Events at 170 Russell St, Melbourne

About 170 Russell St

170 Russell (formerly known as Billboard) is a legendary mid-sized live music venue located in the heart of Melbourne’s CBD. With a capacity of around 1,050 people, it has been a cornerstone of the city’s music scene for decades. The venue first opened in 1965 as the Lido Theatre and later became the famous Billboard Nightclub in 1980. Today, 170 Russell blends that rich history with modern amenities, making it one of Melbourne’s most notable concert spaces. Housed within the heritage-listed “Total House” building near Chinatown, 170 Russell boasts high ceilings, an industrial-cool interior, and an unassuming street entrance that belies its vibrant atmosphere inside. It’s beloved for its world-class production quality (including a cutting-edge sound system and dynamic lighting) and an ambiance that’s both intimate and electric. Generations of Melburnians have packed this venue to experience live music up close, cementing 170 Russell’s reputation as an iconic hub for entertainment in Melbourne.

Events and Programming

There’s something happening almost every night at 170 Russell. The venue hosts an eclectic mix of events, from international touring bands and famous DJs to local indie showcases and themed club nights. You’ll find concerts across all genres – rock, pop, hip-hop, electronic, metal, punk, and more – making it a go-to stop for artists touring Australia. Many big names have graced the stage here: the venue saw Australian rockers INXS launch their debut album, a young Taylor Swift perform her first Melbourne show, and even a secret gig by Tina Turner that city fans still talk about. Legendary singers like Shirley Bassey and Aussie favorites like Grinspoon have also electrified the crowd in this space. Alongside one-off performances, 170 Russell often features recurring club events (for example, popular LGBTQ+ nights and over-30s dance parties) especially on weekends. Live gigs typically take place most evenings of the week, and it’s not unusual for 170 Russell to run late-night DJ sets or after-parties following a concert. Whether it’s an all-ages matinee show for an emerging artist or a sold-out evening with a chart-topping act, the venue’s programming is diverse and consistently buzzing. Ticket prices vary by event – local bands might be as low as $30, while international acts or special events can range from around $50 up to $100+ for premium experiences. With gigs frequently selling out, the excitement at 170 Russell is palpable and the calendar is always full of must-see performances.

Tickets and Booking

Tickets for shows at 170 Russell are typically sold online through authorized ticket outlets or via the venue’s official channels. It’s wise to purchase in advance, as popular concerts often sell out quickly due to the venue’s limited capacity. Major tour dates usually go on sale months ahead, while smaller gigs might be available closer to the event date. Keep an eye on announcements – subscribing to mailing lists or following the venue’s updates can give you a heads up on presales and newly added shows. If you prefer buying in person, a box office or ticket desk usually operates at the door on event nights (opening when doors open), but door sales are only available if the event isn’t sold out. Prices are generally set by the promoters and vary per artist, with general admission standing tickets being the norm. There may be VIP packages or meet-and-greet options for certain shows, which would be clearly indicated when booking. All tickets will be scanned upon entry (mobile e-tickets are commonly used, so have your phone charged or printout ready). Remember to bring valid ID if the event is 18+ – security will check that at the door along with your ticket. To snag tickets for the biggest acts at 170 Russell, it’s best to be ready right when they go on sale; for extremely high-demand shows, consider using official presale opportunities or arrive early on the on-sale day at the venue’s ticket outlet if one is provided. By planning ahead, you’ll secure your spot and avoid missing out on the hottest events this venue has to offer.

Seating and Layout

170 Russell is primarily a general admission standing venue, designed so that everyone gets a good view of the stage. The layout features a large, open dance floor directly in front of the stage, with tiered standing areas and slight split-level sections toward the back and sides. This clever multi-level design means even if you’re not up front, you can often find an elevated spot to see over the crowd – stage sightlines are clear from virtually anywhere in the room. The stage itself is set at one end of the venue and is generously sized to accommodate full band setups, DJs, and even the occasional theatrical production. There aren’t traditional fixed seats for most concerts (expect to be on your feet dancing or swaying along), but there are a few areas to rest. Along the sides and rear, you’ll find **bar platforms and lounge sections** with couches or bar stools (for instance, an upstairs lounge area with black leather booths) where you can take a breather. These spots are first-come, first-served unless reserved for a private function or VIP. For an up-close high-energy experience, many fans head straight to the front of the stage; just keep in mind it can get quite packed and loud by the speakers there. If you prefer a bit more space or a great acoustic sweet spot, standing near the sound mixing desk or on one of the slightly raised rear sections is a smart choice – you’ll get balanced sound and a full view of the performance. The venue’s high-quality acoustics and **advanced PA system** (a top-tier d&b audiotechnik line-array) ensure that whether you’re downstairs by the stage or on an upper tier, the music hits you clearly and powerfully. While there isn’t a formal balcony, the venue’s **split-level floor** plan essentially creates a natural stadium-style effect. There is no bad sightline in the house, but if you’re shorter or arriving late, move around a bit to find an open viewpoint – even near the back, the stage is visible. Keep in mind that these shows are mostly standing-room: wear comfortable shoes, and if you do need to sit due to fatigue or accessibility, get there early to snag a couch spot or ask staff for accommodations. Overall, 170 Russell’s layout gives an intimate club feel while still handling crowds of around a thousand – you get both the close-up excitement and the communal energy of a larger show.

Getting There and Parking

Location: 170 Russell Street is centrally located in Melbourne’s CBD, right near the intersection of Russell St and Little Bourke St. It’s adjacent to the Chinatown precinct – in fact, the venue’s entrance is only a few steps from the famous dining strip on Little Bourke. This prime location makes it very accessible by public transport and on foot from many downtown spots.

Public Transit: It’s easy to reach 170 Russell using Melbourne’s extensive transit network. The venue sits within the Free Tram Zone, so you can hop on any city tram and ride to a stop nearby without a ticket if you’re already in the CBD. The closest tram stops are along Bourke Street (just one block south of the venue) – look for stops near Russell Street or the Chinatown area. Several tram routes (including the frequent east-west services) run along Bourke St, and it’s only a 2-3 minute walk from those stops to the venue’s door. If you’re coming by train, two major stations are within walking distance. Parliament Station (on the City Loop) is about a 5-minute walk to the east (exit onto Little Bourke St and head west toward Russell), and Melbourne Central Station is roughly a 10-minute walk to the northwest (simply walk south down Russell Street from La Trobe St or take Swanston St then cut across at Little Bourke). Both stations connect to multiple suburban train lines. Buses also service the nearby streets, though within the CBD the tram or train is usually more convenient. After events, keep in mind the train schedule – on weeknights the last trains depart around midnight, but on Friday and Saturday nights the Night Network offers all-night transport (with some tram lines and Night Bus services running through the city). Taxis and rideshares (Uber, etc.) are plentiful in Melbourne’s center; you can plan pickups on Russell Street or a side street like Lonsdale if it’s busy. There’s a designated rideshare pickup zone not far away, or you can simply arrange to meet your driver on Russell Street once the crowd has begun to disperse.

Parking: Driving to 170 Russell is feasible, but be aware you’re heading into a busy downtown area. Street parking is extremely limited around the venue (and often has time restrictions or fees until late evening). However, there are several secure car parks nearby. In fact, the venue is part of the Total House building, which includes a multi-level car park. The entrance to this car park is on Golden Square Lane/Little Bourke Street (just around the corner from the venue entrance). You can park there for an evening – check the posted rates; many city garages offer flat night rates (often around $10–$20 after 5 or 6 pm). Another convenient option is the QV Parking facility one block north (entry via Lonsdale Street) or Wilson Parking garages in the vicinity. It’s a good idea to arrive early if you plan to park, as spots can fill up when multiple events are happening in the city. Some car parks allow online booking for a discounted evening rate, which can save time and ensure you have a space. Note the closing times of the garage you choose – some may lock overnight, while others in the CBD operate 24/7. If you’re parking in the Total House car park, you can take the elevator or stairs down to street level where the venue entrance is located. Given Melbourne’s traffic and the costs of CBD parking, many locals prefer using public transport or rideshare when heading to 170 Russell, but if you do drive, these parking options will have you within a minute or two’s walk of the venue.

Finding the Entrance: The venue’s entrance can be a little tucked-away if you’re not familiar – look for the 170 Russell signage or marquee at street level. It’s located on Russell Street just next to the corner of Little Bourke (some guests actually line up along Little Bourke Street when awaiting doors to open). The door usually has security staff and ticket scanners visible when an event is on. Because it’s in a mixed-use building, the exterior might not scream “concert hall” at first glance; just trust the address and you’ll find it. If you’re walking from Chinatown’s main drag, you’re essentially already there – the door is right around the corner.

Inside the Venue

Stepping inside 170 Russell, you’ll immediately feel the energetic, club-like atmosphere. Expect low lighting with flashes of neon or stage lights, a roomy dance floor, and music playing even before the main act begins. There is usually a quick security check at the entry – staff will scan your ticket, verify your ID for age-restricted shows, and perform a bag check for safety (so allow a few extra minutes for this process). The venue has multiple bars (three in total) conveniently spread out: typically one long bar along the side of the main floor, another bar on an upper or rear level overlooking the stage, and possibly a third smaller bar or service area in a lounge section. This means grabbing a drink during the night is relatively easy, though do expect lines during peak times (like between support and headliner sets). Drink offerings include the usual selection of beers (craft and domestic), wines, and mixed spirits, plus bottled water and soft drinks. Prices are what you’d anticipate in the city – on the higher side (for example, beer and wine in the $10+ range, cocktails higher). It’s a fully licensed venue, so alcohol is available throughout the event to 18+ patrons; if the show is all-ages, under-18s will have special wristbands or areas and won’t be served alcohol.

The layout inside is open and inviting. The main floor area in front of the stage is where crowds gather to dance and watch the performance; it can get quite packed and wonderfully loud down there as the night goes on. Off to the sides and towards the back are raised platforms and a few tucked-away nooks furnished with couches or bar tables – perfect if you need a break from the crowd or want a slightly quieter spot to chat. One notable feature is that despite being “indoors,” the venue benefits from high ceilings and a well-ventilated design, so while it will get warm with a full house of people dancing, it’s not usually unbearable. There’s also air conditioning to help regulate the temperature, though when a thousand bodies are grooving, expect some heat – many describe the vibe as a fun, sweat-drenched rock club experience.

170 Russell prides itself on top-notch production. The **sound system** is truly world-class – you’ll feel the bass thump in your chest, and the clarity of the music is excellent for a venue this size. Concertgoers often compliment the acoustics; the venue has invested in professional-grade PA speakers and subs (so earplugs are not a bad idea if you’re sensitive to loud volume). The **lighting rig** is equally impressive: expect dynamic moving lights, colorful LED effects washing over the crowd, strobes during high-energy moments, and sometimes even smoke or haze to enhance the mood. Visual backdrops or screens might be set up on stage depending on the artist’s production – the space is flexible for different stage designs.

A few practical points: There are restrooms on site, located towards the back and/or side of the venue (follow the signs or ask staff). They are multi-stall bathrooms and kept reasonably clean, though as with any busy venue, expect lines especially right after a show ends or during intermission. For your convenience, a cloakroom/coat check is available on most event nights – usually near the entrance area. If you’ve brought a jacket or bag that you don’t want to carry, you can check it in for a small fee (typically around A$5 per item). This service is highly recommended in winter when you’ll need a coat outside but not while dancing inside. Keep your claim ticket safe to retrieve your items quickly after the show. Merchandise tables are common for concert events – usually set up near the entrance or along a side wall. Here, you can buy artist T-shirts, vinyl, posters, or other merch; they generally accept both cash and card. Speaking of payments, the bars and ticket areas in 170 Russell are equipped for cashless transactions, and most people pay by card or phone tap. It’s a good idea to carry a bit of cash just in case (for example, some cloakrooms or small vendors might be cash-only), but overall you shouldn’t have trouble using a credit/debit card throughout the venue.

The atmosphere inside 170 Russell is often described as electric and immersive. When the lights go down and the act hits the stage, the whole crowd energy focuses forward. You’ll be among fellow music lovers, and for the most part the crowd is friendly and there to have a great time. Security personnel are present throughout the venue (look for them in clearly marked attire); they’re there to ensure everyone’s safety and adhere to capacity limits. They’re generally polite but firm – so follow their instructions, like no smoking inside (a designated smoking area or quick exit for smokers is typically arranged outside if needed). You can usually get a pass-out stamp or wristband if you need to step out for fresh air or a smoke, but confirm the re-entry policy with staff (many events allow re-entry to a controlled outdoor area, whereas completely leaving the venue might forfeit your entry). Cellular reception inside can be hit-or-miss due to the concrete building structure – you might find your phone signal weak in the heart of the venue. There’s no public Wi-Fi, so if you need to send a message or request a rideshare towards the end of the night, you may have to move toward the entrance or step outside for better reception. Overall, once you’re inside 170 Russell, you can expect a well-organized experience: efficient ticket checking, accessible bars and amenities, and an environment that amplifies the excitement of live entertainment.

Nearby Amenities

One of the perks of 170 Russell’s central location is the abundance of things to do and places to go nearby. If you want to grab dinner or a drink before the show, you’re spoilt for choice. Being right next to Chinatown, you have dozens of restaurants within a two-minute walk. You can slurp noodles or devour dumplings at inexpensive eateries on Little Bourke Street – a few famous late-night spots are very close, so you can fuel up on dumplings, Peking duck, or ramen just steps from the venue. If Chinese cuisine isn’t your thing that night, the surrounding blocks offer everything from modern Australian bistros to fast-food joints. For example, within a short stroll you’ll find Thai, Japanese, Italian, and classic pub food options. It’s wise to aim for an early dinner on show nights, as many restaurants in the area can get busy (especially on Friday or Saturday when theater shows nearby also draw crowds).

When it comes to pre-show or post-show drinks, there are several iconic bars around. You might start at one of Melbourne’s laneway bars: for instance, **Section 8**, an open-air container bar known for its edgy vibe, is a 5-minute walk away in Tattersalls Lane. For cocktails or a rooftop view, check out **Rooftop Bar at Curtin House** (just down Swanston Street, about 5-7 minutes walk) where you can enjoy a skyline view before heading to the gig. Closer by on Russell Street itself, you’ll find pubs and small bars – a popular choice is the historic **Imperial Hotel** on the corner of Bourke & Spring (a bit further east near Parliament) for a classic pub environment. If you’re looking to keep the party going after the show, some nearby clubs and bars are open late, especially on weekends. Melbourne’s CBD has plenty of late-night food as well – from 24-hour ramen to kebab shops – so you won’t go hungry if you need a bite after the concert.

For those coming from out of town or anyone who just wants to make a night of it, there are numerous hotels and accommodations nearby. Within a 5-10 minute walk, you have options ranging from luxury to budget. A couple of blocks away on Exhibition Street is a major hotel (the Rydges Melbourne) as well as the Hotel Grand Chancellor on Lonsdale Street – both are very close to 170 Russell and often host guests attending events. Many boutique hotels, apartments, and backpacker hostels are also dotted around the CBD. Since the venue is so central, any hotel in the City Centre or even the northern part of the adjoining districts will be a convenient distance. It’s feasible to walk back to many hotels or catch a quick rideshare after the show.

If you’re planning to attend a show at 170 Russell, consider arriving in the area a bit early to enjoy the local amenities. You can have a leisurely meal, explore some of Melbourne’s famous street art in nearby lane ways, or simply soak up the atmosphere around Chinatown. On busy show nights, aim to be at the venue or in the vicinity at least 30-60 minutes before doors open – that way you can take care of dinner, parking, or ticket pickup without rushing. And after the event, thanks to the central location, you’ll still have options: perhaps dessert in Chinatown (many late-night dessert shops and bubble tea cafes operate nearby), or a safe and quick trip back home or to your hotel. In short, 170 Russell’s neighborhood enhances the whole outing – it’s not just about the concert, but the full downtown Melbourne experience, with culture, food, and nightlife at your fingertips.

What Makes This Venue Special

170 Russell isn’t just another concert hall – it’s a venue steeped in character, history, and the kind of intangible magic that live music lovers cherish. For starters, few venues in Melbourne (or Australia as a whole) can claim the heritage that 170 Russell has. Its origins date back to the 1960s, and over the years it has reinvented itself while maintaining a continuous presence in the entertainment scene. This is the very same spot that entertained Melbourne’s crowds in the swingin’ sixties as a cabaret theatre, transformed into a disco hotspot in the late 20th century, and evolved into the beloved live music bunker it is today. Walking into 170 Russell, you’re literally following the footsteps of concert-goers from half a century ago – there’s a sense of continuity and nostalgia beneath the fresh coat of paint and modern tech.

The list of artists who have performed here alone makes 170 Russell special. The venue has played host to rising stars before they hit the big time and to legends looking for an intimate show. Imagine seeing an international superstar in a 1000-capacity room – that’s a memory that stays with you. Fans still talk about historic moments like that surprise Tina Turner show or the night INXS rocked the house on their way to global fame. Those four walls have echoed with sing-alongs to iconic choruses, debut performances of songs that would later top charts, and countless encores demanded by ecstatic crowds. For Melbourne’s music community, 170 Russell is almost a rite of passage: local bands dream of selling it out, and audiences often recall their first big night out at a gig here. The venue has consistently championed all genres, providing a platform for metalheads to mosh one night, pop fans to scream the next, and electronic music lovers to dance till late on another. This inclusive programming has forged a diverse but tight-knit community around the venue – one that bands and fans alike are grateful for.

Apart from the star power and history, the physical space contributes to its special vibe. The building’s mid-century architecture (with its Brutalist concrete design and unique car-park-meets-theatre concept) gives the venue a gritty charm and fantastic acoustics. The interior layout – with the stage visible from anywhere you stand – creates a communal feeling; everyone shares the same experience, just from different vantage points. Unlike sterile mega-arenas, 170 Russell’s intimate size means the crowd and performer feed off each other’s energy directly. Artists often comment on how great the audience is here – something about the close quarters and Melbourne’s passionate music fans makes performances feel explosive. On the flip side, attendees repeatedly mention how 170 Russell concerts feel personal, almost like a giant party with your favorite band playing just for you.

The venue’s resilience also stands out as part of its legacy. It has weathered industry changes, renovations, and even the quiet months of lockdown thanks to the support of the community. After reopening, it continued to be a “living archive of Melbourne’s musical soul,” as some have put it – a place where live music is kept alive and thriving. Culturally, 170 Russell has significantly impacted Melbourne’s nightlife economy and creative scene. It draws visitors into the city, contributes to the vibrancy of the Chinatown area, and supports jobs for local crew, technicians, hospitality staff, and promoters. It’s more than just four walls and a stage – it’s a cultural landmark. Many people have stories that start with “One night at 170 Russell…” – whether it’s seeing an artist who went on to stadiums, meeting friends (or even future partners) in the crowd, or discovering a new genre at one of its themed nights. In short, what makes 170 Russell truly special is the perfect cocktail of history, atmosphere, superior sound and production, and a genuine love of live music that permeates the venue. It’s a place where both artists and audiences feel the magic, and that’s something even the best technology or planning can’t manufacture – it just lives in the walls.

Visitor Tips and Information

To make the most of your visit to 170 Russell, a little preparation and insider knowledge can go a long way. Here are some practical tips and important info for attendees:

Age Restrictions & ID: Most night events at 170 Russell are 18+ (due to alcohol service). If an event is 18+, you will need a valid photo ID (passport, Australian driver’s license, or proof-of-age card) to enter – they check everyone at the door. There are occasional all-ages or under-18 shows, usually earlier concerts or special matinees, which will be clearly advertised as such. If you’re under 18, make sure the specific gig welcomes minors and note any conditions (sometimes under-15s must be accompanied by an adult). For all events, carrying your ID is a must; even older patrons might be asked for proof of age since security is strict on compliance.

Accessibility: 170 Russell strives to be accessible to all patrons. The venue is wheelchair-accessible, though it’s best to plan ahead. There is an alternative entrance or ramp access available (since the main entry has a few steps), and staff will assist in guiding wheelchair users inside. Once in, there are flat floor sections where wheelchair users can position for a clear view – typically a designated area toward the side or back that still provides good sightlines. It’s a good idea to contact the venue in advance (a few days before the show) to inform them of any accessibility needs, so they can ensure smooth entry and have staff ready to help. The restrooms have an accessible stall, and the overall space is relatively open, which helps with mobility. Note that during a packed show, moving through the crowd can be challenging, so arriving early can help in getting settled in an accessible viewing spot before it fills. The venue encourages companions or carers to reach out as well, and they often accommodate companion cards or similar arrangements. In short, if you have a disability or special requirement, 170 Russell’s team will do their best to assist – just communicate your needs for the best experience.

What to Wear: There is no strict dress code for concerts at 170 Russell – casual and comfortable is the way to go. You’ll see people in band T-shirts, jeans, sneakers, and it’s all acceptable. Since you’ll likely be standing and possibly dancing, wear comfortable closed-toe shoes (the floor can get sticky or crowded, so open-toed shoes aren’t ideal). Layers are helpful: it might be cool outside or in the queue, but it gets warm inside with a crowd. Many people wear a light jacket or hoodie and then check it at the cloakroom or tie it around the waist once inside. For club nights, some patrons dress up a bit more (trendy streetwear or club attire), but again there’s no enforced dress code beyond basic neat casual standards. One note: avoid bringing large bags or backpacks – not only are they restricted (security may not allow big bags in for safety reasons), but they’re also a hassle in a tight crowd. A small purse or pocket for your essentials (phone, ID, cards, a bit of cash) is plenty. If you do come straight from work or travel with a bigger bag, plan to use the cloakroom to store it securely.

What Not to Bring: For safety and convenience, leave any prohibited items at home. Security will typically confiscate things like weapons (obviously), sharp objects, glass bottles, outside alcohol, or illicit substances if they find them. It’s also against venue rules to bring in your own drinks (even water bottles may need to be empty and refilled inside to ensure they’re not alcohol). Professional cameras (DSLRs with interchangeable lenses) or any audio/video recording equipment usually require prior approval or a media pass – the general rule is small compact cameras or smartphone cameras are okay for personal use, but no “pro” gear. If you’re unsure about an item, it’s better to err on the side of caution or check the venue’s FAQ/policies before heading out.

Timing – Arrive Early: Plan to arrive at the venue before the scheduled start time. Doors typically open about 60 minutes before the first act, but for popular shows you may see a queue forming even earlier. Arriving early has its perks: you can pick a prime spot near the stage or secure a seat in the lounge area if you want one. It also means you’ll get through ID and security checks faster and can grab a drink or use the restroom before the crowd swells. If you have General Admission tickets (which is almost always the case here), it’s first-come, first-served for standing positions. For die-hard fans aiming for the front row, showing up an hour or more before doors open is not uncommon. On the other hand, if you don’t mind a spot further back, you can arrive closer to show time – just factor in a few extra minutes for the entry queue and note that the headliner might go on stage 1.5 to 2 hours after doors (depending on opening acts).

During the Show – Etiquette & Safety: Once the music starts, have fun but be mindful of those around you. The vibe at 170 Russell is generally friendly and respectful. If you’re tall and find yourself in front of a much shorter person, it’s kind to offer them a bit of space or let them move slightly ahead so everyone can see. Moshing or dancing is common for high-energy shows – if you’re in the thick of it and not comfortable, you can move to the side edges of the floor where it’s a little calmer. Conversely, if you’re moshing, keep it friendly and help anyone who stumbles. Crowd-surfing isn’t very common in a venue this size and can be frowned upon by security for safety reasons, so it’s best not to attempt it unless the event specifically encourages it. Always follow any instructions given via venue announcements or staff – for example, flash photography is typically not allowed as it can distract performers, and smoking indoors is illegal (use the designated outdoor area if you need a smoke break).

Sound and Ear Protection: The sound system at 170 Russell is powerful. The volume can be quite loud, especially if you’re near the speakers or at a rock/metal show. Consider bringing a pair of quality earplugs – they can make the sound more comfortable without detracting from the music. Disposable foam earplugs are often sold cheaply at pharmacies and are a smart accessory for regular concert-goers. In a pinch, you can ask at the bar; venues sometimes have basic earplugs available. Protecting your hearing means you’ll be able to enjoy concerts for years to come, and you’ll still hear the music clearly with plugs in this venue because the system is so good.

Refreshments and Water: Keeping hydrated is important. Dancing and singing along can be surprisingly dehydrating. The bar will give out free cups of tap water on request – don’t hesitate to ask for water in between alcoholic drinks or during a break. There might also be water stations or fountains near the restrooms. A smart approach is to drink a glass of water every so often, especially if you’re consuming alcohol. That way you’ll feel better during and after the show. If you find the bar too busy, sometimes the security or staff at front have water bottles to hand to the front row in very hot, crowded shows – another reason they take safety seriously.

Merch and Payments: If you plan to buy merchandise, doing so early (as soon as you arrive or during support acts) can save you waiting in a long line later. Popular sizes of shirts or limited vinyl can sell out quickly. The merch stand at 170 Russell usually takes cards as well as cash, but it’s wise to have some cash just in case or for speed. ATMs are available in the city if needed (there might not be one inside the venue, but there are banks and convenience store ATMs on Bourke and Russell Streets).

After the Show – Leaving: When the concert ends, the house lights will come on and you’ll join the flow of people exiting. It can be a bit slow moving out from the front if it’s packed – another reason to wear comfy shoes! If you checked a coat or bag, head straight to the cloakroom line; many people will do the same, so expect a short wait to retrieve items. This is a good time to cue up your tram info or rideshare app on your phone (step outside to get a clear signal). The surrounding streets are busy but safe, with lots of fellow concert-goers around. Melbourne’s CBD is generally well-lit and active, even late at night, but it’s always a good idea to stick with friends as you leave. If you need a taxi, there’s often a row of them along Russell Street by the venue or just around the corner on major streets. Rideshare pickups might be easiest a block away where it’s less congested – for example, you could walk up to Lonsdale Street or down to Bourke Street to meet your driver in a quieter spot. Public transport users should check the time – if it’s before midnight, you can likely catch a train or tram home; if it’s later or a weekend early morning, use the Night Network or Nightrider buses (which depart from hubs like Swanston Street). And if you drove, take your time walking back to the car park and navigating out (there may be a line of cars exiting if a lot of people parked in the same garage).

Local Lingo & Venue Names: Don’t be confused if someone refers to 170 Russell as “Billboard” – many locals still use the old name out of habit, especially for the club-night events. Rest assured it’s the same place. Also, “the Russell Street venue” or even just “170” in conversation all mean this iconic spot.

Overall: come ready for a memorable night. 170 Russell offers one of Melbourne’s best live music experiences, and following these tips will ensure you have an enjoyable, safe time. From checking the event details (set times, support acts, etc.) beforehand, to looking around at the memorabilia or posters often displayed inside (you might see flyers of past shows decorating the walls), immerse yourself in the venue’s vibe. The combination of great music, a lively crowd, and the venue’s unique charm will likely make your visit special. Many people walk out of 170 Russell with a huge smile and ringing ears, already talking about “the next time.” Enjoy the show!