# Harnessing the Controlled Sonic Chaos With Sikitzza: TF Word 1. [TF Word](https://www.ticketfairy.com/fr/word.md) 2. [Interviews](https://www.ticketfairy.com/fr/word/category/interviews.md) 3. Harnessing the Controlled Sonic Chaos With Sikitzza - [Interviews](https://www.ticketfairy.com/fr/word/category/interviews.md) # Harnessing the Controlled Sonic Chaos With Sikitzza We caught up with the Bangalore-based artist to talk about his latest release, his approach to production, the story behind his distinctive party concept, and what’s next on his horizon. [Sagar Deshmukh](https://www.ticketfairy.com/fr/word/author/sagar0204.md) 14 octobre 2025 · 9 min de lecture ***We caught up with the Bangalore-based artist to talk about his latest release, his approach to production, the story behind his distinctive party concept, and what’s next on his horizon.*** They say patience is a virtue, and in the world of bass music, that patience almost always rewards those who stick with it. This is a scene that rewards dedication; the kind that comes from countless late nights tweaking sounds, chasing that perfect sub, and waiting for the right crowd to truly *get it.* For some, it’s about finding their place within an ever-evolving genre; for others, it’s about letting the scene itself shape them into who they’re meant to be. For Bangalore-based DJ and producer **Sikitzza**, this journey has been a testament to both discipline and adaptation. Having spent years exploring the deeper ends of dubstep and other shades of bass music, he’s now carving out a sound that feels distinctly his own; fierce and aggressive, yet calculated and in control. His productions embody that perfect balance between chaos and composure, between raw emotion and refined craftsmanship. [Spotify Embed: Controlled Chaos](https://open.spotify.com/embed/album/1bsOGnXTzPRPJzqnX4sUVU?utm_source=oembed) This refined duality comes to full expression in his latest release, ‘Controlled Chaos,’ a culmination of six original cuts that capture Sikitzza’s sonic evolution and the emotional journey behind it. It’s an honest reflection of the time he’s spent honing his craft, while also representing the cathartic release that his music has always been for him. For Sikitzza, the “chaos” of experimentation and self-discovery has now settled into a confident flow, where ideas materialize naturally and creativity moves unforced. The chaos that he has channeled in his latest release is no longer something he’s wrestling with, and it’s something he’s learned to command. As he steps into 2026 with confidence and creative momentum, we caught up with him to talk about his music, his mindset, and the narrative behind the sound that’s fast becoming his signature. **TFword: To begin with, how has 2025 been for you so far – in terms of your music, shows, and everything else that’s been going on? SIKITZZA:** It’s been a really good year, man. I’ve played in quite a few places, and I think we’ve dropped over 60 originals so far. So yeah, no complaints! I’m really happy with where my sound is at right now. I feel like I’ve finally reached a stage in my production where I’m genuinely satisfied with my output. I’m not chasing perfection as much anymore. It’s great to see how the music is translating live and getting support from peers and other artists too. That’s been really rewarding. **TF: Speaking of your sound, I know your strongest base is in dubstep and the 140 side of things, but you’ve also explored the 170 BPM range, too. How did you come to define what your “formative sound” is? Or even beyond that, what made you decide that bass music was something you really wanted to pursue? SIKITZZA:**Honestly, it all started from a very personal space. I’ve always had this inner chaos that I needed to express somehow. When I first came across bass music, it felt like I’d finally found a medium that could channel that energy. Before that, I felt kind of alienated, like no one could really understand what I was trying to say or feel. When I discovered this sound, it just clicked. It became a way to channel that inner demon in a controlled, sonic way. Over time, as I started playing my tracks live, it turned into a huge outlet for that energy. I’m actually a pretty calm guy in real life, but bass music gives me a safe space to let that wild side out; it’s raw and aggressive, but still has this sense of control and beauty to it. That balance is what keeps me hooked. **TF: Coming to your releases, as you mentioned, you’ve had quite a few drop this year. How has that process been creatively? Were there any particular challenges you faced while putting the EP together? SIKITZZA:** Honestly, the EP came together pretty naturally. A few of the tracks were ones I’d already finished earlier, while the rest just fell into place as I went along. I’ve always had this tendency to chase perfection — and that can sometimes be a trap. But having deadlines really helped me push through and stop overthinking every detail. I’ve realised that the fresher and more spontaneous your ideas are, the better they usually turn out. The tracks I made quickly, when I was just going with my instinct, actually ended up being some of my best work. From a creative standpoint, I think I’m finally at a place where I trust my sound and don’t second-guess it as much anymore. [Spotify Embed: Originals](https://open.spotify.com/embed/album/7x7H7M3GRKQWaL7BNbu9yR?utm_source=oembed) ****TF:**You’ve been exploring a particular sound for a while now, and it feels like you’ve really found your footing with it. But looking ahead, are there any new sonic directions or areas you’re planning to dive into next? SIKITZZA:** I’ve been getting really into the mixing side of things lately. I actually got myself a new mixer not too long ago, and that’s kind of reignited my love for the technical side of music. I’m fascinated by how mixing can completely change the way a track feels, how it translates emotionally and sonically. So going forward, I really want to focus on that, refining how my music sounds across different systems and spaces. I want it to hit just as hard in a small room as it does at a festival. I guess that’s where my head’s at right now; still keeping that raw, aggressive energy, but making sure it connects clearly and powerfully through the mix. ****TF:**Coming to the scene itself, over the last three years, it feels like the bass music community has really started to thrive again. For a while, this particular sound didn’t have much of a presence, at least not as a proper scene. But now, there seems to be some real momentum. What’s your take on that? SIKITZZA:** Yeah, 100%. I mean, when you look at it from a population perspective, bass music is still a really small niche here, almost non-existent compared to everything else. But the roots have always been there. What’s exciting now is that the younger generation is a lot more open-minded. They’re curious, they’re willing to explore, and they actually show up to these gigs. I think the key is to keep building it as a safe space, somewhere people can come, let go, and express themselves freely. That energy, that sense of community, is what will make the scene grow naturally. It’s small, but it’s alive, and that’s what matters most right now. ****TF:**Speaking from the live side of things, you’ve got your own night, and you’ve been doing shows around Bangalore. The city’s known to be one of the most conducive places for underground music and creative expression. How has Bangalore been for you personally? SIKITZZA:**I love my city; I’ve got nothing to complain about. It’s a blessing to be born and based here. A lot of artists I know, even friends from Chennai and other places, often talk about how special the vibe in Bangalore is. What makes it great is that there’s enough space and light for everyone. If you’re doing your thing sincerely, you’ll find your spotlight. The community here is super supportive; it doesn’t feel like a competition, more like everyone’s rooting for each other. Plus, we’ve got some incredible venues that really understand and cater to this sound. Bangalore genuinely feels like one of the most balanced and creatively open cities out there right now. **TF: You’re running your own night as well, which is community-driven and caters to such a wide range of sounds. How did it come about? SIKITZZA:**It all began with trying to push the genre forward and do justice to the community as a whole. The deeper you get into the industry, the more you realize that talent often has very little to do with who gets booked. Our entire motto is to serve bass music and stay true to the culture and the genre. My brother Mohit and I put in a lot of effort when choosing acts for our events, making sure the environment is right. Many venues do not really like how picky we get with our artist curation, but it is what it is. Mohit and I also run another business together, so our dynamic is great. As artists ourselves, we are clear that we are hosting events to promote the community, not to chase money. ****TF:**What are your thoughts on how it has grown since its inception? SIKITZZA:**Being selective about what we host and where we host is both a pro and a con. We don’t promote or partake in every event, but the people who genuinely care about the music appreciate us for that. **TF: Another interesting aspect of hosting your own parties is the gym rave you hosted. How did the idea come about, and what was the experience like? SIKITZZA:**The gym rave was incredible. The vision was to turn an entire gym into a nightclub, and we pulled it off. Mohit and I are both on a self-development journey; we do not indulge in substances at all. It was disheartening to see crowds at other parties go wild, mostly because they were drunk, rather than because they loved the music. So the idea behind the gym rave was to promote conscious consumption while keeping the heavy, raging energy alive. And what better place to push heavy bass than a gym filled with heavy weights? ****TF:**Looking ahead, how are the next few months shaping up for you, both in terms of music and shows? And what can we expect from you over the next year? Any releases or plans you can share?** **SIKITZZA:**Right now, I’m really deep into production mode. Just spending time in the studio, experimenting, and working on a new batch of tunes. The idea is to push my sound further and prepare for the next wave of performances. With the season picking up, there are a few exciting shows on the horizon, too. I’ve also been trying to figure out the transition from being more of a local act to stepping onto bigger stages, festivals, and larger venues, that kind of thing. It is not so much about trying to fit into a certain space, but more about figuring out how to present myself authentically on those platforms. Over the next 6 to 12 months, the main goal is to keep refining my sound, solidify that sonic identity, and make it undeniable enough that being on those stages becomes the natural next step. That is the vision right now, growth, both musically and live. **For more conversations and insights into electronic music, follow TFword on [Instagram](https://www.instagram.com/tf.word/) | [Facebook](https://www.facebook.com/thefckingword) | [X](https://x.com/thefckingword)** **You May Also Like:** [https://www.ticketfairy.com/word/2025/10/01/sub-focus-announces-fourth-studio-album-contact](https://www.ticketfairy.com/word/2025/10/01/sub-focus-announces-fourth-studio-album-contact) [King Sinister Reflects on His Path to Become Drum & Bass Royalty in India](https://www.ticketfairy.com/word/2025/07/18/king-sinister-reflects-on-his-path-to-become-drum-bass-royalty-in-india) [From Vision To Voltage With Hamshyre’s ‘Power House’](https://www.ticketfairy.com/word/2025/09/24/from-vision-to-voltage-with-hamshyres-power-house) [How to Build a Thriving Drum & Bass Scene in India Feat. 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