We caught up with the breakout producer to talk about his latest release, his approach to production, and how he masterfully navigates his multi-genre interplay.
Long before AndThen became synonymous with his bold, cross-genre productions, the UK electronic scene was undergoing its own radical transformation. It was an era of sonic experimentation, where boundaries blurred and new subgenres emerged from the underground. This cultural shift left an indelible mark on AndThen’s music, shaping the foundation of what would eventually become his signature sound: a dynamic fusion of house, tech house, and tribal rhythms, all anchored by percussive, groove-driven energy.
This refusal to be confined by genre conventions has become the producer’s trademark, resulting in a sound that’s immediately recognizable yet constantly evolving, as likely to ignite peak-time dancefloors as it is to reward deeper listening with its intricate percussive details and textural depth.
AndThen’s tracks have found homes on respected imprints like Cubism, Price Incorrect and Circus Recordings, while earning support from elite tastemakers across the house and techno spectrum. This cross-pollination of influences and endorsements speaks volumes about his ability to bridge scenes and connect with diverse audiences, united by a shared love of groove-driven music that prioritizes feeling over formula. Now making his debut on Junior Jack’s Adesso Music with ‘Massive Organ,’ AndThen delivers perhaps his most fully realized statement yet – a track that encapsulates everything his production philosophy represents.
‘Massive Organ’ is a masterclass in controlled energy, building its momentum through a framework of roughed-up tech house drums before introducing lush jazz organ stabs that add warmth and musicality to the track’s robust low-end foundation. The tribal edge that has become AndThen’s calling card is present and correct, expressed through intricate percussive patterns that give the track its undeniable swing, while balmy pads add atmospheric depth.
Following the release of this latest chapter in his musical journey, we were eager to explore the creative process behind AndThen’s ever-evolving sound. How does he approach the delicate balance between maintaining a signature style while continuing to push forward? What influences – both musical and beyond – feed into his productions? And how he plans to push his signature sound forward.
TFword: Your new single ‘Massive Organ’ is out now on Adesso Music and has received some really solid support. Can you tell us about the creative process behind this track and what inspired it?
AndThen: I’m buzzing with the huge DJ and radio support it’s had—hearing it played by people like Arielle Free on Radio 1 has been a real moment. Once I landed on the core sounds—especially that gospel-style organ—the track came together in about half an hour. It just flowed. That seems to happen with some of my best ones—the less time I spend overthinking, the better the result. I wanted something that stood out, and since organs are usually tucked into the bassline, I thought it’d be interesting to flip that and bring it to the front. It gave the drop a different energy, and it worked.
TFword: The track is described as having your signature driving, percussive sound but with a tribal edge and lush jazz organs. How did you approach blending these specific elements together?
AndThen: It was about finding the right balance between rhythm and soul. The percussion gives it that drive and weight, and the organ brings in a deeper, more emotional texture. I like playing with contrast—elements that feel a bit unexpected together but somehow lock in. Once I had those core pieces, the rest of the track built itself.
TFword: What inspired this fusion of experimentation with dancefloor functionality on ‘Massive Organ’?
AndThen: I’m always looking for that point where the track still does the job on a dancefloor, but gives people something a bit different. A lot of organ sounds tend to live in the bassline, but I wanted it front and centre—something that cut through and added character without taking away from the energy.
TFword: You’re becoming a regular on Junior Jack’s Adesso Music. What’s your relationship like with the label, and what makes it a good home for your sound?
AndThen: Adesso has been amazing. They’re not just serious about the music and promotion, but also really committed to artist development—whether it’s advice on publishing or just helping you navigate the industry. On top of that, they’re just great people to be around. I’ve become mates with a few other artists on the label too—it’s a really good mix of established names and emerging talent, and there’s a proper sense of community there.
TFword: Let’s go back to the start. How did you first get into music production and DJing? What was the initial spark?
AndThen: It started with playing around on production software in my teens, just seeing what I could come up with. I was into electronic music from early on, and once I realised I could actually make it, that was it. DJing came shortly after—I wanted to hear how my tracks sounded loud, test them in real settings, and just be part of that environment. I’ve been at it for a while, but it’s only really in the last 5 or 6 years that I’ve taken it more seriously. Back in the 2000s, I was releasing under a few different names but never really stuck with it consistently. This year actually marks 30 years of DJing for me. I started out MCing to happy hardcore and jungle in clubs, but knocked that on the head when I got deeper into DJing.
TFword: Were there any key turning points where you felt your sound matured or took a new direction?
AndThen: Definitely. Getting support and proper feedback from artists I respected gave me confidence to trust my own sound more. I stopped trying to chase trends and started focusing on what excited me. That shift made a big difference.
TFword: Are there genres outside of house and tech-house that you’d like to explore in future releases?
AndThen: Lately I’ve been experimenting with more disco influences—stuff that brings a bit more raw energy and funk. I’ve been collaborating with mates like Deepfiktion and Huxley and every session brings something new. I’m constantly learning, and it makes me want to explore even further.
TFword: 2024 saw you collaborate with the house legend Flashmob and have your track ‘For The Crowd’ remixed by Huxley. Can you share what those experiences were like? How did the Flashmob collaboration come about?
AndThen: I met Flashmob when we played together at Thirty3Hz in Guildford. I sent him a few tracks after the gig, and he got back saying he wanted to collab on a couple. I wasn’t about to say no to that. Sandro (Flashmob) is a genuinely good guy and really uses his platform to lift others up. As for Huxley, we’ve known each other through some production retreats, and I’d been hassling him for a remix for a while—he finally caved. We’ve actually been in the studio together and worked on a couple of tracks. One’s already been played out and featured on a Defected stream, so hopefully more of that sees the light of day soon. He’s a proper laugh and super sharp in the studio.
TFword: Looking forward, are there any new stylistic approaches or sonic territories you’re experimenting with and hoping to explore in your upcoming releases?
AndThen: Aside from the disco and funk-inspired stuff I’ve been diving into, I’m also leaning into more stripped-back arrangements—keeping things raw but still energetic. It’s a chance to really let the groove breathe. Working with vocalists has also opened up new possibilities and made the process feel even more dynamic. I think stylistically, I’ve been influenced by things like Floorplan—raw energy, gospel elements, and that unmistakable groove.
TFword: What are your main plans and goals for the rest of 2025 and beyond? Are there any exciting projects, collaborations, or gigs on the horizon you can tell us about?
AndThen: There’s a solid release schedule ahead, including a couple of new EPs and collaborations that I’m really excited about. I’ve got music coming up on RTRYBE—a label led by Huxley, Bakis and Ramin Rezai—as well as a remix on the Elemental Music label, where I’m also A&R. Gig-wise, I’m buzzing for the Elemental Summer Festival—that one’s going to be big—and I’ve been playing a lot with the artists involved at the moment. Also playing regularly with my mates at Sativa in West London, which has been properly kicking off. Looking forward to heading back to Cardiff in August, where I used to live and DJ, and up north to link up with my mate Matty Innocent in Middlesbrough. It’s shaping up to be a really strong year.
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