi/word/author/sagar0204.md) TF Wordin uutiskirje ## Tilaa TF Word sähköpostiisi Yksi sähköposti viikossa: lukemisen arvoiset jutut ja menemisen arvoiset keikat. Ei roskapostia, voit peruuttaa milloin tahansa. Sähköpostiosoitteesi Tilaamalla hyväksyt [tietosuojakäytäntö](https://www.ticketfairy.com/privacy-policy). 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