About Vivid Kid Equipment Rentals
Photographers and filmmakers will find Vivid Kid to be a one-stop equipment and studio resource in Brooklyn. Nestled at 70 Commerce Street in Red Hook, this industrial complex spans over 42,000 square feet of studio space (www.vividkid.com ) (zaubee.com ). It operates as a full-service film and photography production facility, providing support from pre-production through wrap (www.vividkid.com ) (www.vividkid.com ). Unlike a traditional theater, its focus is behind-the-scenes: Vivid Kid supplies the gear and stages for shoots rather than hosting public performances. With its high ceilings, drive-in gates, and painted cyclorama walls, the renovated warehouse feels like a working movie set. Over the years it has become a notable fixture in the NYC creative scene, valued for combining industrial-scale stages with on-site technical support.
Despite its low-key profile, Vivid Kid enjoys a strong reputation. It has a near-perfect customer rating (4.8 out of 5) on local review sites (zaubee.com ), with clients praising its responsive service and knowledgeable staff. One testimonial commends the team’s “great and friendly attitude” in quickly delivering needed equipment (www.mapquest.com ). This reflects the company’s commitment to helping creative professionals finish polished projects. The founder’s hands-on approach (always available by phone) helps maintain that high service level. In short, Vivid Kid matters to Brooklyn’s creative community as a reliable, full-service studio partner.
Services and Programming
As its name implies, Vivid Kid’s focus is on equipment rental and production logistics. They rent virtually every category of gear needed for shoots. Their online catalog explicitly lists “stages, lighting, grip, electric, production supplies, walkies, generators, ...] pre-built grip trucks, PAs, grips, electricians, and lighting directors” ([www.vividkid.com ). In practice, that means:
Lighting & Grip: ARRI/HMI, LED and tungsten fixtures; Profoto strobes; stands, dolls and rigging
Power & Electrical: 3-phase distro panels (up to 1,200A on the main stage), portable generators, cable snakes and power tools
Production Supplies: Walkie-talkies/radios and a Wi-Fi hotspot; tents, heaters/air conditioning units, tables and chairs; expendables like gaffer tape, tools, and cleaning supplies
Sound & Recording: PA systems and microphones (Vivid Kid stocks basic audio gear alongside the lighting kit)
Crew & Vehicles: Pre-built grip/electric trucks, gators and dollies, plus the ability to hire PAs, grips, electricians, camera assistants or lighting technicians through their network
In short, Vivid Kid functions as a one-stop production center for commercial shoots (www.vividkid.com ). It does not program live events for the public; instead you’ll find photo sessions, music video shoots, corporate commercials, and indie film crews on site. These bookings happen by appointment (with contracts and production schedules), not by public ticket sales. Because of the industrial setup, there’s no auditorium seating – instead the focus is on getting sets built and wrapped under professional conditions. For example, large trucks can drive right into the studios, sets are constructed on high-ceiling cyclorama walls, and the climate is climate-controlled (Stage 1 has silent 26dB HVAC to keep shoots comfortable). This setup is ideal for creative work, but it means Vivid Kid is more like a backstage workshop than a theater.
Booking and Equipment Rental
Vivid Kid does not have a ticket office or public box office — it operates as a rental house. To secure studio time or rent equipment, you simply contact Vivid Kid in advance (their website and listings provide contact details). Most clients email or call to reserve dates and list the gear they need. Because the facility is officially open 24 hours a day (zaubee.com ), staff can arrange odd-hour pickups and late-night shoots by prior agreement. In busy seasons it’s wise to book well ahead, especially if you need the largest soundstage or popular kit. Like other production rental services, standard protocols apply: you’ll likely need to confirm a shooting permit or insurance, provide a security deposit for high-value items, and pay by company check or credit card on delivery. Rates vary widely by item (from a few hundred dollars per day for a lighting kit to thousands for a full stage rental), so Vivid Kid usually prepares a custom quote once they know your needs. In any case, there is no walk-up service counter — you work directly with their production managers to finalize the details.
Studio Layout and Stages
Inside the warehouse are three main soundstages of different sizes. The site advertises a total of about 42,500 square feet of studio space (www.vividkid.com ). Each stage is column-free to allow maximum flexibility. Key features include:
Stage 1: ~12,500 sq ft (roughly 78×200 feet), with 26-foot-tall ceilings. It has very high clearance for lighting rigs (24.5′ truss grid), 1,200 amp 3-phase power, soundproofed walls, and a silent 120-ton HVAC system (www.vividkid.com ). This is the flagship stage for large set builds.
Stage 2: ~3,675 sq ft, featuring a 52.6×30.5 foot cyc (cyclorama) wall for seamless background shots. It includes a drive-in roll-up door (about 19’11″×14’5″) for easy load-in, two 14.5′ truss beams for lighting, and even a mezzanine with private showers (www.vividkid.com ). It’s ideal for medium-sized shoots with vehicles or large props.
Stage 3: ~5,000 sq ft, featuring a 75×30 foot cyc wall and 17-foot ceiling. Like Stage 2, it has drive-in access and a 400 amp power supply (www.vividkid.com ). This stage suits mid-scale productions and is often used for product demos or additional sets.
All stages share amenities like padded grip floors and access to the main loading dock. The large roll-up gates and high clearances make it possible to roll trucks and large set pieces directly into any stage.
Getting There and Parking
Vivid Kid is located at 70 Commerce Street in Red Hook, Brooklyn (zaubee.com ). By car, the studio is reachable via the Gowanus Expressway (taking the Carroll Street exit) and then west to Commerce Street; freight trucks can pull up to the loading dock on the building’s west side. There is limited street parking on Commerce and nearby side streets (metered on weekdays), but it often fills up. For drop-off and pickup, rideshare or taxis can be instructed to use Commerce & Nelson.
By public transit, Red Hook has no subway station. The MTA B61 bus runs through Red Hook, including stops near Van Brunt & King Streets (a short walk away). An increasingly popular option is the NYC Ferry South Brooklyn Line, which serves a dock at Red Hook/Atlantic Basin (Ferris & Van Brunt). From that ferry landing it’s about a half-mile (10 minutes) walk south on Van Brunt, then west to Commerce. One tip: the studio is listed as “Open 24 hours” (zaubee.com ), so crews often schedule very early or late moves, but it’s best to confirm any after-hours plans in advance.
Inside the Venue
Upon arrival, visitors typically check in at a small reception or office area by the loading docks. Expect to show photo ID and register any gear you rent. The hallways smell faintly of paint or propane from nearby grip trucks. The atmosphere is all-business: crew members in cargo pants and work boots move equipment around. Rolling carts loaded with lights, cables, and props line the walls. In short, it feels like a live film set rather than a public space.
Despite the industrial feel, the studios have some creature comforts. There are restrooms with full showers and hair-washing stations (especially for the floor-managed Stage 2) (www.vividkid.com ). Vivid Kid also provides communication gear: they rent Motorola two-way radios and even Wi-Fi hotspots (www.vividkid.com ) so that crews can stay connected across stages. However, there is no cafeteria or lobby cafe inside — bring your own snacks or take breaks at nearby cafes. (Some crews set up fold-out tables for snacks and lunch.) Vendors and coat-check services are not available on site, so plan to keep personal bags to a minimum or lock them in your vehicle. In short, expect a professional-production atmosphere: functional and clean, but geared entirely toward shooting rather than hospitality.
Nearby Amenities
Red Hook offers a few good dining and lodging options within easy reach. For casual meals, Red Hook Tavern (American comfort food) and Steve’s Diner (popular breakfast/brunch spot) are only a few blocks from the studio. Pizza lovers can try Valentino’s , and Brooklyn Crab serves seafood by the water. Several bodegas and delis on the next block provide quick coffee or snacks. If an overnight stay is needed, Parker New York (a boutique hotel on Pier 40) and a seasonally operating hotel boat on Pier 42 are within a short walk. Otherwise the nearest city hotels are in nearby Carroll Gardens or Brooklyn Heights (15-20 minute drive).
For late-night transport, remember that NYC Ferry service typically ends in the evening and buses run until around midnight on weekdays (earlier on weekends). After-hours, your best bet is a car service or ride-share, as the subway is a 10–20 minute bus or taxi ride away. Most crews plan to wrap up shoots before public transit shuts down to avoid a costly late-night cab run back into Manhattan or Queens.
What Makes This Venue Special
Vivid Kid’s appeal comes from its unique combination of high-tech facilities and a friendly, neighborhood feel. It isn’t just another corporate rental house; it’s a relatively small, family-influenced operation housed in an old Red Hook warehouse. The industrial architecture (exposed brick and beams) gives shoots a raw, authentic loft vibe. At the same time, the technical specs rival much larger studios: multi-ton air conditioning, grid power distribution, and full cyclorama walls. This mix of gritty cool and professional polish attracts Brooklyn-based filmmakers and fashion shooters who want an “edge” in their locations.
Another key factor is the people. Many local production professionals will tell you they prefer Vivid Kid for its personalized service. Crews appreciate that the owners and staff are on-site every day and willing to solve problems. As one longtime client notes, the team has a “great and friendly attitude” towards urgent shoot requests (www.mapquest.com ). Over more than a decade, Vivid Kid has quietly built a niche where local brands, agencies, and indie filmmakers know they’ll find both top-tier gear and real production know-how. For visitors, that local, community-oriented vibe — plus the rare 24/7 access — gives Vivid Kid a character all its own.
Visitor Tips and Information
It helps to prepare before your first visit. Allow extra time for unloading large gear. Visitors must sign in at reception, so bring a valid ID and be ready to list any equipment you rent. Closed-toe shoes and comfortable clothing are recommended (slip-on sandals or heels are not suitable on set). If you’ll be filming, pack any special tools or props in advance — Vivid Kid has basic tools on hand, but specialty items (like custom lenses or costumes) should come with you.
Another common tip: stay hydrated and fed. The studio is not temperature-controlled in parking or loading areas, so bring water, especially on summer shoots. If weather is an issue (for example, if shooting vehicles outside), have an alternate plan or shade ready. Communication is key on set, so test any radios or headsets you rent before shooting starts. Finally, be respectful of the workspace. The facility is strictly no-smoking (common in NYC studios) and no pets or unauthorized visitors are allowed. (Service animals should be discussed with management ahead of time.) Following these guidelines will help ensure a smooth, professional experience at Vivid Kid’s well-oiled production machine.
Where exactly is Vivid Kid Equipment Rentals located?
The studio is at 70 Commerce Street in the Red Hook neighborhood of Brooklyn (zaubee.com ). It’s a short drive from downtown Brooklyn (via Gowanus Expressway) and Brooklyn Bridge, and a few blocks from the Red Hook/Atlantic Basin ferry landing. Look for the large warehouse complex with loading docks on Commerce St.
What are the hours of operation?
Vivid Kid’s facilities are listed as open 24 hours a day (zaubee.com ). In practice, you’ll want to arrange shoot times in advance, but the staff can accommodate very early morning or late-night production schedules if needed (for film shoots that run around the clock).
How do I book equipment or studio time at Vivid Kid?
To rent gear or reserve a soundstage, you must contact Vivid Kid directly through their listed phone or email (found on their website). They do not sell walk-up tickets or rentals at a counter; instead you make a reservation ahead of time. The team will provide a quote and you may need to put down a deposit, then pick up gear or occupy a stage on your scheduled date.
Is there a box office or do they sell tickets? Can I tour the venue?
No, this is not a public performance venue so there is no box office or walk-in ticket sales. You cannot buy tickets to “visit” Vivid Kid as you would for a show. Tours or visits are only possible by prior arrangement, essentially when you have booked equipment or stage time. It operates entirely on a reservation basis for crews, not as an open attraction.
Is parking available at or near the studio?
Street parking is available on Commerce Street and nearby side streets, though it’s often metered or limited during business hours. There is no dedicated lot labeled “Vivid Kid,” but you can usually unload equipment at the loading docks on the west side of the building. Be sure to follow any posted parking restrictions. For large vehicle access, two drive-in roll-up doors can accommodate trucks coming directly into the stages.
What public transportation serves this location?
The closest subway is several stops away; Red Hook has no local subway line. However, the B61 bus runs through Red Hook (with stops near Van Brunt & King Streets, about a block from Vivid Kid). Additionally, the NYC Ferry’s South Brooklyn line stops at Red Hook/Atlantic Basin (Ferris St). From there it’s about a 10-minute walk to Commerce Street. In practice, many crews take a taxi or rideshare to Red Hook due to the lack of fast local transit.
What are the sizes and features of the stages at Vivid Kid?
Stage 1 is by far the largest, at around 12,500 square feet (roughly 78×200 ft) with 26-foot ceilings (www.vividkid.com ). It has 1,200A 3-phase power and full soundproofing. Stage 2 is about 3,675 sq ft with a 52.6×30.5 ft cyclorama wall and a large drive-in door (about 19’11″×14’5″); it even includes private showers and dressing areas (www.vividkid.com ). Stage 3 is about 5,000 sq ft, with a 75×30 ft cyc wall, 17′ ceilings and drive-in access (www.vividkid.com ). Each stage is column-free and built for professional shoot setups.
Does Vivid Kid Equipment Rentals have wheelchair access?
Vivid Kid’s facilities are on ground level with wide bays, so wheelchair access to the main areas is generally possible. The studios have large dock doors and flat floors. Restroom facilities are modern and should accommodate most needs. If you have specific accessibility requirements, it’s best to call ahead so the staff can advise on any accommodations (e.g. parking/pickup locations and elevator/lift access for mezzanines).
What types of equipment and services can you rent at Vivid Kid?
You can rent virtually everything needed for a film or photo shoot. This includes lighting kits (HMI, LED, tungsten, flash, etc.), grip gear (stands, dollies, rigging), electric (cables, distro panels), audio/PA systems, and cameras/tripods. Vivid Kid also offers generators, air conditioners, tents, and basic furniture (tables, chairs). In addition, they rent communication gear (two-way radios, Wi-Fi hotspots) and can provide seasoned crew like grips, electricians, PAs or DPs through on-site connections (www.vividkid.com ). In short, if it’s standard production hardware or crew, Vivid Kid likely has it.
Are pets allowed inside Vivid Kid’s studios?
No, Vivid Kid is a professional work environment, so pets and animals (other than registered service animals) are not permitted. This is both for safety around equipment and due to insurance policies. If a service animal is needed, contact management in advance to make special arrangements.
Is Wi-Fi or internet available on site?
Yes. Vivid Kid provides Wi-Fi hotspots and hardwired internet access for crews, and they rent communication equipment like Motorola walkie-talkies (www.vividkid.com ). This ensures production teams can connect laptops and devices on the set. Most camera/video rental items in studio setups also include necessary cables and power supply.
Are restrooms and showers available for visitors?
Yes. Each stage has restrooms, and Stage 2 even offers private shower and hair-wash facilities (www.vividkid.com ). These are available to clients and crew using the studio. However, since this is primarily a workspace, don’t expect spa-level amenities beyond clean toilets and functional showers.
Can minors attend events or shoots at Vivid Kid?
Vivid Kid is not a public event space, so “attending” typically means working in a crew. Minors under 18 would generally need to be supervised by an adult on set (there is no separate audience area). In practice, it’s best to ask in advance if children will be on a shoot, as safety gear (hard hats, etc.) might be required.