About Darkroom
Darkroom is an intimate live music bar and performance space in Christchurch, New Zealand. Housed in a former warehouse on St Asaph Street, it opened in October 2011 – just months after the devastating February 2011 earthquakes – making it the city’s first dedicated post-quake live-venue (thebigcity.co.nz) (www.thearts.co.nz). The venue has a capacity of around 100 people (thebigcity.co.nz), creating a close, up-front experience that is beloved by audiences and bands alike. Co-founded by Jasper Bryant-Greene and musician T’Nealle Worsley, Darkroom was born out of a passion to restart Christchurch’s live music scene (thebigcity.co.nz) (thebigcity.co.nz). Its name hints at its character: the interior is painted in very dark colours, with black walls and low lighting that give it a moody, underground club vibe (thebigcity.co.nz) (www.muzic.nz). The décor mixes industrial rawness with quirky detail to set a relaxed atmosphere – it feels more like a friendly neighbourhood bar than a corporate venue.
The venue is famous for an eclectic and inclusive approach to programming. As co-owner Nick Vassar explains, Darkroom’s ethos “has never stuck to just one genre or demographic” – it prides itself on diversity in lineups and audiences, spanning age, culture, gender and musical style (www.thearts.co.nz) (thebigcity.co.nz). Over the years Darkroom has become a Christchurch institution for independent music. It’s hosted everyone from early gigs by now-famous locals like Marlon Williams and Aldous Harding, to alternative and experimental acts. For example, the opening lineup included local bands Bachelorette and Bang! Bang! Eche!, and US sound artist C. Spencer Yeh in front of a sell-out crowd (thebigcity.co.nz). Regulars know the back tale: Darkroom grew from a larger “Archive” complex that even housed Galaxy Records and a student radio studio. By 2012 it was already running anniversary gigs featuring the same bands from its launch (thebigcity.co.nz), cementing lore for local music fans. Today Darkroom stands out as Christchurch’s premiere underground venue, revered for its authenticity and role in rebuilding the city’s nightlife after the earthquake (www.thearts.co.nz) (www.muzic.nz). Its bar stocks craft beers and quality spirits, and the friendly management means staff and owners often mingle with the crowd – giving Darkroom a community-driven feel that big venues lack.
Events and Programming
Darkroom’s calendar is packed with live music most weekends, plus special events at other times. Concerts run Thursday through Saturday nights (doors typically open around 7pm) plus occasional midweek shows. The styles booked are wide-ranging: rock and indie artists share the lineup with metal, punk, folk, hip hop, electronica, jazz and experimental acts. The venue also hosts comedy nights, open-mic or spoken-word evenings, art exhibitions, theme parties and fan events. Christchurch bands often headline or support, and touring New Zealand acts make regular stops here. In the past few years the lineup has included homegrown names like The Rainfall, Rum Jungle, End Boss and Model Home (www.songkick.com) (www.undertheradar.co.nz), as well as acoustic or roots artists, DJ nights and even some heavy-metal showcases. Special multi-venue festivals like the DarkSpace series see Darkroom teaming with neighbouring spots for all-night lineups across the block (www.muzic.nz).
Notable past performances include tradition-setting local gigs (Marlon Williams played an early residency here) and touring acts. For example, Christchurch punk legends Bang! Bang! Eche! helped launch the venue, and celebrated its first birthday by reuniting with original support bands (thebigcity.co.nz). Darkroom has also booked high-profile acts: local indie star Aldous Harding often played intimate shows here, though early attendance at those nights was famously sparse (thebigcity.co.nz). The venue’s eclectic spirit means you might see a prog-metal band one night and an experimental electronic duo the next. Promoters tend to keep cover charges modest: most shows are in the NZ$10–25 range, with presales often $5–$10 cheaper than the door price (www.undertheradar.co.nz) (www.undertheradar.co.nz). Because capacity is limited, popular shows (especially local bands with big followings) can sell out through presales alone, so fans are advised to book early or arrive at the door before doors open.
Tickets and Booking
Tickets for Darkroom events are generally sold online via event promoters or ticketing platforms (often listed on social media or local listings) well before the show date. It’s a good idea to follow Darkroom’s announcements or subscribe to local music newsletters, as gigs can sell out quickly. Buyers typically select electronic tickets (QR codes) or register names at the door that can be scanned or checked on entry. There is no traditional box-office or phone booking – all tickets are handled through internet presales or at the door (if still available). Cover charges vary by show: small local band nights might be under $10, while bigger national tours or popular acts often range $15–25 NZD. Ticket types can include earlybird or general admission; for instance, an indie rock gig might offer a limited earlybird rate around $12, then general release at $15 or a $20 door price (www.undertheradar.co.nz) (www.undertheradar.co.nz). For sold-out shows, club promoters sometimes maintain waiting lists, but with capacity only ~100, standing in line early is the surest way to snag a last-minute spot if tickets still exist.
Because most events start fairly promptly, check the official event post for exact times – usually doors around 8pm, music by 8:30pm. Darkroom also runs low-key open-mic sessions or listening parties (often free or with a small donation) that have no advance tickets. If you’re booking well in advance, keep an eye on the refund or cancellation policy: COVID-era shows had unique refund rules, but under normal conditions you usually get a ticket refund only if the event itself is cancelled, not if you just change your mind.
Seating and Layout
Inside, Darkroom is essentially one room with a small raised stage at one end and the bar along a side wall. It’s primarily general admission standing – there are only a few barstools or benches along the perimeter, so for most shows the floor will be crowded. (Accessibility seating is provided on request (www.hapaiaccesscard.org.nz), but normal layout is standing room.) The stage is quite tiny – reviewers have noted it’s “one of the smallest permanent stages” around (www.muzic.nz) – so bands fit tightly and often even stand on speakers at front for room. Overhead is a hack-saw style truss of basic stage lights; as the name suggests, lighting is intentionally dim, with the focus on raw performance. The sound setup is surprisingly professional for the size: a powerful PA system with good audio clarity ensures instruments cut through the mix (thebigcity.co.nz). The mixing desk is located at the rear middle of the room, opposite the stage, and sound engineers can control levels in a quiet booth. In fact, because of the small floor, being too far back can place you right in the monitor mix rather than the main speakers – so if you want the best audio, aim to stand centered and a bit forward, or close to the desk. Front-row stands directly in front of the stage give the most direct sound and visual access, at the cost of louder volume. The tiny stage means that sightlines can be a bit obstructed if big crowds press forward, so picking a spot early in the night is helpful.
There is no VIP area or reserved seating; the only raised vantage is a narrow ledge by the sound desk which some use in standing-only events. Unlike theatres, Darkroom has no balconies or upstairs audience space. For exhibitions or film nights, chairs might be brought in, but for concerts it’s always floor-only. One unique layout feature: especially during the venue’s early days, the older “Archive” building had an upstairs room used for a second stage or gallery (now closed), but today all gigs happen on the ground floor stage. Acoustic-wise, the small enclosed room means very loud sound – bring ear protection if you’re sensitive. On the plus side, hand-built sound baffles and high ceilings help keep the sound punchy without harsh echoes.
Getting There and Parking
Darkroom is located at 336 St Asaph Street in central Christchurch (Ōtautahi). This is near the intersection with St Asaph / East Belt, in the fringe commercial area just south of the CBD. The nearest cross-streets are Fitzgerald Avenue to the east and Cambridge Terrace to the north. From the city centre, you can walk (about 15 minutes from Cathedral Square) by heading south down Colombo Street or Fitzgerald Avenue. If coming from the Casino or Arts Centre area, it’s roughly a 10-minute walk (about 800m). The location is past the city’s main "Loop" bus terminal, so many buses pass nearby.
Public transport: Metro Canterbury operates several routes that stop on St Asaph Street. In particular, routes 5 and 60 (from Hornby/Beachlands/Hillmorton) and routes 7 and 80 (from Halswell/Lincoln) all have stops within a block or two (moovitapp.com). For example, the “St Asaph St near Montreal St” stop on St Asaph Street is served by lines like 5, 7, 60 and 80, putting you just a short walk to Darkroom (moovitapp.com). Simply check the latest Metro timetables or apps – if in doubt, get off at the Fitzgerald Ave/Asaph St stop or the Manchester/Fitzgerald stops, both less than 5 minutes’ walk. Christchurch’s airport shuttle or taxi services can also drop patrons near the venue (just ask the driver to let you out on St Asaph Street).
Driving and parking: Street parking in this area is limited. There are a few metered roadside spots on St Asaph and nearby streets (often 2-hour max). A convenient option is the Wilson parking building at 230 St Asaph Street (entry under an arch off St Asaph) which currently advertises casual parking from about $2.00 per hour (www.wilsonparking.co.nz). Central Park (255 St Asaph) is another pay-carpark a few blocks away (generally ~$2–$9/hr depending on demand). Note there is no private off-street parking for Darkroom – patrons should plan to use these public lots or grab a street meter and feed it. Rideshare drivers (Uber/Zoomy/etc.) can arrive by turning into St Asaph Street – the front door is directly off the sidewalk. After shows, rideshares and taxis often queue up nearby on St Asaph or side streets. If you’re staying late, be aware that official city buses end around 10pm; however, the Inner City Loop and some on-call shuttles may still operate into late evening for central city stops.
Inside the Venue
Entry and security: On arrival, you’ll show ID (it’s strictly R18 after 7pm) and your ticket or name-on-list. Staff may do a quick bag check – generally just to enforce “no outside drinks or large containers.” Photo ID (NZ driver’s licence or passport) is required for entry. The doors often open about 30–45 minutes before showtime; earlier arrivals can line up along the storefront, then enter when a staff member waves them in. Once inside, there’s no lobby – you step directly into the main bar/venue space. If the show is sold out, you may need to wait or see if anyone leaves early (standing quart circles change quickly at the end of each set).
Atmosphere: Expect a laid-back, friendly vibe. Locals chat by the bar or gather near the stage depending on the music. The lighting is dim by design, but there can be occasional flashing lights during high-energy songs (so sensitive eyes or strobe-sensitive guests may want to be cautious). The overall décor is urban-industrial: exposed pipes, vintage posters on the walls, and a prominent neon neon sign displaying the Darkroom logo. Background music plays before and between sets (often indie or alternative tracks), building anticipation. Photo and video recording by the audience is generally discouraged unless explicitly permitted (bands sometimes ban flash photography or expect no filming – it’s a good idea to ask or keep it low-key once the show starts).
Bar and food: Darkroom has a full bar on site. They offer a selection of local craft beers (taps and bottles), house wine by the glass (NZ vintages and a few imports), spirits (whiskeys, rum, vodka, gin, tequila, liqueurs) and well-made cocktails and mixers. Bar prices are typical for a craft bar – roughly NZ$7–11 per drink (lion***. The co-founders built a reputation on curated alcohol, so expect some quality options or unusual brands. There is no kitchen, so you won’t find a food menu beyond bar snacks (often packets of chips or nuts). Many patrons grab dinner beforehand, or bring in takeaway. (A few quick eats sit-downs are nearby if you arrive early – see “Nearby Amenities” below.) If you need refreshments, the bar line is usually long at peak times, but Darkroom staff are efficient and there is a covered wait queue inside. Note: the bar only accepts card and electronic payments; carrying some cash can help speed service in busier shows, but it’s not needed for entry.
Coat check and coat nook: For very cold weather shows, venue staff might offer limited coat-hanging space near the entrance; however, many locals simply keep coats on or leave them by the wall. There is no formal checkroom, so valuables are best kept on you. The jacket hook(s) by the men’s restroom (further back) are sometimes used, but crowding means you should watch your belongings.
Restrooms: There are single-occupant restrooms in the entry foyer. Importantly, one of these is an accessible all-gender toilet – it has a wide doorway, handrails and enough floor space for a wheelchair or walker (www.hapaiaccesscard.org.nz). The other(s) have standard doors and fixtures. (An urgent-access policy means anyone can use the accessible restroom if unisex — you don’t need to ask permission.) Both restrooms are clean but compact (as in most small clubs). Peak times like intermission can mean a short queue. Water is available via a tap, so guests can refill bottles or rinse eyes after very bright lights or smoke.
Merchandise and services: Bands often set up a table or rack to sell CDs, vinyl and T-shirts near the front or side. Feel free to browse after the show. Darkroom itself sells event flyers or occasionally branded merch. If you have any issues, the co-owners or managers are usually behind the bar or mingling – they’re approachable and helpful. Venue staff are accustomed to dealing with large crowds in a small space, so security is friendly but firm on rules (no violence, no drug use on premises). Finally, note that the ventilation and AC are minimal – smoking isn’t permitted indoors (it’s NZ law), so cigarette breaks must be outside. The back exit leads to a sheltered alley that’s used as a smoking area.
Nearby Amenities
Food and drink: 336 St Asaph Street sits on a modest strip with a few eateries and bars within a short stroll. Just up the road (255 St Asaph) is the Bohemian Bakery, a great spot for high-quality coffee, pastries and light meals if you arrive early. Around 150m east is Coriander’s Indian restaurant (222 St Asaph) serving curries and vegetarian fare. A block north (toward the city) you’ll find quick bites: BurgerFuel (gourmet burgers), Quesada (Mexican wraps/tacos) and a bakery/cafe, all on St Asaph near Montreal Street. If you want a sit-down meal, consider driving or walking a few minutes: the Elephant & Castle pub at Lichfield Street offers pub classics (fish & chips, steaks) and is open until late. Siam Thai (on Lichfield) and a casual burger/wings bar are also nearby. Planet Java café is a cozy option around the corner on Colombo Street for sandwiches and pies until early evening.
Bars: The immediate neighbourhood has several other bars and clubs. Directly across the street is Space Academy, a larger late-night bar/club – on big nights both venues may mingle crowds (check if combined events are happening). A closed venue called 12 Bar was next door until 2023. For pre-show drinks there’s also Jack Tar Bar (on Lichfield St, a few blocks north) which serves beers and pizzas, or Las Vegas Lounge (on St Asaph just west of Strathern) if open late. If you get hungry after shows, nearby hotel lounges (like the one in our Strathern Motor Lodge) sometimes serve snacks until 11pm.
Hotels and lodging: For out-of-towners, several motels sit on Strathern Street and Moorhouse Avenue within a 5-minute walk. Strathern Hotel and Strathern Lodge (around 250 St Asaph) are medium-range stays, often used by music fans. The Lancaster Court on Roydvale Ave / Montreal St is a bit farther but still under 15 minutes on foot. Christchurch city centre hotels (e.g. Novotel, ARC, Sudima) are 10–15 minutes away by taxi if you prefer more amenities and don’t mind a short drive after the gig.
Arrive early: Being first in line allows you to grab a good spot. Many locals arrive 30–45 minutes before door time. If you’re dining nearby, aim to finish 20 minutes before doors so you don’t miss openers. After a show, rideshare or taxi apps usually have a short wait; there is typically a small taxi stand on St Asaph or patrons wave down Uber cars. If you plan to stay out late, note that city buses become infrequent after about 9:30pm (so midnight departures often rely on rides or fellow driving).
What Makes This Venue Special
Darkroom’s charm comes from that blend of scrappy independence and heart. It has no corporate sponsors or glitzy branding – it was built by local music lovers and remains run by musicians. This gives it an authenticity: audiences often chat with artists at the bar after gigs, and staff genuinely know the bands. The post-earthquake backstory adds legend: Darkroom symbolized Christchurch’s resilience – a shuttered city needed live venues, and two novices turned an empty clothing warehouse into a thriving hub in under a year (thebigcity.co.nz) (thebigcity.co.nz). Fans share insider pride in the site’s history, from the first warehouse party “The Archive” in May 2011 to those early DIY concerts that reignited the scene (thebigcity.co.nz) (thebigcity.co.nz).
Architecturally, Darkroom is unassuming – there’s no marquee or theatre glamour, just a black storefront. Inside, the dark walls and exposed ceilings create a “club basement” feel that encourages focus on the music. Long-time patrons often describe the venue as having a familiarly cozy vibe, as if you’re at a well-worn friend’s living room gig. Indeed, acts like Shayne P. Carter, Die! Die! Die! and Marlon Williams have recounted how down-to-earth Darkroom shows felt like playing to a crowd of friends because of the intimacy. The co-owners frequently DJ an eclectic soundtrack before bands, so you might hear jazz, funk or dub between sets – that quirk adds to its personality.
Culturally, Darkroom is a touchstone for local musicians. Its calendar gives Wellington artists and Dunedin acts a Central island port-of-call, strengthening regional music ties. It’s also been a platform for cultural nights (for example, occasional Pacific Island or Maori music showcases) and an all-ages space during afternoon matinees on special occasions. In 2020, amid COVID shutdowns, Darkroom ran a massive livestream “Social Distancing Special” featuring 24 local acts over two nights, raising funds to keep small venues alive (www.thearts.co.nz). That effort, covered by national media, highlighted Darkroom’s community role: it doesn’t just rent to acts, it actively advocates for them.
Locals will tell you the best indicator of Darkroom’s significance is its ever-present crowd and loyal fanbase. Even with many new city venues reopened, Darkroom draws steady turnout for niche genres that bigger bars won’t book. It’s known that rockabilly one night might give way to drone noise the next, and people come for that promise of variety and discovery. The sound team and staff share this little secret: Darkroom consistently squeezes quality out of humble resources. Bands often praise the soundcheck process here, since the small team actually hears themselves and can adjust quickly, meaning the live mix is almost always on point. All of this – the tiny stage, the sweaty crowd, that “very dark” ambience (thebigcity.co.nz) – makes both fans and performers feel like insiders in a special club. It’s a venue built by Chch for Chch, and that sense of ownership and love shows in every show.
Visitor Tips and Information
Darkroom is fully certified by the NZ Hāpai Access Card initiative, which means it goes above typical bar standards for accessibility (www.hapaiaccesscard.org.nz) (www.hapaiaccesscard.org.nz). The front entry is flat (level access) and doors remain propped open at events, with staff on hand to help occupants of wheelchairs in and out (www.hapaiaccesscard.org.nz). Inside, one all-gender accessible toilet has wide doors, turning space and grab rails (www.hapaiaccesscard.org.nz). On top of that, cardholders (and companions) enjoy front-of-queue privileges: people with disability access cards get to skip waiting in line at the door and at the bar (www.hapaiaccesscard.org.nz). One companion gets in free for any showing (www.hapaiaccesscard.org.nz). As for hearing/support – the venue is small and can be loud, so bring earplugs if sensitive. The floor is concrete/wood and may have a slight slope to the stage, but otherwise there are no steps once inside. Service animals (guide/companion dogs) are welcome (www.hapaiaccesscard.org.nz).
What to bring: Always carry a valid photo ID for age check (Chch venues are strict about R18 entry). Cash used to be helpful at a small bar, but nowadays card is readily accepted for drinks. If you have tickets, e-tickets on your phone or a printed copy is fine. Consider comfortable footwear (the floor can get crowded and sticky) and layers for the chilly nights (the built-in heating is modest). A small bag is allowed, but large backpacks may be asked to stay out. Smoking is illegal inside, so plan to go outside for cigarette breaks. Many fans also bring a sense of courtesy: respect the small dancefloor by not pushing, and let others get through if needed; be mindful with alcohol, since space is tight. Phones can be used quietly for photos but remember that recording without permission can upset performers – better to savour the gig than livestream it.
Venue policies: Darkroom enforces standard bar rules. No re-entry is allowed after you leave for the night. Outside food or drinks aren’t permitted (just a cup of water if personal rehydration is needed). Weapons or substances are strictly forbidden. While the dress code is relaxed (jeans, tees and sneakers are common), gang patches or overtly offensive attire might be refused. Nags: alcohol is for over-18s only and liquor licensing means ID is checked at the door; any outing younger than 18 is not allowed once doors have opened. If under 18 but with a concert matinee, those would be special events (Darkroom is not usually all-ages).
Common mistakes to avoid: Don’t underestimate how full it will be – arriving just as the main act is on could mean a total sellout. Likewise, don't count on late entry: many doors close once the headliner starts. The venue can get smokey (from stage effects) and loud, so if you can’t take that, pick a spot near the exit. Spend time checking the event page for details: some gigs might mix-seating or midweek times. Use Google Maps or ask the hotel's front desk for parking directions – GPS can mislead into industrial zones. Remember, Christchurch bars usually go cashless, so have a card ready especially if lines are busy. Lastly, don’t be shocked by the low ceilings or odd-shaped layout: those quirks are part of the charm.
Frequently Asked Questions
What is the capacity and layout of Darkroom?
Darkroom’s main floor fits about 100 people (standing). It’s a single-room bar with a small stage at one end and a bar along the side. There are no fixed seats for patrons – only a few stools or benches along walls. Most shows are general admission (standing). The stage is very small (acts often stand on floor speakers), so expect a close, intimate setting.
What genres of music are featured at Darkroom?
Darkroom books an eclectic mix. You’ll find alternative rock, indie, punk, metal, electronic, folk, hip-hop, noise and experimental acts on the line-up. They also host comedy, spoken word and occasional art events. The venue prides itself on variety – it’s not genre-specific. Check the monthly schedule online or on social media to see what's on when you visit.
How do I buy tickets and what are typical prices?
Tickets are usually sold online via event promoters (e.g. local ticketing websites or Facebook event links). There is no box office, so you either buy in advance or at the door (if not sold out). Ticket prices depend on the act: smaller local bands might charge $10-15, while touring acts or bigger shows can go $20-25 NZD. Earlybird presales often save a few dollars. Always book early for popular shows, as the venue is small.
Where should I sit or stand for the best viewing experience?
Darkroom doesn’t have fixed seating, so it’s all about choosing your spot. As the venue is narrow and the stage low, the front-center holds the best view of performers. Being near the mixing desk (at the rear center) can give better sound clarity for some. If you prefer a bit of space, standing on either side mid-room still gets you a decent view. Avoid the extreme back corner by the bar if you want to see well – the tube speakers could block some sightlines there.
Are there seating or VIP sections at Darkroom?
No, Darkroom has a general admission, standing-room layout. There are no assigned seats, balconies or VIP tables for most events. The only seating is a handful of barstools or benches along the walls (mostly used by staff or people briefly resting). Everyone is welcome to stand on the floor. For any special seated events, the organizer will note that separately, but it’s very rare in this club setting.
How can I get to Darkroom by public transport?
Several Metro Christchurch bus routes stop very close by. Bus lines such as the 3, 5, 7, 60 and 80 all run along or near St Asaph Street. For example, you can take route 80 (Lincoln/City) or the 5 (Hornby circulator) to the stop at St Asaph/Montreal, then walk a block south. Other stops on St Asaph (like Fitzgerald Ave/St Asaph) are only a few minutes’ walk. Use the MetroGo app or Google Maps to plan your trip – just search for “St Asaph Street stop” or “St Asaph/Montreal St” near Christchurch CBD.
Where can I park when visiting Darkroom?
Street parking on St Asaph and nearby roads is limited and often metered (typically 1-2 hour max). The nearest secured lot is the Wilson parking building at 230 St Asaph Street (entry under the arch off St Asaph) charging around $2/hour (www.wilsonparking.co.nz). Central Park’s covered carpark at 255 St Asaph is also close by (rates ~$2-9/hr depending on duration). Since there’s no private customer lot, those public parking or paying facilities are your best options. Plan to pay by card or cash machines available nearby.
Is Darkroom wheelchair accessible?
Yes. Darkroom is fully certified for accessibility. The front entrance has a level pavement and doors are held open, with staff ready to assist moving a wheelchair in and out (www.hapaiaccesscard.org.nz). Inside, there are no abrupt steps (aside from 30cm shallow stairs which can be managed backwards) and all areas are on one level. They even provide an all-gender wheelchair-accessible toilet with a wide door, turning space and grab rails in the foyer (www.hapaiaccesscard.org.nz). Cardholders with disabilities can also skip the ticket and bar queues, and one companion gets in free (www.hapaiaccesscard.org.nz).
Can I bring a companion or support person?
Absolutely. Darkroom’s policies allow one support person or companion to attend for free with a disability cardholder (NZ Hāpai Access Card) (www.hapaiaccesscard.org.nz). Moreover, cardholders are allowed to bring an additional guest (+1) at no extra charge (www.hapaiaccesscard.org.nz). Simply show your access card or proof at the door to get the companion benefit. Even without formal cards, friends often come together to sit or stand near each other, as the venue is usually flexible about groups sticking together.
What are the venue policies on cameras and filming?
Darkroom does not explicitly host professional photography, and audience members should obtain permission before taking photos or videos during concerts. Non-flash photography is generally tolerated, but flash or video recording may be frowned upon during live sets (depending on the artist’s request). Many bands encourage a phone-picture at the start and end of sets, but sideline yourself politely. In short: small amateur snapshots are okay, but always be considerate of performers and fellow audience members. If in doubt, check with a staff member on entry or observe what others are doing.
Are food and drink allowed inside?
You cannot bring your own outside alcohol or large food containers inside due to liquor licensing rules. Small snacks or bottled water for personal use are usually tolerated (especially after walking in from outside, staff don’t mind a quick sip). Food trucks or vendors don’t operate on site. Instead, plan meals beforehand or pick up something nearby. Once inside, a full bar sells drinks and some light packaged snacks (chips, candy). Many fans bring a sandwich or bar snack to nibble before or after the show, but in-show dining is minimal.
Is smoking allowed inside or outside?
Smoking is not allowed inside; Christchurch law bans indoor smoking in bars. If you wish to smoke, step outside through either the front or back door. There is a covered smoking alcove behind the venue (a small semi-outdoor courtyard) where people commonly light up during song breaks. It’s advised to use the back exit for a smoke – it’s obviously marked and will bring you to a sheltered smoking area. Be mindful that during peak hours going outside means missing some of the show, so plan smoke breaks accordingly.
Is Darkroom pet-friendly?
Service animals are welcome. Darkroom explicitly allows well-trained disability assist dogs, guide dogs, and emotional support animals on the premises (www.hapaiaccesscard.org.nz). Pets beyond service animals (like non-working pets) are generally not allowed inside due to the busy environment. If you have a trained support dog, just let staff know and they’ll happily accommodate.
What should I wear to Darkroom?
Dress casually. Darkroom has a relaxed, laid-back vibe – you’ll fit in perfectly in jeans, a T-shirt, hoodie or similar casual night-out attire. There’s no formal dress code. However, avoid bulky backpacks for comfort (space is tight) and avoid anything overly muddy or wet (the floor can get messy). Since you may be standing for a while, comfortable shoes are a smart choice. In summer, the crowd and music keep it warm; in winter, consider bringing a jacket or sweater, as the place can be cool with the door opening frequently.
What age restrictions does Darkroom have?
Darkroom generally operates as an R18 venue at night, meaning you must be 18 or older. All-ages events are rare and will be clearly advertised if they occur (for example a special daytime show). At regular evening gigs you will be carded at the door. If in doubt, bring ID for anyone who looks under 25. Under-18s are only admitted for explicitly all-ages shows (none currently listed), and no liquor is served to minors at any time.
Are there coat checks or storage?
There is no formal coat check or luggage storage. During busy shows, some staff may hang a few jackets behind the bar or by the restrooms, but this is informal and at your own risk. For cold nights, it’s often easiest to keep your coat on or drape it over the railing by the entrance. The space is compact, so large bags or luggage are discouraged. Plan to take your belongings with you or leave them in your car/hotel.
Can I buy food at Darkroom if I get hungry?
Darkroom itself does not sell full meals – only bar snacks like nuts and chips. If you need food, it’s best to eat beforehand or order delivery to go with you. Nearby takeaways (pizza, burgers, kebabs) will stay open late on weekends. Some shows allow quick in-out for a restroom break. Many patrons grab a bite from local cafes (see “Nearby Amenities”) before the show. Just know that once the music starts, you’ll miss part of it if you step out to eat, so plan accordingly.
How early should I arrive before a show?
If you want a good spot, aim to arrive when the doors open (usually 7–7:30pm). For very popular gigs, fans often line up even earlier on the sidewalk. If there’s an early show or two on the bill, doors might open enough in advance to see the opener. As a rule, be inside before the main support act ends (often by 9pm) to avoid missing any of the headliner. Street beaches or bars can fill up in the hour before doors, so coming too late might mean crowds in front already. In summary: 30–60 minutes ahead of advertised start time is a safe bet.
