About The 1896
The 1896 Studios & Stages is a multi-purpose event and production venue in Bushwick, Brooklyn. It occupies four connected red-brick warehouse buildings originally built in 1896 (hence its name) as part of an early electrical conduit factory (www.the1896.com). Restored and opened by artist Jen Durbin in 2008 (www.the1896.com), the complex offers roughly 12,000 sq ft of indoor space (www.weddingwire.com) with lofty steel-truss ceilings (up to 37 ft high) (www.weddingwire.com). The open-plan halls feature raw exposed brick walls, turn-of-the-century architecture and large skylights, giving it a distinctive industrial-chic ambience (www.weddingwire.com). It’s widely used for photo and film shoots (house photographer teams and TV crews) as well as private events. Beyoncé even filmed her “Yoncé” music video here (www.the1896.com), reflecting the venue’s appeal as a creative backdrop. The 1896 can hold hundreds of people – one event listing cites capacities up to about 1,000 seated or 1,200 standing for the entire facility (www.tagvenue.com). In practice, most events use one or two of the large halls (see “Seating and Layout”). The site also houses about 30 artist studios and a prop shop, making it a hub for the Bushwick arts and production scene (www.the1896.com). Its name and character pay homage to the building’s 19th century origins, while its modern refit (with power hookups, heating/AC and production offices) makes it uniquely flexible for today’s events.
Events and Programming
The 1896 doesn’t run a fixed concert schedule like a theater; instead, it’s typically booked for one-off events or shoots. Its calendar varies widely, from corporate product launches and art exhibitions to private parties and pop-up festivals. In past years it has hosted brand events (Porsche, Guinness, Lyft and others) and local creative gatherings. For example, the Bushwick neighborhood open-studios festival once held the NEWD art fair here (www.the1896.com), and Red Bull curated an artist-focused party with street art installations in the courtyard (www.the1896.com). Unique parties have taken advantage of the space's features – a 2014 Roller Skating Jam event even had a pizza oven and an ice-cream truck in the courtyard (www.the1896.com). Music acts and DJs sometimes rent the halls for live shows or dance nights, though details are irregular. Notable past productions include TV and film shoots (e.g. NBC’s “The Blacklist”) and indie music videos (Interpol, The Black Keys, Estelle because of its scenic look (www.the1896.com)). For attendees, events at The 1896 might be art openings, film screenings, concerts, or themed parties. Ticket prices depend entirely on the specific event: smaller local shows or club nights often charge in the $10–$20 range, while larger concerts or multi-day festivals might cost $30–$50 or more. Because each event is organized by its promoter, watch for announcements – tickets are usually sold through the event organizers and often go on sale weeks in advance. (If you have a favorite act performing there, it’s wise to buy early as popular events sell out.)
Tickets and Booking
The 1896 has no on-site box office for walk-up ticket sales. Most events require advance tickets, which are sold through the event promoter or ticketing platform. To attend a show, check local event listings or the venue’s social media for announcements, then purchase tickets online as directed. For very small or free events, there may be a limited number of tickets available at the door on the night of the event – but don’t rely on this for big shows. Popular concerts and festivals typically sell out early, so the best strategy is to secure tickets in the first release. For large festivals or multi-act shows, tiered pricing or VIP packages might appear when tickets go live. There is also no dedicated public box office hours; all tickets come from the event’s website or selected outlets. For those looking to book or rent the space itself, contact the 1896 booking manager. Rental rates vary by type: hourly or daily rates apply for film/photo shoots, while event rentals are typically flat-day or multi-day packages (e.g. a 14hr rental for a full setup as noted on the venue’s info pages). In general, you’ll receive a custom quote from the booking team (email contacts available on the official site). Bringing a party to The 1896 often means paying a substantial venue fee – for instance, wedding packages here once started around $20,000 for peak season (www.weddingwire.com). (Note: as of 2022 the venue is pausing new wedding bookings (www.the1896.com).)
Seating and Layout
The 1896’s interior is a flexible open-loft style. There are no fixed seats or balconies – seating is arranged by event organizers according to need. In most concerts or dance events the floor is general admission (standing room), often with the stage at one end or to the side. If an event is seated (e.g. a spoken-word program or ceremony), chairs or tables are brought in and laid out; in that case “best seats” are simply wherever the stage is facing. Because different areas of the complex connect, you may sometimes hear music or presentations from another hall or the courtyard as well – so exploring the space can give multiple vantage points. Broadly, the largest hall (called Area 3) has the highest ceiling (~30–37') and unobstructed views to the far wall, making it the main performance space. A mid-sized hall (Area 2) links directly to the outdoor courtyard and has large rolling doors for load-in; it often serves as a secondary stage or lounge area. (There is also a smaller Area 1 and additional “flex” rooms for green rooms or equipment.) Generally, if you want the closest view of the stage, arrive early and claim a spot near the front of whichever hall the act is in. The high open ceilings mean sound carries; acoutically the venue is designed for recording, so PA sound is clear throughout (www.the1896.com). Unlike seated theaters, there is no “bad seat” since people stand anywhere, but crowded events favor spaces nearer the speakers or open aisles. Occasional side or rear viewing spots may be elevated (e.g. a fire-escape balcony overlooks the central courtyard (www.tagvenue.com)), but these are typically off-limits to guests unless a show specifically opens them. VIP areas are not built-in per se – event hosts might reserve certain tables or backstage rooms (the venue has a built-in ‘vanity’ green room next to Area 2) for VIP guests. In short, plan on a casual, pick-your-place layout: front-and-center is great, but even the back of the hall will see the action once the crowd builds.
Getting There and Parking
The 1896 is located at 592 Johnson Avenue (mailing address) with its main stage entrance on Ingraham Street between Gardner and Stewart Avenues (www.the1896.com). For public transit, take the Brooklyn–Manhattan (L) subway line to the Jefferson/Morgan Ave station. From the train’s western (Manhattan) end, exit toward the rear – you’ll emerge near Wyckoff and Flushing Ave, facing a block with a tall smokestack (a landmark of The 1896) (www.the1896.com). Turn right onto Flushing Ave, cross to the other side, then make the first left on Gardner Street. From Gardner, turn left again onto Ingraham; the entrance will be on your right with “1896” stenciled on the roll-up door (www.the1896.com). Many maps/guides will list “211–215 Ingraham Street” as the stage entrance. Rideshare drop-offs work best at this Ingraham entrance. Alternatively, some events may direct walk-up traffic to the Johnson Ave entrance (look for a plain black door, also labeled 592 Johnson (www.the1896.com)), but unless otherwise noted, plan to enter via Ingraham. Bus riders can use lines on nearby cross streets – for example, the B60 runs along Flushing Ave a block away, and the B43 along Liberty Ave/Lorimer, which connects to Myrtle Avenue shopping.
Parking: There is no dedicated parking lot for guests (www.the1896.com). Street parking in this industrial zone is generally free (no meters) but be mindful of any posted street cleaning or permit signs. On weekdays there is more traffic, but late evenings and weekends usually have more curb space open. If you arrive early on a weeknight or weekend, finding a spot on Gardner or Ingraham near the venue is likely. Staff sometimes reserves a few spots along the front of the building on Ingraham for loading trucks or set-up gear (www.the1896.com) – once unloading is done, vehicles can often leave and re-park there. For larger equipment vans or multi-day film crews, the venue recommends a temporary parking permit from the city’s Mayor’s Office of Media (which covers loading zones without fines) (www.the1896.com). If you’re driving yourself or catching a cab, we strongly suggest allowing extra time for parking, or parking a few blocks away (guests often use parking on Wyckoff or Johnson Avenue) and walking in.
Inside the Venue
On arrival for an event, expect to be checked in by staff. A ticket or RSVP confirmation will typically be scanned at the door; you may be asked to show ID (especially if the event serves alcohol). Bag checks and metal detectors are possible at large events, just as at most NYC event spaces. Inside, you’ll find an open warehouse atmosphere – the high ceilings and brick walls create a spacious, loft-like feel. Lighting varies by event: it could be bright and airy in daytime or darkened with party lighting at night. The venue is climate-controlled (it has heat and air conditioning throughout (www.tagvenue.com)), though a concrete floor means it can feel chillier than smaller venues, so consider bringing a sweater.
Amenities for guests are basic but noted. There are permanent restrooms off the main hall and in the courtyard area (www.peerspace.com). These tend to be simple, utilitarian bathrooms (they are kept clean, but expect concrete walls rather than fancy decor). There is no fixed concession stand or bar inside; however, most shows provide a bar (mobile bars or outside caterers are arranged by event hosts). If you get hungry or thirsty, check if the event has a cash bar or food trucks on site – for example, past events have featured pizza ovens and food carts in the courtyard (www.the1896.com). (Note that bringing your own alcohol or outside food is generally not allowed, per typical venue rules.) Carry some cash for merch and food vendors, though credit card acceptance is common at larger events. The space even has private “green room” and makeup areas (like a 500 sq ft flex room and a vanity area in Area 2) that performers use; these are off-limits to guests.
If you move around inside, you’ll step across the polished concrete or wood floors and may see occasional props or art installations (the venue partners with Primate Props on set pieces). There is no coat check counter run by the venue, though some events may offer a staffed coat check or coat racks. If you bring a coat, you might keep it at your seat or hang it on a rack provided by the event. Cell reception is usually good (all major carriers work here), though there’s no public Wi-Fi by default – some events might have guest Wi-Fi, but plan to use your data. The 1896 is certified for sound recording (www.the1896.com), which means it’s quite quiet when empty; during concerts the acoustics are generally clear. In short, expect a raw-industrial loft vibe with the comforts event-organizers add: pop-up bars, food options, and portable amenities matched to each event’s style.
Nearby Amenities
Because The 1896 is in an industrial stretch of East Williamsburg, immediate food options on the block are limited. However, a short walk or drive will find places to eat and drink. Down Flushing Avenue towards Morgan/Lorimer, there are casual diners, pizza shops and coffee bars popular with locals. For example, Roberta’s Pizza (a famous Bushwick pizzeria) is about 1.2 miles west, or smaller slice shops dot Flushing Ave and Morgan Ave. Several Italian delis, diners and hip cafes line nearby streets Kerwin or Wilson Ave. If you need a sit-down dinner, head north on Johnson or Macon Street to reach more restaurants; Brooklyn has a cluster of eateries around Morgan Avenue. For bars, the Driggs/Johnson area (½ mile north) has a few pubs and breweries, and the busy nightlife corridor on Broadway in Williamsburg is just a mile west (reachable via the L train or car). After the event, you can catch a cab or a car-share from those nearby streets, or choose one of the late-night food spots.
Lodging: There are few large hotels in Bushwick itself. If you need a room, the closest major hotel options are in neighboring Williamsburg or Ridgewood. The Williamsburg waterfront area (a 20–30 minute drive/subway ride away) offers places like the William Vale or Wythe Hotel. Queens’ Long Island City (north of Manhattan Bridge) is also a 25-minute ride. For a cheaper stay, some visitors use boutique motels or hostels in Bushwick–Van Wyckoff corridor, or simply book an Airbnb in Bushwick or Bed-Stuy.
Arrival advice: No matter your transport, aim to arrive at least 30 minutes before showtime. This gives time to find parking or navigate through the neighborhood. Even with street parking, the lots near Flushing Ave can fill up on weekend nights. Also, factor in that trains and buses may slow down late at night: the L train runs 24/7 but less frequently after midnight. For late-night returns, taxis or rideshares on Wyckoff Ave or Morgan Ave are safer bets. (There’s no taxi stand right at the building, so plan your pickup with a ride-hail app or walk a block to find a cab.)
What Makes This Venue Special
The 1896 stands out as a special space for several reasons. Architecturally, it’s a preserved piece of Brooklyn’s industrial past right in the heart of the modern arts scene. Where many venues are purpose-built or dark modern spaces, The 1896 is the real deal – its 1896 brick walls, iron beams, wooden floors and massive skylights were all standing before the age of film. Visitors often note the old-world charm of the structure: the patina on the wood and brick gives events an instant historic feel, and no two walls or corners are alike. This raw canvas has literal street cred – before it became an event venue, it was known on census records simply as “The Power Company,” building electrical conduit (www.the1896.com). Walking in feels like stepping onto a film set where New York history is still visible.
Culturally, the space has earned a reputation in the creative community. It regularly appears in media production credits. In addition to Beyoncé’s video (www.the1896.com), fashion photographers for magazines (Interview, Harper’s Bazaar, Vanity Fair, etc.) have shot editorials here (www.the1896.com). Even TV shows and commercials turn the halls and courtyard into New York street scenes and studies in light. The venue was dubbed “NYC’s Sixth Alleyway” for its cinematic vibe (www.tagvenue.com). All this means both artists and audiences feel they are part of something unique – you’re not just at another bar or hall, but in a place where big creative projects take shape.
The vibe also comes from its community role. The 1896 houses various creative businesses and supports local artists; in lean months it even hosts open studios and art fairs for the neighborhood. This DIY energy – plus regular events like brand showcases, fashion week installations or pop-up exhibitions (www.tagvenue.com) – infuses the place with an entrepreneurial spirit. Attendees often sense the difference. For example, a couple of visitors might recall hearing DJs in one hall while an art exhibit was quietly viewed in another area or seeing the Manhattan skyline from a hidden rooftop balcony (www.tagvenue.com). These layered experiences are simply not possible in a single-purpose theatre.
In short, The 1896’s appeal comes from the mix of old and new. It preserves history in brick while serving modern needs in video and events. It has been a key part of Bushwick’s cultural comeback, turning an old factory into a happening landmark. Whether you love film, fashion, live music or industrial design, this venue has a character you won’t find elsewhere in New York.
Visitor Tips and Information
Accessibility: The main event areas are on street level, so wheelchair access is possible through the large roll-up stage doors. However, the building still has some old features (e.g. a couple of steps up to certain loft rooms or the roof). If you require an elevator or ramp beyond the ground floor, contact the venue ahead of time to ensure accommodations. For most patrons, the concrete floor and open hallways are easy to navigate. The venue notes that it is suitable for professional sound recording (www.the1896.com), which means outside noise is well controlled – an accessibility bonus for hearing as well.
What to Bring/Not Bring: Carry a small bag or personal belongings at your own risk – the venue is generally secure but has no locked storage. Small cameras and phones are fine for casual snapshots (the 1896 is in fact a photographer’s paradise), but if you plan to bring professional camera gear, check the event’s rules; some shows prohibit flash or large tripods. The same goes for recording – while the venue itself doesn’t forbid mobile phone video, be aware that the featured performers might not want every move filmed on social media. Dress code is relaxed and creative: jeans, sneakers or fun outfits all fit here. The floors can be concrete and cool, so bring a jacket, especially in winter. Earplugs are wise at loud gigs if you’re sensitive to bass (or class it as a fashion accessory).
Common Pitfalls: Don’t get confused by the addresses. The *entrance* for most events is on Ingraham Street, not the Johnson Ave address you might see in GPS. Look for 211–215 Ingraham (between Gardner and Stewart); this is where equipment trucks load in (www.the1896.com). If your phone maps sends you to 592 Johnson, that door is usually only for mailing or staff. Also, be punctual – street parking can be a hunt and trains can delay. Leave yourself extra time so you don’t miss a “sold out” event due to running late. Finally, always double-check event details: some shows at this multi-venue might use one hall (A2 vs. A3, indoors vs. courtyard) or have changed rules (e.g. Covid policies). The official The 1896 social media or email updates often cover those specifics.
Venue Policies: General New York event rules apply here. Outside alcohol isn’t allowed unless it’s part of a vendor concession, smoking is only in designated outdoor spots, and no weapons or big drones. For medical/cell needs, note that the venue usually has cell signal (all major carriers work here), but public Wi-Fi isn’t standard; consider using your own hotspot if needed. The venue has restrooms inside for guests, but it does not run a coat check – if cold, plan on keeping your coat with you or at a seat. If you have any questions when there, staff are normally friendly; they often wear 1896 or production attire and can point you in the right direction.
Age Restrictions: There’s no single age rule for all shows. Because it’s an industrial space, some events are 18+ or 21+ (check event listing to be sure). If children are allowed, parents should know the space is loud with industrial surfaces, and there can be staging or power cables out on the floor. In general, this is more of an adult/professional venue than a family play area.
By preparing for these details, visitors can focus on what makes The 1896 fun – its unique atmosphere and creative energy – knowing logistics are covered. Enjoy the spacious brick halls and have a great time!
Where is The 1896 located and how do I reach it by subway?
The 1896 is in Bushwick at 211–215 Ingraham Street (the stage entrance) and also uses 592 Johnson Avenue as its mailing/art studio address (www.the1896.com). The nearest subway is the L train (Jefferson St. station). Exit there, head north-east on Flushing Ave past the railroad tracks, turn left on Gardner St and then left on Ingraham; you’ll see “1896” on the warehouse door (www.the1896.com). Buses on Flushing Ave (B60) or nearby Myrtle/Liberty (B43) also serve the area. Rideshares and taxis typically drop off at the Ingraham St entrance unless your host directs otherwise.
Is there parking available at The 1896?
No, The 1896 has no private lot (www.the1896.com). Guests must use street parking or paid lots nearby. On Ingraham, Stewart and surrounding streets parking is generally free, though check for any local restrictions (street cleaning, permit zones). Parking is easier in early morning, late evenings and weekends. For event load-in, the staff can block off a few curb-side spots, but once unloaded you should still move your vehicle. If you need guaranteed space (for film trucks or multi-day loads), it’s wise to apply for a NYC filming permit (which covers a staging zone by city regulations) (www.the1896.com). Otherwise, plan to circle a bit or park a few blocks away.
What types of events are held at The 1896, and how do I get tickets?
The 1896 hosts a wide variety of events – from fashion or art shows and product launches to indie concerts and dance parties. It’s booked ad hoc, so the schedule can include any creative event. To attend, first find the event listing (promoters usually advertise shows on event websites or social media). Then purchase tickets as directed by the event organizer. There is no on-site box office at The 1896, so you typically buy tickets online in advance. For smaller events, limited tickets might be sold at the door, but popular shows often sell out, so it’s safest to secure them early. Always check the specific event page for pricing and age requirements.
What is the capacity of The 1896?
The full complex can accommodate on the order of a thousand people standing. One rental listing notes “up to 1,000 seats, 1,200 standing” for the entire venue (www.tagvenue.com). In practice, most events use one or two halls at a time, so guest counts are often in the hundreds. For example, the three main indoor halls together cover about 12,000 sq ft (www.weddingwire.com) (plus a 2,500 sq ft courtyard (www.tagvenue.com)). A concert in one hall might be 300–500 people, whereas the courtyard could host a couple hundred more. (Event organizers will list the estimated capacity when they promote a particular show.)
Is The 1896 wheelchair accessible?
The ground floor of The 1896 has wide roll-up doors and flat concrete floors, so basic access for wheelchairs or strollers is possible. The main stage entrances on Ingraham St are at street level. However, as an old warehouse, there are no built-in elevators – areas above the ground floor (like the loft or roof) require stairs and are not accessible. If you need special assistance, it’s a good idea to contact the venue in advance so staff can help. General event areas (halls, bathrooms, courtyard) should be reachable by ramp or flat doorway once inside.
What are the seating and viewing arrangements inside The 1896?
The 1896 has an open-floor layout – there are no fixed seats. For concerts or parties, attendees stand in an open space. If an event calls for chairs or tables (like a presentation or wedding), the organizers will furnish them temporarily. The venue includes a large main hall (Area 3) and two other large halls (Area 1 and Area 2) plus an outdoor courtyard. The best views depend on each setup: generally, being close to the stage or DJ in whichever hall the event is held gives the clearest view. Because of high ceilings and few pillars, even the back of the hall usually has a good line of sight. Some guests also enjoy the rooftop and courtyard for a unique perspective, but these may not be open to general guests unless the event specifically includes them. In summary, treat it like a general admission concert venue: claim a spot early if you want front-row, otherwise anywhere you stand will see the action once everyone is there.
Does The 1896 offer amenities like restrooms or coat check for guests?
Yes, The 1896 has permanent restrooms on site, including at least one large bathroom in the main hall and facilities accessible from the courtyard (www.peerspace.com). These are standard multi-stall public restrooms (not port-a-potties). The venue does not operate a formal coat check; if one is provided, it will be run by the event organizers, not the venue itself. There is no built-in bar or kitchen for guests, but most events bring in mobile bars and catering. A caterer or food vendors at an event will handle any food and drink service. If you need to sit, organizers may place folding chairs – otherwise expect to stand. In terms of other amenities: there’s usually no public Wi-Fi provided (cell service is available though), and you may want a portable charger in your bag.
Are cameras or recording devices allowed at The 1896?
The 1896 is in many ways a photographer’s studio (complete with hair/makeup rooms and even a soundproof certification (www.the1896.com)), so casual photos are generally fine. Most guests use phones or small personal cameras without issue. However, for professional cameras or video recording at a public event, check the event’s rules. Some concerts may prohibit still or video recording for copyright reasons. In short, taking pictures with your phone is usually okay, but bringing a big DSLR on a tripod or lighting equipment likely requires advance approval. For private film/TV shoots, your own cameras will of course be part of the production.
Can children attend events at The 1896?
There is no fixed age rule for the venue, but most events are adult-oriented. If an event serves alcohol, 21+ ID checks will apply. Some events (like daytime workshops or family-friendly shows) may allow children, while others (evening concerts or parties) may be 18+. Always check the specific event’s age policy. Also, keep in mind The 1896 is a large industrial space; if children do attend, guardians should supervise them, as there may be equipment cases, wires, or trip hazards in active areas.
Can I bring outside food or drinks into The 1896?
As with most venues, you generally cannot bring your own alcohol or food to a ticketed event inside The 1896. There are no public concessions on site, but many events feature food trucks or vendors in the courtyard. Bringing bottled water, small snacks, or allergy-safe food is usually okay, but don’t expect to picnic inside. If you have special dietary needs, it’s best to eat beforehand or use the food vendors arranged by the event.
Is there a bar or food service inside the venue?
The 1896 has no permanent bar or kitchen for guests. Event organizers typically bring in caterers or rent food trucks to serve attendees (for example, pizza ovens or ice-cream trucks have been common in the courtyard (www.the1896.com)). Bars are usually portable pop-ups run by the promoter. During your event, check for a bar setup or ask staff where you can buy drinks. If none is provided, plan as if there is no bar (maybe eat/drink beforehand).
Are there restaurants or hotels near The 1896?
The immediate block is mostly warehouses, but a short walk leads to places to eat. There are several casual eateries and cafes along nearby Morgan or Flushing Avenues (pizza places, delis, coffee spots). More interesting restaurants and bars are about a mile away, especially along Wyckoff Ave or in Williamsburg. For example, the famous Roberta’s Pizza is approximately 1.2 miles away (in Bushwick) or you can find craft breweries and brunch cafes in adjacent blocks. There are very few hotels in Bushwick itself; nearby hotels are mainly in Williamsburg or downtown Brooklyn (both reachable via the L train in ~20–30 minutes). If you need a room, consider booking in those areas rather than the immediate neighborhood.
How do I book or tour The 1896 for an event?
To book the venue for a production or event, you should email or call the venue’s booking office. The 1896 suggestion is to email the contact on their website with details of your desired dates, crew size, and type of event (www.the1896.com). They operate as a Level 1 Qualified Production Facility (QPF) and give custom quotes based on your needs (www.the1896.com).
You can also arrange a site visit (“scout”) by appointment: office hours are Monday–Friday, 10am–6pm, and you should call or email to coordinate a tour of the space (www.the1896.com). Please note events fill up in advance, so start inquiries at least a few weeks or months ahead. As stated, they prefer booking slower seasons and often require a minimum rental block (e.g. 14-hour days for events according to their pricing info) (www.the1896.com).
What are The 1896’s operating hours?
As a production studio, The 1896’s regular hours are 7am–10pm daily (www.the1896.com). These times apply to film/photo shoots; events or parties may extend later as needed (often at extra fee). For public shows, there’s no fixed schedule – the event listing will specify doors/opening times. Generally, indoor events will wrap up by midnight due to NYC noise regulations. If you have a late show, expect it to start around 8–9pm on weekends. The venue itself is usually accessible only during scheduled events or booked shoots, so it’s best not to drop by outside those hours without an appointment or ticket.
Why is the venue called “The 1896”?
The name “The 1896” honors the year the building was constructed. The warehouse complex dates back to 1896, when it was built as part of an industrial block in Bushwick (www.the1896.com). Over a century later, the restored venue kept that founding year as its name, reflecting its historic roots as a turn-of-the-century factory. This nod keeps the old-time character of the place front-and-center in its identity.
