# Diffshock and the Conviction of Believing in Your Sound: TF Word 1. [TF Word](https://www.ticketfairy.com/sv/word.md) 2. [Interviews](https://www.ticketfairy.com/sv/word/category/interviews.md) 3. Diffshock and the Conviction of Believing in Your Sound - [Interviews](https://www.ticketfairy.com/sv/word/category/interviews.md) - [Music](https://www.ticketfairy.com/sv/word/category/music.md) # Diffshock and the Conviction of Believing in Your Sound The Mumbai-based DJ and producer’s debut EP on Unchained Asia opened the doors for a conversation about his creative process, the emotional weight behind the release, his affinity for tribal influences, and much more. [Sagar Deshmukh](https://www.ticketfairy.com/sv/word/author/sagar0204.md) 6 november 2025 · 18 min läsning ***The Mumbai-based DJ and producer’s debut EP on Unchained Asia opened the doors for a conversation about his creative process, the emotional weight behind the release, his affinity for tribal influences, and much more.*** There’s an inherent beauty when you see an artist discover their true sonic identity and commit to it with unwavering conviction. No matter how many barriers, detours, or discouraging moments that come along the way, the ones who believe in their sound continue to chase it relentlessly, which we would like to call an artist’s “sonic identity.” **Diffshock** is one such act from **Mumbai**, India, who embodies these ethos entirely. Ever since his debut, Diffshock’s dedication towards showcasing what he truly stands for has been relentless. Regardless of the sub-genre of bass music he explores, like dubstep, halftime, or beyond, his core philosophy of infusing tribal rhythms remains unapologetic and unmistakable. [The Dogon Sirius](https://www.youtube.com/embed/g5nv-auh82g?feature=oembed) Diffshock’s music is a spectacle of thundering percussions that demand physical response, basslines that rumble through infectious funk-laden melodies, and tribal textures that are sourced not only from India’s culturally rich traditions but from indigenous sounds across continents. This identity of his now takes center stage with his debut on the Asian continent’s premier bass music label, **Unchained Asia**. With the ‘Pulse’ EP, Diffshock delivers, in our opinion, his most focused and dynamic work to date. Across four meticulously crafted tracks that are hypnotic and unconventional in equal measure, he weaves bass-driven narratives with his fascination for mythology and the mystical. The EP also features collaborative efforts with two of India’s most exciting bass music talents, **Keltic** and **C4GE**, who add fresh dimensions to the already potent sound of ‘Pulse.’ It’s a collection of tunes that bridges movement and mythology, rhythm and introspection, and a solid statement of intent from one of India’s most distinctive new electronic voices. Given the EP’s thematic depth and collaborative nature, we were keen to dig deeper into the origins of Diffshock’s tribal obsession, understand the creative dynamics with Keltic and C4GE, and dive into the mythology that pulses through this release. We brought all three producers together for an in-depth conversation about the making of the ‘Pulse’ EP. **TFword: Congratulations on the release of ‘Pulse’! How does it feel to finally put this project out into the world under Unchained Recordings? DIFFSHOCK:** First of all, thank you to everyone who supported me on this project. Releasing this EP with Unchained Recordings is a special moment because I’ve genuinely admired the label long before they approached me. I’ve been listening to Unchained for around four years, especially the halftime, experimental, and subtly heavy tracks. One of the first tracks that grabbed me was Fetus – Black Gas, and through the label, I discovered artists I truly look up to like Champion Sound, Rohaan, Cesco, Kray, Groves, Radiax, Neve, Dead End, Throe, and many more. So being welcomed into the Unchained family, where artists from across the world share a similar vision and sonic spirit, feels amazing and inspires me to keep pushing my sound even further. **TF: Can you walk us through the concept behind ‘Pulse’? What does the title represent for you sonically and emotionally? DIFFSHOCK:** There’s a very personal and emotional story behind this trilogy. Many people ask me about the meaning of my tracks, and online I often just say “there’s no story,” because it’s hard to explain something so personal in a few words but I’ll try to share it here. I produce many genres besides Bass Music, but at my core, I started as a bass music producer. Over time, I naturally gravitated toward shaping my own sonic identity — raw, spiritual, rhythm-driven — what people now recognize as my tribal bass sound. The first chapter, The Native Morass, reflects my childhood — a period that wasn’t very easy. Every track mirrors emotions I never spoke about, memories I kept hidden, and parts of myself that I couldn’t share. It’s like holding up a mirror to my past and letting the music speak when I couldn’t. The second chapter, Escape, represents breaking free. It was the time I began to breathe, to live, to make new friends, and embrace life with fresh energy. That’s why the EP blends happiness and darkness — it carries both the weight of the past and the light of moving forward. The third chapter, Pulse, represents who I am today — focused, motivated, moving with intention, and trusting the flow. The name Pulse comes from the heartbeat that drives you forward — the struggle, movement, and determination. The idea of “raising Ulla” symbolizes nurturing inner strength and purpose (Ulla = a name associated with willpower and determination) — growing into myself, on my own terms. Forest Walk represents acceptance. Nature flows by its own rules — nothing is guaranteed, and everything can change in a snap. Life, like the forest, is unpredictable, sometimes harsh, yet beautiful. This chapter is about realizing that challenges aren’t setbacks — they are part of growth and evolution. Altogether, this journey is: Childhood wounds, escape, self-realization, acceptance and flow. This trilogy is me learning to understand myself, one Pulse at a time. [Diffshock - Pulse EP by Unchained Recordings](https://w.soundcloud.com/player/?visual=true&url=https%3A%2F%2Fapi.soundcloud.com%2Fplaylists%2F2099317563&show_artwork=true&maxheight=1000&maxwidth=702) **TF: How long was ‘Pulse’ in the making, and what challenges did you encounter during its creation? DIFFSHOCK:** Actually, there weren’t many challenges while making this EP because I know Keltic and C4GE very well. We’ve worked together many times before, so I was confident it would come together smoothly in just one attempt. The only challenge I faced was the time it took, around three months, which is the longest I’ve spent on any project so far. This happened because I was also busy with many shows and other projects during that period. ****TF:**Every track on the EP feels like it carries a distinct rhythm and energy. What was your vision while shaping the overall sound and flow of the EP? DIFFSHOCK:** From the moment someone presses play, I wanted the core identity to be immediately felt: heavy bass, tribal drums, and primal movement. The flow of the EP was shaped very intentionally, with each track leading into the next through a natural progression of energy and emotion. I wanted it to feel like forward motion, where one track ends and the next evolves from it, creating a journey of tension, release, drive, and resolution. While working on it, I constantly asked myself: Does this track feed the heartbeat? Does it reflect the focused and determined state I’m in now? And does it still stay true to my roots — the raw, tribal bass essence people know me for? So the EP is cohesive, but each track has its own identity. I want listeners to hear tracks and feel a continuous flow. ****TF:**Were there any particular sounds, samples, or environments that became the foundation for this EP’s sonic identity? DIFFSHOCK:** Yes, there were a few core sound elements that shaped the identity of this EP. I pulled heavily from organic, tribal textures — hand drums, wooden percussion, breath sounds, and rhythm patterns that feel almost ritualistic. I wanted the music to feel alive and rooted, like it came from a gathering around a fire rather than a studio. Alongside that, I used environmental ambience such as forest noise, insects at night, footsteps, and subtle airflow or metal scrapes. These layers create atmosphere and movement, so even the quiet spaces feel intentional. On top of that foundation, I built heavy, physical basslines to give the music drive and impact. The goal was to balance raw human rhythm with deep, forward-pushing bass — grounded in nature, but meant for the dancefloor. ****TF:**You worked with Keltic and C4GE on this project. How did these collaborations come about, and what do you think each of them added to the final result?** **DIFFSHOCK:** It was honestly very interesting and natural working with both Keltic and C4GE. They understand me very quickly — not just musically, but in terms of thought process and intention. They’re both great listeners as well as thinkers. As I mentioned earlier, this EP took around three months to complete, which is longer than usual for me because I was handling a lot of shows and other projects at the same time. In the middle of that, I got stuck with progress on a few tracks. Keltic ended up working on two of the tracks because, throughout the process, he was there with me, giving ideas and helping push the vision forward. Since I was stuck, he stepped in and we finished Pulse and Flow together in no time. Even though he primarily comes from a drum & bass background, he was excited to explore this tribal bass direction and it connected naturally for him. C4GE, on the other hand, is someone I’ve known for a long time. He had previously remixed one of my tracks from The Native Morass series, and that remix made it clear to me how strong his sound design and storytelling ability is. He didn’t need much explanation, he understood the concept immediately and delivered exactly the jungle–forest atmosphere I was looking for. We share a lot of common influences, friends, and taste in sound, so our collaboration felt effortless. Both Keltic and C4GE come from the same creative environment I come from — the same habitat, you could say — so they understand my vision deeply. They contributed not just production skill, but emotional and conceptual clarity to the EP. Their work genuinely amazed me. As producers, we’re always learning. Music never really ends — and working with them reminded me of that. ****TF:**Did any of the collaborations push you to explore new rhythmic or emotional territories? DIFFSHOCK:** Yes, absolutely. Every collaboration brings new perspectives, new knowledge, and new emotional ground to explore. I have over 50 tracks online, with around 35 released as singles, but working with producers in my circle has opened up a whole new dimension. Each artist carries their own rhythm, thought process, and skill set, and collaborating lets us exchange that in real time. For example, while working with Keltic, I picked up a lot of new plugin workflows and production techniques that expanded the way I shape grooves. And with C4GE, I was genuinely amazed by his approach — he has worked across almost every DAW and still uses a very hands-on, old-school workflow that brings a raw, grounded feel to the sound. It reminded me that technical depth and pure instinct can go hand in hand. I’ve never chosen collaborations based on numbers or status — I do it out of respect for the artist and the connection in the music. If I believe in someone’s sound, I want to build with them. And every collaboration pushes me into new rhythmic patterns, new emotional textures, and new ways of thinking. Big love to all the collaborators who have been part of this journey — they’ve each shaped my sound in their own way. **TF to KELTIC: How did you adapt your sound for this collaboration with Diffshock? KELTIC:** Being primarily a Drum & Bass producer, I took this collaboration as an opportunity to broaden my spectrum. Diffshock is known for crafting tribal-inspired tracks and experimenting with dark, ominous sounds, making his music diverse and distinctive. I decided to incorporate some of my own elements and production techniques from Drum & Bass to complement his style. By doing so, both Pulse and Flow gained a strong contrast and solid depth — not only enhancing his part but also blending seamlessly with mine, resulting in a more cohesive and dynamic outcome. ****TF to KELTIC:** What moment in the process stood out most to you, one that made the track come alive? **KELTIC**:** While we were creating this track on the Welupt Community Discord, the communication and chemistry between Diffshock and me truly stood out. We share a similar vision of what fits best and what doesn’t. Both of us strongly believe in the phrase “Less is more.” Keeping that in mind, we carefully chose elements that would make the track sound more organic and natural. In essence, those shared moments — and our belief in “Less is more” — played a key role in bringing the track to life. ****TF to**C4GE: Your work often carries strong experimental and percussive energy. How did that influence the direction of your collaboration on ‘Pulse’? **C4GE**:** Interestingly, the track that Diffshock sent over instantly resonated with me, especially because of its drum work, which had that raw energy I’m always drawn to in dubstep. The moment I heard the demo, I knew exactly what it needed, which led me to create the main melody that the track opens with. Forest Walk became a blend of Diffshock’s vocal chop ideas and my melodic sections, and I think they complement each other really well. It was also an experimental process for me, since I played the vocal chops on my drum machine, something I’ve been exploring as part of my workflow lately. ******TF to**C4GE:** What was your first impression when you heard Diffshock’s concept for the EP, and how did you want to contribute to that vision?** ****C4GE**:** I think the EP had a really raw feel with heavy drums, which I loved, but I also felt it was missing a bit of that Indian element. Forest Walk helped fill that space and added the texture it needed. Since most of the tracks had a darker tone, I wanted to bring something brighter to balance the overall mood, and Forest Walk fit that role perfectly ****TF to **DIFFSHOCK****:** **Your sound often draws from tribal percussion and mythical storytelling, something quite unique in India’s bass scene. How did you channel those influences into ‘Pulse’? DIFFSHOCK:** I’ve always been deeply connected to traditional and classical sounds — not just from India, but from around the world. I was born in a Bengali family, and in Kolkata, music is part of the cultural bloodstream. Growing up, percussion was constantly around me. I became fascinated with the different drum cultures across India like Chenda Melam from Kerala, Dhol Cholom from Manipur, Dhol Tasha from Maharashtra, Puliyattam rhythms from Tamil Nadu, the Bengali Dhak, Auji Dhol from Uttarakhand & 35+ others. Each of these traditions has its own rhythmic grid, timing, and style of expression. Because of that foundation, my percussion has always been stronger than my melodic side. Tribal music at its core is pure rhythm — heartbeat, movement, dance, trance — and that identity naturally flows into my tracks. You can hear that influence in almost every piece of music I make. And it’s not just India. I listen to folk and ritual music from Thailand, Indonesia, Mexico, Native American cultures, as well as Middle Eastern and Turkish instruments. I’m a big fan of Turkish folk music and singers, and many more. When you listen deeply, you realize most instruments and rhythms share the same spirit and tonality — only geography changes the shape and sound as ideas travel. A lot of percussion instruments were discovered accidentally, and those “mistakes” led to powerful sounds. I think mistakes are one of the main drivers of new creation — probably 75% of the most interesting art out there came from mistakes. Mistakes can be awful, but they’re also a god-given gift if they lead to something beautiful. I tell everyone to make mistakes 100 times, because that’s the only place you find uniqueness. Another inspiration comes from mythical creatures. Every tradition has its own mystical beings deeply connected to music, and I’ve always loved their stories. Hearing about them from people across different regions while exploring their sounds and cultures has shaped my imagination. Some of my favorites are Kirtimukha, Tengu from Japan, Barong from Thailand, Mara from Buddhist lore, Theyyam from Kerala and Karnataka, and Ramman from Uttarakhand. Being born surrounded by these stories has always amazed me and influenced the spirit of my music. That’s the same mindset I brought into Pulse EP — exploring, experimenting, letting rhythm lead instead of forcing structure. I wasn’t trying to imitate traditional music directly — I channeled the essence: raw, primal, grounded energy. At the core, it’s simple: I love drums. Rhythm is my first language. And Pulse is built from that heartbeat. **TF: Can you share an example of a specific myth or cultural story that inspired one of the tracks? DIFFSHOCK:** Not really — I didn’t take direct inspiration from any myth for this EP. This project is entirely dedicated to motivation, struggles, flow, and keeping the pulse alive. However, the track Forest Walk carries a strong message about the jungle habitat and the relationship between all living beings, which is a theme I try to explore in every track — teaching a moral or grounding lesson. Forest Walk is spiritually oriented and inspired by the laws of nature. Its message reflects life cycles: when yellow leaves fade, green ones rise. Time is the most powerful force in the universe, governing every living being. The track encourages balance — eat what’s necessary, hurt no one, and live in harmony. Even a hundred-year-old tree eventually falls, fire can ignite in a dense wet forest, yet nature continues. Nature is powerful and impartial — it spares no one, recognizing no kings, demons, or gods. Everything contributes to the balance of life. The essence of this track, and of the EP, is simple: respect all living beings as you would family, live sustainably, and embrace life’s basic inheritance. It’s a reminder to enjoy life, act with integrity, and coexist with the world around you. ****TF:**There’s a certain spiritual, almost ritualistic energy in your productions. Is that something intentional, or does it emerge naturally through your creative process? DIFFSHOCK:** I honestly don’t know if it’s something I consciously do — I think I’ve just grown up this way, so it comes naturally. I never plan a track around a single concept or theme, like a mystical creature or a specific story. Usually, the story writes itself during the process. I’m deeply attached to the sounds I love, especially tribal percussion, and naturally gravitate toward tones and textures that carry that energy. If you want to hear my core drums work and storytelling through music, you can check out tracks like Ravananugraha, Murkh, Shaman, Two Sides, Mayong Dub, and Dwarka. These reflect most of my ritualistic energy and my connection to rhythm as a storytelling tool. ****TF:**How has your sound evolved since your early releases to what we hear now on ‘Pulse’? DIFFSHOCK:** As I mentioned earlier, I produce across every genre. I don’t like to stay in one place — my ADHD drives me to constantly explore and experiment. I don’t like boundaries; I see the sky as my world. I’ve always been unchained, fearless, and willing to follow whatever excites me. I love experimenting and I don’t care about critics — if I love something, I put it out. That mindset has shaped who I am today. Because of this, I fit everywhere, have friends in every genre, and maintain meaningful connections. My sound changes all the time, influenced by my moods and experiences, but there’s always a common ground: tribal rhythms. I love every phase of my musical evolution, and if you go through my catalog, you can hear how I shift energy quickly while keeping that core tribal essence. I’m glad you asked this question — it’s always fun to reflect on the journey! ****TF:**As someone pushing Indian dubstep to new frontiers, what do you think defines the Indian bass sound right now? DIFFSHOCK:** In my opinion, there are countless producers in the Indian bass music scene who possess immense talent, and it’s truly inspiring to see how much they’re contributing to the culture today. What makes it even more commendable is the fact that, back in the day, resources for bass producers were extremely limited. We didn’t have access to the same level of tools, knowledge, or platforms that are available now, which made it difficult to achieve the kind of sound quality and production standards we see emerging from the scene today. But things have changed drastically — technology, accessibility, and community have completely redefined what’s possible. Today, it’s a whole different story. Producers now have access to high-quality plugins, better hardware, educational content, and collaborative spaces that allow them to push their sound to global standards. The new generation of producers isn’t just making music; they’re building a movement — one that thrives on collaboration, experimentation, and mutual respect. One of the most admirable aspects of the current scene is how open these young artists are to working with established names. Their willingness to collaborate with more experienced artists not only helps refine their own craft but also strengthens the entire ecosystem, creating a continuous exchange of ideas and inspiration. I’m genuinely proud of where the Indian bass scene is heading. There’s a sense of unity, drive, and innovation that’s never been stronger. I truly believe the future is incredibly bright for our community, mainly because it’s filled to the brim with passionate and forward-thinking producers who refuse to let the scene fade out. Artists like Darn, C4GE, Kesler, Keltic, Bvo, Vazor, Beats Infinity, Dipgrix, Dhunnman, Yuklij, Hellkitty, Norbu, Swiss Holly, Who’s a Goodboy, and many others are constantly pushing boundaries and keeping the energy alive. Their consistency and creativity give me confidence that the Indian bass scene will continue to grow, evolve, and make its mark on the global stage for years to come [Diffshock 2025](https://w.soundcloud.com/player/?visual=true&url=https%3A%2F%2Fapi.soundcloud.com%2Fusers%2F853320085&show_artwork=true&maxheight=1000&maxwidth=702) ****TF:**How do you see your sound evolving in the next few years — more experimental, more melodic, or perhaps deeper into storytelling? DIFFSHOCK:** I’m not really someone who always decides what I’m gonna make. When I start making music, it’s always based on the current situations I am surrounded by; I always focus on the present. That said, I have a lot of unreleased tracks and I’m planning to collaborate with interesting people, international artists, and good labels. My “elephant days” are over — now my “tiger phase” has begun, always on the hunt, which means never stopping. ****TF:**Finally, what do you hope listeners feel or take away when they experience ‘Pulse’ from start to finish?** **DIFFSHOCK:** I hope listeners feel a journey of motion, energy, and determination — a heartbeat that keeps pushing forward. The tribal percussion, bass, and flow connect every track, while Forest Walk reminds us of life’s cycles and the power of nature. Ultimately, I want Pulse to be felt physically, emotionally, and spiritually, leaving listeners energized, inspired, and connected to rhythm. I also want to thank the entire Unchained team, especially Fragment, Max, and Lyndon, for creating this project with me and helping me connect with amazing people. Thanks to the Ticket Fairy team for giving me the opportunity to share this interview, and of course, thanks to everyone who has supported me along the way! **For more music interviews, keep up with TFword on: [Instagram](https://www.instagram.com/tf.word/) | [Facebook](https://www.facebook.com/thefckingword) | [X](https://x.com/thefckingword)** **You May Also Like:** [The Hottest Dance Music Bangers of October 2025](https://www.ticketfairy.com/word/2025/11/04/new-dance-music-releases-of-october-2025) [Inside Noriko Shakti’s Cross-Cultural Alchemy](https://www.ticketfairy.com/word/2025/10/29/inside-noriko-shaktis-cross-cultural-alchemy) [Circoloco Announces Debut Edition in India](https://www.ticketfairy.com/word/2025/10/27/circoloco-announces-debut-edition-in-india) Dela [X](https://twitter.com/intent/tweet?url=https%3A%2F%2Fwww.ticketfairy.com%2Fsv%2Fword%2F2025%2F11%2F06%2Fdiffshock-and-the-conviction-of-believing-in-your-sound.md&text=Diffshock+and+the+Conviction+of+Believing+in+Your+Sound) [Facebook](https://www.facebook.com/sharer/sharer.php?u=https%3A%2F%2Fwww.ticketfairy.com%2Fsv%2Fword%2F2025%2F11%2F06%2Fdiffshock-and-the-conviction-of-believing-in-your-sound.md) [WhatsApp](https://api.whatsapp.com/send?text=Diffshock+and+the+Conviction+of+Believing+in+Your+Sound+https%3A%2F%2Fwww.ticketfairy.com%2Fsv%2Fword%2F2025%2F11%2F06%2Fdiffshock-and-the-conviction-of-believing-in-your-sound.md) ## Sagar Deshmukh Drum & Bass head with a tinge of hip shake for Disco. 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