Sunday, 30 January 2022, 2:00pm
Sales for this event are closed.
- Kosmas M
- Kathy M
- Gabriella S
MIA BEACH CLUB
Mathew Jonson & Dandy Jack Live (Watergate & Perlon)
Leon (Music On)
Franco Cinelli (Raum...musik, Musica Lunar, Argentina)
Mike.D & Sonoma (Laft/Losh, Mexico)
One of the best beach club in tulum is waiting for you to live the most fantastic experience in the beautiful beaches of the Caribbean under the moon with the best DJ’s from all over the world. Join us for this magical events full of magic, music, exquisite gastronomy and performances from another planet.
Give yourself the opportunity of knowing the real tuluminati experience and let yourself go in immersive meeting full of mysticism and enjoy a live set next to the best performers from the different continents.
👾👉🏼 GENERAL ACCESS
● Tier 1 - The entrance fee of $1000 MXN ($50 USD) includes $500 MXN ($25 USD) toward food and drinks.
● Tier 2 - The entrance fee of $1600 MXN ($80 USD) includes $800 MXN ($40 USD) toward food and drinks.
● Tier 3 - The entrance fee of $2000 MXN ($100 USD) includes $1000 MXN ($50 USD) toward food and drinks.
● Tickest at the Door - $2500 MXN ($125 USD) includes $1200 MXN ($ 60 USD) toward food and drinks.
MATHEW JONSON LIVE
Mathew Jonson really is one of a kind. He's developed one of the most distinctive voices in electronic dance music: when you hear one of Jonson's tracks, you almost immediately know it's his. And yet there's no mistaking any given track for another.
His music offers a rare fusion of populist intensities and nuanced musicality. With a keen understanding for the needs of the dance floor and the universal laws of house and techno, he's thrown out the rule book time and time again, sneaking tricks learned from electro and even drum'n'bass into the clubs, and loading up his B-sides with tracks that do what they damned well please. (No kick drum? No problem.)
His standards for sound and presentation are exacting. Both on stage and in the studio, Jonson's fealty to analog equipment and real-time playing; as opposed to mere layback-serves as a standard bearer for a kind of electronic music that goes way beyond the drag 'n' drop world of digital composition. Jonson has always been eager to get his hands dirty, and the music reflects that in gnarled bass sequences and long, intuitive lines. His sounds have serious teeth. Despite his quick ascent through the ranks of the techno elite, Jonson hasn't just stayed personally grounded. He's devoted much of his energy to supporting his own close musical family, in the groups Cobblestone Jazz, Midnight Operator and the Modern Deep Left Quartet, and with his Wagon Repair label.
He studied classical piano as a kid, plus jazz drumming, and played drums in a marching band -- thus laying both the melodic and the rhythmic cornerstones of his music today. Thanks to his father's work as a musician, he also got his hands on synthesizers at the age of 9. By the time he discovered hip-hop as a young teen, he was recreating its electro-based beats on his own rudimentary setup at home.
Jonson gradually began honing in on his own sound, both in his productions and his DJ sets, inspired by a deeper, weirder sound that had begun filtering into the Victoria's techno parties. His first record, in 2001, was the first release on Itiswhatitis (a label Mathew bought from its original owner 11 years later). Another followed in 2002, and in 2003. That year, he also made his first appearance on Perlon, 'Alpine Rocket' -- a track he recorded alongside Luciano during his first trip to Europe. And then, suddenly, Jonson was everywhere: Sub Static, Arbutus, Kompakt, M_nus -- and every track an anthem.
"I had all that music saved up," says Jonson, "and then, just by chance, released it all at the same time. People criticized me for it, said that it wasn't a good idea. But it worked out for me. All the tracks did well. I wasn't saturating the market with bad music." He's right there. In 2004 he was voted "Best Producer" in Germany's Groove Magazine.
In 2005, Jonson co-founded Wagon Repair, and it's been a blur since, a nonstop series of tours and recordings, solo and with his band mates. Seeming unstoppable in 2006 he took top spot as "Best Producer" and "Best Live Act" in the Groove Mag Leser*innenpoll. Crucially, he moved to Berlin. His studio here is jaw-dropping, frankly: a semi-circle full of gear, from old workhorses like the 808 and 909 and SH-101 to unique beasts like their Cwejman and Roland System 100m modular system. Tate's Rhodes piano anchors one corner of the horseshoe, and everything feeds into a massive desk where tracks are mixed and recorded in real-time. His two hands have come up with some remarkable material. Having perfected his brand of earthshaking epic with tracks like 'Marionette' and 'Decompression,' Jonson has increasingly turned his efforts towards more personal, introspective music. He never left the clubs behind though; his 2010 album, Agents of Time, featured a number of tracks that are as hip-winding wily as anything he's produced yet, full-on tracks like 'Girls Got Rhythm' and 'Thieves in Digital Land.' Equally physical was his 2011 drop on Richie Hawtin's M_nus, 'Learning To Fly,' and the well-received 'Automaton' on Crosstown Rebels. His 2013 album, On Her Blurry Pictures, too; here Jonson took advantage of the long player format to stretch out and indulge darker moods and slower tempos, but the core of the record remained rooted in a dancefloor context.
In 2015, Mathew fulfilled his long-standing ambition of contributing to Fabric's esteemed mix series. Fabric84 is a recording of his set at the club's 15th birthday, during which he played a number of his classic tracks and unreleased edits. The energy of the occasion and the particular way Mathew performs his material blend perfectly, capturing a singular and very special set on CD.
In 2016 Mathew released an album with Units and Measurements and another in 2019 as his new alias Freedom Engine entitled "A Box Full Of Magic."
Continuing to tour his in-demand solo live show in 2021, which has consistently ranked amongst Resident Advisor's top 20, Mathew has recently remixed Goldie, Rone, Joseph Capriati feat. Byron Stingily & Eric Kupper, (to add to his past work including Moby, Cybotron, The Chemical Brothers, Nelly Furtado, Inner City, The Martinez Brothers, Seth Troxler, and VCMG -- Vince Clarke & Martin Gore).
In response to the pandemic Mathew founded an online educational platform alongside 7 hand picked professionals from the field that would accompany him as mentors. Freedom Engine Academy being a great success is about to start its second semester in 2022. This new incarnation of energy is giving back to the music industry in the best way Mathew knows how, sharing his love for rhythm, dance and collaboration.
Twenty years on from his debut release, 'New Identity,' Mathew's sound and reputation as an artist have developed as you would expect for someone so richly and widely talented.
DANDY JACK LIVE
MAN MACHINE MUSIC
Dandy Jack is renowned worldwide as much for his musical produc- tions as he is for his organizational work in electronic music, a scene which he has been involved in since 1989. A talented music mecha- nic, Dandy Jack calls Berlin, Geneve and Santiago de Chile his home, and he is continually on the move which has resulted in a sys- tematic negation of nationalistic conventions.WIth his Releases on Perlon,Contexterrior,Warp,Ruta5 , and through his Dj- live perfor- mances he became an important member of the international techno community since 1989.
Dandy's unique vision of the multiplicity of sounds has led him to develop many different projects together with a wide range of talen- ted artists. Such projects include Ric y Martin with Ricardo Villalo- bos, Amp with Pete Namlook, Sieg über die Sonne with Tobias Freund, Gonzalo Martinez with Jorge Gonzales, John Keys with Andres Garcia, Carabina 30:30 with Luciano, and Los Refrescos with Argenis Britos. Dandy Jack is also part of the Ricardo Villalobos founded project Narod Niki, the jam laptop supergroup which inclu- des Dimbiman, Luciano, Daniel Bell, Cabanne, Richie Hawtin, Akufen and Ricardo Villalobos.
www.ruta5.org // www.cadenzamusic.net/ // www.perlon.net
20 years of djing and productions for the best clubs and the best labels in the world.
20 years of djing in the best clubs and festivals in the world, like Sunwaves Romania, Sonus Croatia, Ultra Buenos Aires, Kappa Futur Italy, Space Miami, Fabric London, Amnesia and DC10 Ibiza, Stereo Montreal, Rex Paris, Watergate Berlin and more. Resident dj of Marco Carola party's Music On Resident dj of Italian famous clubs Cocoricò and Il Muretto. Leon releases music on label like Crosstown Rebels, Defected, Hot Creations, Saved, Cocoon, Cecille, Moan, Viva and more.
Franco Cinelli (Rosario, Argentina, 1978) se ha convertido en uno de los productores, y Djs, más relevantes de América Latina. Comenzó su carrera desde muy temprana edad guiado por su padre, ingeniero de sonido. Inspirado por los sonidos del House y Techno de Detroit, y su amor por la batería acústica, Franco empezó a editar sus primeras producciones a partir del año 2001. Al dia de hoy cuenta con más de 40 releases propios, 3 álbumes, 100 remixes y
diversas colaboraciones con varios artistas de todo el mundo.
Durante 2018 y 2019 realizó 3 ediciones de su fiesta MYBEAT junto a Julian Perez, Valentino Kanzyani y D’Julz como invitados; ha participado de las 2 ediciones de Magik Garden (Santiago de Chile) junto a Loco Dice, Luciano, Richie Hawtin y Sven Väth, Legends (Punta del Este), One Sun Day (Montevideo) junto a Seth Troxler y Charlotte de Witte, DGTL (Santiago de Chile) junto a KiNK, y UNUM Festival (Albania), donde realizó un b2b de 7 horas junto a Ricardo Villalobos.
Franco sigue desarrollando proyectos paralelos como el debut de Fluss, un b3b junto a sus colegas Mariano y Jorge Savoretti, su label PsyFunk, su alias PsyNote, el trío F.E.L. junto a Esteban Gutierrez y Leonardo Andres, y su live ambient set llamado Greener Live junto a Andrés Zacco.
A lo largo de su carrera ha editado música en distintos sellos como Raum Musik, Girada Unlimited, Bass Culture, Pleasure Zone, The Untold Stories, Savor Music, Ilian Tape, Hello?
Repeat, Esperanza Records, Traut Musik, y varios más.
Passionate music colector founder behind Audionik Limited who has been part of the Mexican electronic scene for more than 15 straight years. Great names in the
industry back this Mexican talent who is able to change the most obdurate listener with his unique sound. David
Estrella who happens to produce and Dj under the alias Somoma, have been supported by names like Barem, Janeret, Mihai Pol, Rich NXT, David Gtronic and Konrad Black and have also warmed up for several names like the name of Priku, Arapu, tINI, Andrey Pushkarev, Enzo Siragusa, Guti, Subb-an, Adam Shelton, Seb Zito, Barem, and the list goes on.
His raucous background started acting as a creative director for Audionik which built heavy momentum in the electronic music scene in Mexico. The promotion company
embossed a particular sound which
immediately was picked by Sonoma who successfully decided it was time to crank on that particular sound Audionik had built upon and decided to transform the
promotion into a full-on, vinyl-only record label. The label quickly garnered the people's attention positioning itself
and its releases in top charts across major selling platforms after the first release.
Mike.D (DJ and producer) founder of Salomon Records along with long time friend Lopx, from Juarez Chihuahua, he is one of the new generation talents of DJs and producers from northern Mexico. His music selection and mixing abilities have given him the opportunity to play at Hardpop as a guest DJ for multiple years , Hardpop being one of the best clubs in Mexico and very notated by international DJs. As a producer he is under labels such as kanja Records, Kina Music, The Lab among others which currently set him on the map because of these productions. His music is played, by Arapu, Sepp, Cosmjn, Maher Daniel, Rich Nxt, Prichindel, Crihan, Sublee, Mihai Pol, Vincentiulian and more!
- Kosmas M
- Kathy M
- Gabriella S