The Integral Role of MCs in Bass Music Festivals
In drum ‘n’ bass, dubstep, and other bass music scenes, the MC (Master of Ceremonies) is much more than a hype man – they are a core part of the performance. A skilled MC guides the crowd’s energy, complements the DJ’s set, and helps create unforgettable moments. From London warehouse raves to massive outdoor festivals in Europe, Asia, or the Americas, MCs play a pivotal role in engaging the audience. When MC culture is done right, it elevates the festival experience: the crowd stays energized yet safe, the music shines, and everyone leaves talking about the incredible vibe. To achieve this, event teams must treat MCs as essential collaborators, paying attention to technical setup, coordination, respect, and safety just as they would for any headlining artist.
Microphone Selection and Sound Setup for MCs
Using the right microphone and stage setup is critical for MCs to sound clear without causing feedback or other audio issues. Festivals are loud environments, so choose microphones designed for live vocals:
– Dynamic cardioid microphones (like the iconic Shure SM58) are a popular choice for MCs. They’re rugged, less sensitive to background noise, and naturally reject sound coming from behind – perfect for loud stages.
– Supercardioid or hypercardioid mics (for example, Shure Beta 58A or similar) offer even tighter pickup patterns, which can further reduce feedback from monitor speakers. However, these require careful monitor placement (since supercardioids do pick up a little sound from directly behind). Make sure any stage monitors are positioned in the mic’s dead zones (usually behind and slightly to the sides of the mic) so the MC can move without pointing the mic into a speaker.
– Wireless handheld mics are ideal for MCs who like to roam the stage. Provide a high-quality wireless system and do a frequency check in advance to avoid dropouts. Always have fresh batteries (or a fully charged pack) before each set, and keep a wired backup mic on standby in case technology fails.
During soundcheck (or at least a quick line check before the set), work with the MC on monitor mixes and levels. MCs need to hear both themselves and the music clearly. Ensure there’s at least one stage monitor dedicated to the MC’s vocals (or a shared monitor mix that balances the DJ’s output with the MC’s mic). A common approach is:
– Give the DJ their usual monitor mix (mostly the full music mix).
– Provide the MC with a wedge monitor tilted toward them, carrying their vocals prominently along with enough of the music. This prevents the MC from shouting excessively or wandering into feedback zones just to hear themselves.
– Ask the MC where they plan to stand or move, and adjust monitors accordingly. In smaller venues, the DJ’s monitor might double as the MC’s monitor – in this case, careful volume balancing is needed so the MC’s voice isn’t drowned out for them.
Preventing feedback is a shared responsibility between the audio crew and the MC. Tech staff should ring out the MC’s microphone in advance – meaning they gently raise its gain during soundcheck to identify and EQ out any prone-to-feedback frequencies. At the same time, brief the MC on good mic technique:
– Hold the mic close to your mouth (within a few centimeters) when speaking or shouting. This ensures a strong vocal signal so the sound engineer doesn’t have to crank the volume (which could cause feedback).
– Don’t point the mic at speakers. It sounds obvious, but in the heat of a performance, an MC might step in front of a monitor or toward the main PA. Emphasize the golden rule: never let the front of the microphone face a speaker. If the MC is whipping up a call-and-response with the crowd, they should avoid aiming the mic directly at the audience (where the PA speakers are), or at least angle it up away from the nearest speaker.
– Avoid “cupping” the mic (putting your hand over the microphone’s grille). Though it’s a stylish habit in some genres, covering the grille alters the mic’s pickup pattern and can trigger squeals. Instead, hold the mic by its handle. (In an emergency – like accidentally walking right in front of a blasting speaker – covering the mic can momentarily reduce feedback, but it’s a last resort).
– If using a mic stand, don’t leave it center-stage in front of the PA with the mic on. An unattended live mic on a stand can easily catch speaker output. Either keep the mic in hand and under control, or have the tech team mute it when it’s not actively in use.
Call-and-response etiquette also ties into sound discipline. When an MC shouts “When I say ‘Hey’, you say ‘Ho’!” and extends the mic toward the crowd, it’s a classic moment – but it needs finesse. The MC should pull the mic back slightly or even lower the mic volume (if it has an on-mic volume control or if they signal the sound engineer) at the moment the crowd responds. This way, the roar of the crowd is heard organically rather than through the mic (which could cause a burst of feedback or a muddy sound). Some MCs actually point the mic above the crowd (not directly at them) during these moments, capturing the vibe without directly sampling the PA output. The audio engineer can also briefly lower the MC channel during big crowd shouts. Clear communication is key – a simple hand signal or pre-show agreement between the MC and engineer can ensure those hype moments come off clean and feedback-free.
Pre-Show Coordination Between MCs and DJs
A dynamic MC-DJ duo needs coordination just like any band members would. Festival organizers should brief MCs and DJs together before their set (even if it’s just a quick huddle backstage) to align on the performance flow:
– Levels and Sound Balance: The DJ and MC should agree on how the music and vocals will interplay. For instance, if the DJ knows the MC will be delivering a lot of verses, they might keep the music slightly lower in the mix during those parts or choose tracks with instrumental sections for MC to rhyme over. The sound engineer at front-of-house will ultimately balance levels live, but it helps if the DJ isn’t fighting the MC (e.g., blasting a track at full volume while the MC is trying to hype). Let the DJ know to leave some “headroom” – both volume-wise and frequency-wise (e.g., maybe duck the mid-range a bit when the MC is speaking) – so the MC’s voice can sit on top of the mix rather than be buried.
– “Hype Windows” and Set Dynamics: Every great set has peaks and valleys. MCs shouldn’t be shouting non-stop for an hour; they shine when accentuating the high points. Encourage the DJ and MC to plan a few hype windows – perhaps the moments before a massive bass drop, during a breakdown, or transitioning between big tunes – where the MC will go full throttle to drive crowd excitement. Outside of those windows, the MC can scale back, allowing the music to breathe or using shorter phrases to keep energy simmering without exhausting the crowd. This timing can be spontaneous if both are experienced, but a quick discussion helps: for example, the DJ might tell the MC, “The second drop in this track is huge – that’s a good time to get everyone jumping,” or the MC might request, “After this song, give me a few seconds of just drums so I can do a shout-out.”
– Safety and Messaging: Festivals often require certain announcements – and MCs are perfect for delivering them in a relatable way. Brief the MC (and DJ) on any safety messages or rules that need reinforcing. This could include reminders to stay hydrated, calls to “look out for each other,” info about free water stations or medical tents, or even something as simple as “if someone near you falls down, help them back up.” An MC can weave these into their banter (“I wanna see everyone taking care of each other out there!”) so it feels natural and on-brand for the event rather than a dull PSA. Also decide who will speak if there’s an emergency or urgent announcement. For example, if there’s a sudden weather delay or a need to pause the show, an MC who knows the protocol can calmly inform the crowd and prevent panic. Make sure DJs and MCs both understand that safety messaging is a priority – the DJ can even lower the music volume briefly when the MC is making an important announcement to ensure it’s heard clearly.
Bringing MCs and DJs together also sets a tone of teamwork. In some cases, a DJ might be touring with their own favorite MC – they likely already have chemistry. But if you as the festival organizer pair an MC with a DJ who don’t usually work together, an introduction and a chat about the set can prevent awkward clashes. It’s as simple as clarifying, “DJ X will drop a 60-minute set; MC Y is hosting – let’s talk through any particular track cues or moments you want to create.” This way the MC knows the DJ’s style (is it rapid-fire mixing or long extended plays? any genre switch-ups?) and the DJ knows the MC’s style (fast chatting, lyrical verses, or mostly crowd chants). The result is a cohesive performance where the MC’s contributions feel like part of the music, not random ad-libs.
Respect, Rights, and Recognition for MCs
One of the worst mistakes festival organizers can make is treating the MC as an afterthought. MCs are core artists, and they deserve the same respect as any DJ, band, or headliner on the bill. This means in practice:
– Proper Billing: When promoting the event, include the MCs in lineup announcements, flyers, and social media posts. If a DJ-and-MC duo is performing, credit both. For example, instead of listing only “DJ Neptune,” list “DJ Neptune feat. MC Galaxy” so fans know to expect that combo. For instance, major festivals like Rampage (Belgium) and Let It Roll (Czech Republic) list their MCs prominently on flyers and schedules, underscoring that the MC is an integral performer, not a side note. Many drum & bass and dubstep fans follow specific MCs just like they follow DJs – seeing a beloved MC’s name on the lineup can be a draw. In regions like the UK, MCs like Dynamite MC or MC Conrad have their own reputation; internationally, fans might travel just to catch their favorite hype person live. Give audiences that info up front, and give MCs their share of the spotlight.
– Fair Compensation: Budget appropriately for MC talent. Do not assume the DJ’s fee “includes” the MC unless that’s a private arrangement between those artists. Often, top MCs have their own booking fees. Even for up-and-coming hosts, allocate payment that reflects their role in engaging the crowd. They might be on the mic nearly as much as the DJ is on the decks – their performance is work, and it’s part of what attendees are paying to enjoy. By compensating MCs fairly, you also encourage professionalism: the MC is more likely to show up on time for soundcheck, deliver their best performance, and remain loyal to your event brand for future editions.
– Artist Hospitality and Credentials: Issue artist passes to MCs just as you would to other performers. Ensure they have access to backstage hospitality, refreshments, and any artist amenities. Something as simple as having the MC’s stage laminates or wristbands ready (and not making them beg at the gate to be let in early for soundcheck) shows that you recognize their importance. Similarly, if you provide things like a green room, transportation, or accommodation for artists, include the MC if they’re traveling in for the show. Horror stories abound of MCs not being let into green rooms or being stopped by security because staff weren’t told the MC is part of the act – avoid this by treating them as full-fledged members of the artist roster in all planning documents.
– Scheduling and Set Length Considerations: Recognize that MCing a high-energy set can be physically taxing. If you have an MC hosting for an extended time (for example, emceeing an entire stage for multiple hours or the whole day), schedule breaks or rotations. Some festivals rotate MCs so one can rest their voice while another takes over – that also brings variety of style. Plan these rotations smoothly, perhaps even with a short overlap so two MCs can banter and pass the torch in a fun way on the mic.
When festival producers respect and credit MCs appropriately, two things happen: the MCs perform with even more passion (because they feel valued), and the audience perceives the MC as an essential part of the show rather than a sideline. This elevates the overall culture around MCs – instead of “oh, who’s that shouting over the music?”, fans will know who is rocking the mic and appreciate them as an artist.
Capturing the Moment: Recording MC Performances (With Consent)
In an era where many festivals release recorded sets or live streams, it’s worth considering how to capture an MC’s contribution cleanly for archives or publicity – but always do this with the MC’s knowledge and consent. Here are some best practices:
– Multitrack Recording: If you’re recording sets for an official archive or future video, set up a system to record the MC’s microphone on a separate channel from the main music mix. This way, you can adjust levels or clean up the MC’s vocals in post-production if needed. For example, an amazing freestyle or a perfect hype moment can be highlighted in a recap video if you have a crisp recording of it.
– Permission and Releases: Include a clause about recording in the artist contract or advance. Artists (MCs included) should agree if their performance will be filmed or recorded for later use. Many professional MCs are fine with recording – it can be promo for them too – but it’s just good ethics (and often legally necessary) to get that permission. If an MC delivers some standout bars off-the-cuff and you happen to record them, don’t publish that content without checking in. A quick conversation like, “We got that whole bit on video, it was epic – are you cool if we post it on our channels?” can go a long way. Most likely the MC will say yes (possibly thrilled that you want to showcase them), but they may appreciate being asked or might request to review it first.
– Live Streams and Cameras on Stage: If your festival streams live, make sure MCs know where the cameras are and that they will be on camera too. This can influence how they work the stage (they might play to the camera at times or avoid blocking the DJ). It’s also polite to tell them if their audio is being broadcast beyond just the live audience. Technical note: balance the live stream audio mix so the MC is audible on the stream. Festival broadcasts sometimes lean heavily on the music feed; don’t let the MC become inaudible in the recording or stream.
– Archiving for Internal Use: Even if recordings are just for internal review (say, to evaluate the show or for the artists’ own archives), maintain quality. If an MC killed it with a one-of-a-kind verse praising the festival or a city (“freestyling” a line about, say, “Mexico City massive, you’re the loudest tonight!”), having that saved is valuable. You might use it in future marketing (again, with credit given), or simply share it with the MC as a thank-you memento.
Capturing great moments benefits everyone – the festival gets proof of the amazing atmosphere created, and the MC gets evidence of their craft that can help book more gigs. Just ensure the respect continues after the show: credit the MC whenever you use those recordings or videos publicly. For instance, if you upload a DJ’s set to YouTube and the MC is a big part of it, name them in the description and title. It’s all part of treating them as equal partners in the performance.
Fostering Respectful and Safe Stage Culture
Festivals should be all about positive vibes, inclusion, and safety, and MCs (along with DJs) are in a unique position to promote those values from the stage. It’s crucial to brief your MCs on maintaining respectful language and championing a consent culture in their crowd interactions:
– Zero Tolerance for Hate or Harassment: Make it clear that racist, sexist, homophobic, or otherwise derogatory language is off the table. The MC’s job is to unite and excite the crowd, never to single out or demean anyone. Most professional MCs know to avoid slurs or offensive jokes, but it’s worth stating explicitly as part of your festival’s code of conduct for performers. If your event is in a country or culture with specific sensitivities, educate your hosts. For example, what might be a common casual phrase in one place could be hurtful in another – ensure everyone’s on the same page about respectful speech.
– Encouraging Consent and Positivity: The MC can set an example for the crowd in how to party considerately. Simple gestures like asking “Everyone comfortable out there? Turn to your neighbor and give them a thumbs up!” or shouting “We party as one family – if someone’s not having a good time or needs help, we got them!” can reinforce a culture of care. Some festivals explicitly encourage these messages from the stage – Bass Coast and Shambhala in Canada, for example, have made consent and care reminders a normal part of the show. An MC can phrase these reminders in a hype-friendly way: e.g., “Fellas, we treating the ladies with respect tonight, yeah? All my ladies, you feeling safe and good? That’s how it should be – everyone respect each other!” It’s possible to say this sincerely without killing the vibe, especially if it’s part of the festival’s ethos.
– Safe Celebrations: Also caution MCs about the physical requests they make of a crowd. Getting people hyped is great, but not at the cost of safety. For instance, an MC might love wall-of-death mosh calls or urging everyone to jump simultaneously – in a packed festival scenario, that can sometimes be risky. Tailor the hype: “jump on the spot” or “bounce in place” is safer than telling the whole front row to surge forward or start a giant mosh without warning. If crowd-surfing or mosh pits are common in your festival’s genre, MCs (and DJs) should encourage people to enjoy carefully (“Pick them up if they fall!” for example).
– Reading the Crowd & Working with Security: MCs should keep an eye out for distress signals. In the chaos of a bass drop, the DJ might be focused on the mix, but an MC on the stage edge could spot if someone near the front is trying to get the security’s attention or if a fight or medical issue is breaking out. Part of the MC’s briefing can be: “If you see something concerning, alert stage staff or use the mic to calm things down.” There have been instances where an attentive MC helped diffuse a situation by addressing it calmly (like telling the crowd to back up a step and give each other space, or directly saying “Security to the left side, we need a medic,” when they noticed someone fainting). Empower MCs to act as an extra set of eyes and a voice for safety when needed.
– Professionalism and Positivity: Lastly, remind MCs that they are representatives of the festival on stage. This includes refraining from heavy intoxication before going on (it sounds like common sense, but gentle reminders don’t hurt) and keeping the tone upbeat. If something goes wrong technically – say the DJ’s sound cuts out – an experienced MC will fill the gap with jokes or engaging banter rather than letting frustration show or leaving dead air. That kind of professionalism under pressure is golden for a festival’s reputation, so consider including it in your pre-show pep talk: “If we get any hiccups, help us keep the crowd cool and happy – we’ll sort it out quick.”
By enforcing these standards, you create a festival atmosphere where everyone – audience, performers, staff – feels respected and looked after. The audience will remember not just the beats and bass, but also that the host made them feel welcome and safe while they raved. In the long run, this builds a loyal community around your event.
Key Takeaways
- Choose the Right Mic & Setup: Equip MCs with quality dynamic or supercardioid microphones and proper monitor placement to keep vocals clear and avoid feedback. Always do a quick sound check for the MC’s mic and monitor levels.
- Coordinate MCs and DJs: Have MCs and DJs discuss their set plan together – agree on volume levels, moments for crowd hype, and how/when to relay any important announcements. Teamwork between the booth and the mic results in a seamless show.
- Treat MCs as Headliners: Give MCs the billing, pay, and hospitality they deserve as core artists. When you respect and credit MCs (in promos, on stage schedules, etc.), they’ll deliver their best and audiences will value their presence.
- Capture the Magic (Responsibly): If recording or live-streaming, record the MC’s audio cleanly so you don’t lose those epic one-liners. Always get the MC’s consent for recordings and credit them in any released media – their performance is their art.
- Promote a Safe, Inclusive Vibe: Set clear expectations that MCs use positive, respectful language on stage and help foster a consent culture. They should hype the crowd and watch out for its well-being, creating an electric atmosphere that’s fun and safe for everyone.
17th September 2025