Events at 1910 N Charles St, Baltimore

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Proper 360° ft: Sam Binga, Addison Groove, Sir Hiss, Hyroglifics

02 March 2023 Thursday / 08:00 PM

1910 N Charles St, Baltimore

About 1910 N Charles St

1910 N Charles Street was home to **The Crown Baltimore**, a 21+ bar, restaurant and live-music venue in the heart of the Station North Arts District (www.thecrownbaltimore.com). The two-story brick building housed a Korean-fusion restaurant on the ground floor and two performance spaces upstairs. The *Back Bar* seated about 130 in an intimate cabaret-style dining area (www.thecrownbaltimore.com), and above it the *Pink Room* held up to 450 on a dual-stage concert floor (www.thecrownbaltimore.com) (www.thecrownbaltimore.com). Signature design touches included vibrant pink décor and custom art installations. Over its 11-year run (opened ~2013), The Crown became “one of the anchors” of Station North (baltimorefishbowl.com), known for highlighting underground music and arts in Baltimore (baltimorefishbowl.com) (www.thecrownbaltimore.com). Owners often noted the venue’s evolution – from a “hole-in-the-wall speakeasy” to a multi-room club – and how the community “felt the love” in each iteration (baltimorefishbowl.com). (Note: The Crown announced it closed permanently on August 12, 2024 (baltimorefishbowl.com).)

Events and Programming

From 2013–2024 The Crown hosted live shows almost every night. Its programming mixed genres and formats: indie rock, punk and metal concerts, electronic dance and hip-hop DJs, jazz and soul nights, drag and burlesque performances, comedy showcases and experimental theater. Guests could see local bands and touring acts “from heavy metal, to live jazz, to hip hop” in the versatile Pink Room (www.thecrownbaltimore.com). Regular events included themed dance parties (for example MSC’s *VERSION: Queer Dance Party*), open-mic nights (hip-hop and soul sessions), karaoke nights in the Back Bar, and varied rotating residencies (like *Kahlon* hosted by Abdu Ali, *808s* by BmoreAlien/DJ Swooz, and others noted for drawing diverse crowds (baltimorebeat.com) (www.thecrownbaltimore.com)). The venue also co-produced larger community events – notably the annual *SubScape* underground music festival (held there Aug 2–4, 2024) (www.thecrownbaltimore.com) – and threw special openers such as Pride after-parties and holiday parties. In its final month, The Crown ran a farewell series (including *Version*, *Hen House* drag/comedy, punk and rock shows, all-ages events and a goodbye party on Aug 10–11) to thank its fans (baltimorefishbowl.com) (www.thecrownbaltimore.com). Ticket prices varied by event: many local and punk shows were low-cost (often $10–$15 advance, ~$12–$18 at the door (www.thecrownbaltimore.com)), some niche nights were free or donation-based, while headliner concerts could run $15–$20 or more (www.thecrownbaltimore.com). Advance tickets were sometimes sold via the venue’s site or promoter pages, but most shows also offered on-site box-office sales (cash-only at the door) as capacity allowed (www.thecrownbaltimore.com) (www.thecrownbaltimore.com).

Tickets and Booking

Tickets for events at 1910 N Charles (The Crown) typically went on sale several weeks before the show date. For major shows, advance tickets could be bought online (names entered into will-call) or in person, and were often labeled “advance” vs. “day-of” on promo flyers. In practice, many concertgoers simply bought tickets at the venue door on the night of the show. According to the venue FAQ, “tickets are available on the day of the show and can be purchased at the door (cash only)” (www.thecrownbaltimore.com). Customers were advised to bring cash for door sales and to check the event’s advance sale details (some gigs had limited presales). Once you have an advance ticket, your name would be held at will-call until you arrive with ID (www.thecrownbaltimore.com). Credit cards and digital payments were accepted at the bar and restaurant for food/drinks (www.thecrownbaltimore.com), but appearances in many user notes suggest drink tabs were openly split by card at the bar after entry. In summary: arrive early for popular shows to avoid sell-outs, plan on cash for any at-door tickets or tips, and bring valid photo ID (21+ rule enforced) when picking up advance tickets from will-call.

Seating and Layout

The Crown’s layout was mostly open-floor and standing room, with no reserved or fixed seating for concerts (www.thecrownbaltimore.com). The main upstairs Pink Room featured dual end-stage platforms, a large central dance floor and scattered spots at stage-front railings and by the bar. There were no balconies or front-row seats; the best view was generally at center stage. The floor remained standing/general admission, so fans often lined up on either side of the dance floor or near the front of one of the two stages. Barstools and high-tops ringed the back and edges of the room, and a bench line ran behind the middle of the floor for seating (www.thecrownbaltimore.com). Downstairs, the Back Bar area had tables and banquettes in a cabaret-style layout around a small stage. That room held about 130 people (www.thecrownbaltimore.com), and the restaurant’s Korean kitchen occupied part of the main level (often drawing lines for late-night bites). Acoustically, The Crown’s sound system was said to be “state of the art” (www.thecrownbaltimore.com) (www.thecrownbaltimore.com), with two bars of sound and many modular club-style lights for an immersive concert vibe. Fans generally found that standing close to either stage gave the clearest view and sound; corners near the rear bar offered more breathing room at the expense of distance. There were no altitude changes – the upstairs floor and downstairs are at street level – so wheelchair users (on the first floor Back Bar) could still enjoy shows, but the main Pink Room was only reached via stairs.

Getting There and Parking

1910 N Charles St sits at the corner of Charles Street and North Avenue, north of downtown Baltimore (attn: Station North Arts District). By car, the venue is just a few blocks off Exit 5 (MICA/25th St) of I-83; navigate to North Avenue and Charles Street in Station North (www.thecrownbaltimore.com). There is **no dedicated parking lot** for the venue (www.thecrownbaltimore.com); however, street parking is usually available along Charles Street and North Avenue (metered $1–$2/hr, pay stations nearby) (www.thecrownbaltimore.com). Private pay lots operate on nearby blocks (for example, a lot at 1714 N Charles St) (www.thecrownbaltimore.com), typically charging around $5–$10 per evening. Note that these lots are not affiliated with The Crown, so follow posted rules. Rideshare drop-offs can use the Charles St curb or North Ave entrance. Public transit: several MTA bus routes stop very near the corner (CityLink Red, Green, Purple, plus lines 53 and 85, which cross North Avenue) (moovitapp.com). The Light RailLink runs east–west along North Avenue; the North Avenue Light Rail station (at Mount Royal) is a short walk (2–3 blocks) from The Crown. (The Metro Subway and MARC trains are centered at Penn Station, ~1 mile southwest, which is another nearby hub.) In practice, many patrons arrive by MTA bus to nearby stops (North/Charles) or via Lyft/Uber, especially late at night. Taxis can be picked up on Charles or outside Penn Station. If driving, allow extra time to circle – the neighborhood can fill up on busy weekends – or park a few blocks away to avoid competition for spaces.

Inside the Venue

Upon entry (doors typically open around 8–10 PM), all guests show ID at a single entrance. Security checks tickets/IDs and may perform light bag checks. After ID clearing (strictly 21+ (www.thecrownbaltimore.com) (www.thecrownbaltimore.com)), patrons step into the foyer and head upstairs or downstairs. The Crown’s ambiance was energetic and casual – dim lighting with spotlights on stage, photo-and-hang posters on the walls, and music pumping from the house system. Upstairs (Pink Room) had the main concert hall: a long bar on one side, soundboards mid-floor, and coat hooks/cubbies by the entrance. A few high tables lined the back wall. Downstairs, the Back Bar was cozier, with bar counter seating and booths around the stage area, resembling a lounge or restaurant table setting. The Crown’s restroom facilities included multiple stalls on each floor; notably, the ground-floor restrooms were ADA-accessible (with two single-stall handicapped lavatories) (www.thecrownbaltimore.com), whereas the upstairs relied on one larger unisex toilet. Food and drink: The venue offered full bar service (beer, wine, cocktails) and a late-night food menu of Korean comfort–fusion dishes (www.thecrownbaltimore.com) (popular items included kimchi fries and wings). The restaurant was open until late (often until 2 AM), so shows often had stoves firing: patrons could order table service downstairs. According to staff, the bar accepts all major credit cards and mobile payments, though small bills (cash) were always useful for tipping performers at merch tables (www.thecrownbaltimore.com). (Tip: a 20% service charge was typically auto-added to bar tabs (www.thecrownbaltimore.com).) Merchandise tables for each performer were usually set up in the entry or stairwell; these ran on a consignment basis (“cash is king” was advised for merch) (www.thecrownbaltimore.com). Wi-Fi was not publicly advertised, so cell service is spotty; many people just used their own data to check social media. A coat rack or hook area by the door accommodated jackets, but there was no formal coat-check staff. Other amenities: The venue’s sound and lighting rig was high-end for a club of this size (www.thecrownbaltimore.com) (www.thecrownbaltimore.com). The Pink Room’s two stages had fresh speakers, monitors and over two dozen programmable stage lights (www.thecrownbaltimore.com) (www.thecrownbaltimore.com), creating a “club in wonderland” party atmosphere. For disabled guests, note that the ground floor is fully wheelchair-accessible (ramp and restrooms) (www.thecrownbaltimore.com), but the upstairs stage area could only be reached by stairs (no elevator). Parking tokens or coat check fees were not part of regular operations. Most of all, inside The Crown you could feel its DIY ethos: the dress code was extremely casual (fans often dressed up creatively), photography with phones was common, and people dance anywhere. Security was friendly but clear: rules were straightforward (no outside alcohol, keep arms clear of others), making for a safe yet unpretentious vibe (baltimorebeat.com) (www.thecrownbaltimore.com).

Nearby Amenities

Station North is primarily an arts and dining district with several options a short walk from the venue. Within a block or two you’ll find late-night eats such as Hank’s Seafood Bar (famed for fish tacos and crab nachos) on North Ave, and Wanda’s Diner at North & Charles (classic 24-hour American diner fare). Additional multicultural restaurants line North Avenue (karaoke lounges, casual Chinese/Korean grills like Golden Temple, etc.). Nearby bars for pre- or post-show drinks include The Crown’s own lounge, Dooby’s Grocery (a friendly dive bar on North Ave), and Alma Cocina Latina (a laid-back Mexican eatery on Charles). For quick snacks, Sugar by the Crown (next door) served desserts, and B-more Licks usually sells ice cream by the block. The University of Baltimore and nearby Station North District also host food trucks and pop-up food markets on occasion. As for hotels: there are no major hotels right at North Charles, so most visitors stay downtown or near Penn Station (about 1 mile south). Options include the Courtyard/Residence Inn at Camden Yards or the AC Hotel by Marriott (all ~ 1–1.5 miles away), which have shuttle or easy transit links. Closer in Station North, you might try small inns like the City Oak Hotel near Mount Royal or the holiday-chain properties a few blocks north of North Ave. If you drive, arriving early (an hour before showtime) is wise to find parking on adjacent streets. On foot, the area is urban but well-lighted; smart travelers often dine or drink nearby earlier, then stroll over. Late-night rideshare pick-up is easiest on Charles Street just south or at the North Avenue corner. If the venue exits at 2 AM, the neighborhood is generally safe, but as always remain aware. The nearest 24-hour metro station is the North Avenue Light Rail stop (westbound at Charles), about a 5–10 minute walk northwest – convenient for post-show trips to downtown Harbor or Penn Station. Overall, planning a dinner or bar visit at least an hour before a show helps ensure you’re inside comfortably on time.

What Makes This Venue Special

The character of 1910 N Charles really came from its community and adaptability. The Crown’s multi-tiered layout and décor (pink neon, funky art, twin bars) created a subcultural hangout unlike typical big-box clubs. Its celebration of “anything goes” style meant patrons often dressed outlandishly – as one writer noted, “wear a trash bag with glitter on it and it would be avant-garde; no one would look twice” (baltimorebeat.com). This openness extended to music: the Crown never prioritized one genre, instead championing local and DIY acts alongside eclectic touring groups. Over time it earned a reputation as Baltimore’s top underground dance party venue, known for intense in-the-moment experiences where the whole crowd would sing acapella when the DJ paused (baltimorebeat.com). Longtime fans appreciated the venue’s support of local talent (routinely booking Baltimore headliners in hip-hop, punk, club, and queer scenes) and its fierce independence in a city with few such spaces. Historically, the building itself has roots in Baltimore’s century-old entertainment history, but Crown made history anew by bringing high-quality sound and lighting to a formerly quiet block pocket (www.thecrownbaltimore.com) (www.thecrownbaltimore.com). Outside the walls, The Crown’s presence buoyed neighboring businesses: on event nights its crowds spilled onto North Avenue’s sidewalks, benefiting nearby restaurants and shops. Cultural press often noted that as other midtown venues closed or gentrified, Crown remained a defiant DIY institution (baltimorebeat.com) (baltimorebeat.com). In short, the venue mattered because it truly belonged to Baltimore’s creative community. Artists loved playing there for its reliable crowd and camaraderie, and audiences loved it for the raw, intimate vibes and genuinely unconscious sense of togetherness (one farewell clip described the last party feeling like “old days before quarantine … a greater sense of togetherness and cultural renaissance” (www.thecrownbaltimore.com) (baltimorebeat.com)). Its nickname, some said, might as well have been “The Crown City’s best kept secret” – a crown jewel of Station North that both locals and visiting scenesters coveted.

Visitor Tips and Information

When visiting 1910 N Charles (The Crown), remember these tips: **Age/ID** – This is a strict 21+ venue (www.thecrownbaltimore.com) (www.thecrownbaltimore.com). No minors or exceptions. Always bring a valid government-issued ID (driver’s license/passport); staff will check IDs at the door and will refuse entry to anyone under 21 (www.thecrownbaltimore.com). **What to Bring** – Dress is casual; come in T-shirts, jeans, and comfortable shoes for dancing. Phones/cameras for personal use are fine (the crowd often takes pictures on their cellphones), but large professional cameras or recording gear may be denied. Earplugs can be handy if you’re sensitive to loud PA systems. **What Not to Bring** – Outside food, drink, and large bags typically aren’t allowed. Check your bag quickly if security asks, since space is tight inside. Note that lines to enter can be pat-down and bag-check for big backpacks. **Seating** – Don’t expect seats for a concert: as noted, seating is very limited (a few stools) (www.thecrownbaltimore.com), so if standing concerts are tough, try arriving ultra early to grab a seat in the Back Bar or eat downstairs first. **Arrival Time** – Doors are usually around 8–10 PM, but the real music often starts later. For popular shows, lines have been known to form 30+ minutes before doors. If you want a closer spot, plan to arrive early (especially Fri/Sat nights) and line up before entry. **Payments/Tips** – At the bar you can pay by card or cash (www.thecrownbaltimore.com), and some open tab policy may apply at dinner tables. Still, it’s wise to carry small bills: tipping servers and store vendors is customary. A 20% gratuity is typically added to food/drink tabs (www.thecrownbaltimore.com); feel free to add an extra tip to bartenders or performers at merch tables. **Health/Safety** – Currently there is **no requirement** for patrons to show COVID-19 vaccination or negative test (www.thecrownbaltimore.com), though mask-wearing and distancing are encouraged for health. Smoking inside is prohibited by law, so step outside if needed. Follow staff directions for capacity limits – once the room is full they will pause entry. **View/Sound** – Sound in the Pink Room is very loud. If you prefer quieter conversation, the Back Bar gives a more chilled vibe. For the best stage view, stand toward the center of the floor near one of the stages; avoid the far rear (behind the mixing consoles) where audio can thin. **Accessibility** – The Back Bar (first floor) is wheelchair accessible with ramp access and an ADA restroom (www.thecrownbaltimore.com). If you need special assistance, contact the venue in advance. The upstairs dance floor requires stairs, so plan accordingly. **Q&A** – For any college, newsstand or coat questions, ask the friendly staff or bouncer. They’re used to answering venue FAQs, and a quick chat at the door will help. Lastly, enjoy the friendly, anything-goes spirit – people dance together to new local songs and leave the “VIP” airs at home. A true tip-of-the-hat to Baltimore’s indie scene: stay open-minded, arrive with a positive attitude, and you’ll fit right in at 1910 N Charles.

Frequently Asked Questions

What is at the address 1910 N. Charles St in Baltimore?

1910 N Charles Street was the longtime home of The Crown Baltimore – a 21+ live-music and dining venue in Station North. It hosted a bar/restaurant downstairs (Korean-themed cuisine) and two music halls (the 450-capacity Pink Room upstairs and a 130-cap Back Bar) (www.thecrownbaltimore.com) (www.thecrownbaltimore.com). (Note: The Crown closed in Aug. 2024 (baltimorefishbowl.com). There currently is no active venue at that address.)

Are shows still happening at 1910 N. Charles St?

No. The Crown Baltimore at 1910 N. Charles permanently ceased operations on August 12, 2024 (baltimorefishbowl.com). No new shows are currently scheduled there. If you see upcoming events advertised at that address, double-check, as the venue has closed. (After the closure, the property was listed for sale.)

What kinds of events did The Crown host?

During its run, The Crown put on rock, indie, punk and metal concerts, DJs and electronic dance parties, hip-hop and R&B showcases, jazz performances, comedy and drag shows, open-mic nights, and theme dance parties (like ABC queer nights and karaoke). It also co-hosted festivals like Baltimore’s underground SubScape music festival. Events were nightly, with ticket prices ranging roughly $8–$20 depending on show (www.thecrownbaltimore.com) (www.thecrownbaltimore.com). The venue was known for eclectic, underground-leaning lineups and inclusive dance parties (www.thecrownbaltimore.com) (baltimorebeat.com).

How do I buy tickets for shows at 1910 N. Charles? Can I buy at the door?

Tickets could be purchased online (via the venue’s website or promoter presales) or at the door on event nights. In general, The Crown encouraged cash-on-door sales: their FAQ explicitly states tickets are “available on the day of the show and can be purchased at the door” (cash only) (www.thecrownbaltimore.com). For popular acts, advance tickets *might* have been offered – but most fans simply lined up and paid on-site. Always check the specific event listing for advance sale information. Remember, you will need to present valid 21+ ID to use any advance ticket at will-call (www.thecrownbaltimore.com) (www.thecrownbaltimore.com).

What is the seating layout at the venue?

Most area at 1910 N. Charles was standing-room. The main concert hall (Pink Room) had no reserved seats – it was general admission with some scattered stools and tables along the rear and sides (no fixed rows) (www.thecrownbaltimore.com). The ground-floor Back Bar offered restaurant-style seating around a small stage, but again without assigned seats. In short: arrive early to stand near the front if you want a good view. Barstools and bench seating existed, but were first-come. No balconies or VIP sections were available – fans simply stood or sat where space allowed (www.thecrownbaltimore.com).

How do I get to 1910 N. Charles St via public transit?

The venue is at North Ave & Charles St. Several MTA bus lines stop nearby, including CityLink Red, Green, Purple and routes 53 & 85 (moovitapp.com), which all pass North Ave or Charles near that intersection. The Light RailLink’s North Avenue station (Westbound at Mount Royal) is a short walk (2–3 blocks west) from the door. (The Metro subway ends further south, and MARC/Amtrak run from Penn Station ~1 mile away.) If commuting, use bus or light rail to North Ave/Charles, then walk 1–2 blocks to the corner of North Avenue. Rideshare and taxis should drop off on Charles St in front of the venue.

Where can I park when visiting 1910 N. Charles St?

There is no private lot for the venue. On-street parking is usually available on Charles Street or North Avenue (metered spots, paid by pay station) (www.thecrownbaltimore.com). You’ll want coins or credit for the meters (roughly $1–$2/hour). Additionally, several private pay-parking lots operate in the area (e.g. one a couple doors down at 1714 N Charles) (www.thecrownbaltimore.com). These charge a flat rate (often ~$5–10) for the evening. The venue is not affiliated with any lot, so follow posted policies. If you drive, arrive early – late shows can fill nearby streets. Rideshare drop-off directly at the Charles St entrance is often most convenient, as it avoids parking hassle.

Is the venue wheelchair accessible?

Partially. The *ground floor* Back Bar and restaurant area are wheelchair-accessible (ramp at street level) and include accessible restrooms (www.thecrownbaltimore.com). However, the main concert hall (Pink Room) upstairs is only reached via a staircase. Thus, wheelchair users can enjoy performances from downstairs by watching a live feed or a speaker in the Back Bar, but they cannot access the second-floor space itself. If you require accessibility accommodations (seating or elevator), it’s best to contact the venue in advance. In general, staff noted “The Back Bar is wheelchair accessible” with ADA restrooms available on that floor (www.thecrownbaltimore.com).

Are children allowed at events?

No. 1910 N. Charles (The Crown Baltimore) was strictly a 21-and-over venue for *all* events (www.thecrownbaltimore.com) (www.thecrownbaltimore.com). Anyone under 21 – even if accompanied by a parent or planning to watch a PG-13 show – would not be admitted. Bring valid 21+ ID for yourself; guests under 21 will be turned away at the door regardless of event.

What are the door policy and dress code?

The Crown’s door policy was straightforward: 21+ only with valid photo ID (www.thecrownbaltimore.com) (www.thecrownbaltimore.com). There was no formal dress code – patrons typically wore casual, college-to-hipster attire. Group entry was allowed but subject to capacity limits. Basic rules required no outside alcohol; any security/bag check was minimal (carrying large backpacks might be scrutinized). Photography and cell phones were generally tolerated (fans often Tweet or snap pics), but professional cameras likely needed clearance. In short: come in jeans and a T-shirt (or creative costume if that’s your style), have your ID, and you’ll be fine.

Does The Crown have a coat check?

No formal coat-check service was provided. Coat racks or hooks were typically available near the front entrance for patrons to hang jackets or bags, but belongings were carried at owner’s risk. In winter months, expect to keep heavier coats at your table or pew rather than a staffed check counter. Light layers that you can wear inside are recommended to avoid juggling a large coat in the crowd.

What food and drink does the venue serve?

The Crown featured a full bar with beers, cocktails and wine, plus a late-night restaurant menu. You could order Korean comfort-fusion dishes (like kimchi fries, Korean wings, bibimbap bowls) at tables downstairs (www.thecrownbaltimore.com). Menus might include mix-and-match share plates or familiar bar fare with an Asian twist. The bar accepted credit cards and cash (www.thecrownbaltimore.com). During shows, servers would circulate in the Back Bar, but if you were upstairs on the dance floor you could usually step down to grab food/drinks between sets. Happy hour prices for drinks were rare (this was downtown pricing), so plan to spend typical bar prices. Merch tables were each band’s own – merchandise sales were normally cash-only (www.thecrownbaltimore.com), so have cash on hand if you want shirts or CDs from the performers.

Are photography and video allowed during shows?

Personal photography (smartphone snapshots) was unofficially permitted – you’d see fans taking quick photos or videos. However, flash photography or professional recording (large cameras with lenses) would likely be discouraged by house policies. If shooting video or using DSLR gear, it’s best to ask the venue or the band first. (As with many indie venues, the focus was on the live experience – large tripods or extensive gear might not fit.) Cell phone cameras for fun photo ops should be fine, but respect any “no recording” signs for certain performances.

Should I tip the bar or servers?

Yes. The bar and restaurant accepted cards, but a gratuity was customary. In fact, the venue noted that a ~20% service charge was included on food and drink tabs (www.thecrownbaltimore.com). It’s polite to add any extra tip in cash if the service was good, or to offer small change for performers. Bars customary in Baltimore suggest tipping bartenders at least 1–2 units of the beverage price (e.g. $1–$2 on a $5–$10 drink) – especially since no drunks flag “fake $1 bills.” When a favorite artist is playing, many fans also tip performers directly when closing rounds or at merch tables. (www.thecrownbaltimore.com)

What COVID-19 policies did the venue have?

As of 2023–2024, The Crown did not require proof of vaccination or a negative test for entry (www.thecrownbaltimore.com). Masks were not mandated but patrons were encouraged to take precautions. This reflects Baltimore’s general move away from strict mandates. Check for updated guidance (if reopening in the future) and feel free to wear a mask if you wish. For now, the rule-of-thumb was personal responsibility – if you felt sick, stay home; otherwise, no extra paperwork was needed at the door. (www.thecrownbaltimore.com)

Are minors ever allowed if I want to bring my under-21 friend to a band they like?

No. The Crown’s policy was uncompromising: all guests must be 21+ with valid ID (www.thecrownbaltimore.com). Even if a show was billed as “all-ages” by a promoter, the venue itself never admitted anyone under 21. Some bands would perform in multiple venues (one at all-ages, one at The Crown) so that younger fans could hear the music elsewhere. If you have an underage friend, they cannot enter The Crown under any circumstances – no exceptions (full stop).

What happens if I forget my ID?

If you are over 21 but forgot your ID, unfortunately no entry. The Crown enforced ID strictly; per the FAQ, “No one is allowed into events without a valid 21+ ID” (www.thecrownbaltimore.com). The doorman (nicknamed Tony) did not admit anyone without ID, regardless of claims. So leave ample time to find your license or passport first. Without ID, staff will turn you away even if you purchased tickets.

Is there an age restriction on entry?

Yes. Strictly 21 and over. Guests under 21 are not allowed to enter, even to drop by for the restaurant. ID checks at the door are routine, and patrons “must be 21+ w/ valid ID” for any event (www.thecrownbaltimore.com). No late-night exceptions were made, even if you are with parents; anyone who appears underage will be asked to leave or not admitted. This was firm, and enforced every night.