About The Center SF
The Center SF was a multi-use community venue nestled in San Francisco’s Lower Haight. Housed at 548 Fillmore Street in a 1923-era brick rectory, this three-story building (plus a finished basement teahouse) was converted into a hub for wellness, arts and culture . The space combined a tea lounge, yoga studio, and event hall under one roof. As one description puts it, The Center was founded as a “community hub dedicated to personal, spiritual, and social transformation,” providing “a welcoming and inclusive space” for people to explore human potential through movement, tea, healing arts and community building . Over the years it became a beloved “sacred container” and “heartbeat” of local creativity (as founders often noted) . At full capacity the venue could hold roughly 150 people , spread across its various rooms and open areas.
Remarkably, The Center SF began life as an intentional community. In fact, as one longtime resident recalls, “what was The Center SF? A former priests’ rectory… it became a living co-op in 2012” and housed about 25 people . These co-op members gradually opened the space to the public: first as a drop-in tea house and yoga studio, and eventually as a full events venue. The building’s history – once part of the Sacred Heart church complex – lent a gothic-charm to classes and concerts. Community organizers often highlighted the contrast: in this block of San Francisco “religious buildings become havens for art” . In practice, The Center attracted a diverse mix of technologists, artists, healers and spiritual seekers. It was commonly called a hippie-era-style safe space – even local media described it as “San Francisco’s favorite hippie hub” . The Center remained open until June 2025, when its founders announced the doors would “shut for good” on June 22nd . That closure marked the end of its physical chapter, but by then the venue had firmly established its place in SF’s cultural story.
Events and Programming
From yoga to live music to meditation circles, The Center SF hosted an incredibly wide range of events day after day. Its calendar typically included daily yoga classes in many traditions (Kundalini, Hatha, Vinyasa, Power, Bhakti and Restorative) as well as guided meditation, sound baths and breathwork workshops. For example, a typical week might feature morning yoga at 9:00 AM, afternoon flow classes, and evening “kundalini revival” sessions. Drop-in yoga was about $30 , with package deals available (e.g. $140 for 5 classes or $280 for a 10-class pack). The studio also offered unlimited monthly memberships (~$150/month) and special multi-week trainings for those deepening their practice. Instructors were local teachers and visiting experts, and classes were often donation-based or sliding-scale.
Evenings and weekends at The Center were packed with creative and community-driven gatherings. Regular programs included ecstatic dance parties (freeform dance set to world music), open-mic nights, poetry slams, live acoustic or indie rock concerts, film screenings and discussion circles on topics like authenticity and conscious relationships. One notable recurring event was the Decentered Arts open mic, described as a “space where you can shine your light.” Decentered held a free multi-genre open mic every Sunday from 6–9 PM, complete with microphone, piano, guitar and projector for performers . Other nights might feature visiting bands, DJs or local acts. The vibe was always inclusive and welcoming: amateurs and pros alike got equal chances to perform on the small stage. The tea lounge often served as an informal meetup spot between sets and workshops.
Workshops ranged from the common (yoga, Reiki circles, tarot/astrology talks) to the niche (tantric massage introductions, ecstatic drumming, or breathwork journeys). Some weekend retreats or day-long intensives (e.g. “Conscious Tantra 101” or “Breath of Bliss”) brought in outside facilitators and could run into the hundreds of dollars. But many community gatherings were free or suggested-donation to keep them accessible. In short, every day saw something happening: from morning mobility classes to moonlit meditation. Because space was limited and programming often sold out, the Center encouraged participants to sign up early. Ticket prices varied by event: drop-in yoga ~$30, small workshops ~$20–$40, multi-hour training ~$50-$100. (Introductory events or open sessions were sometimes free.) On site there was no separate box office; attendees usually registered and paid at the front desk or online ahead of time. Community-membership and early-bird discounts were common, as were “pay-what-you-can” options at selected gatherings.
Tickets and Booking
To attend an event or class at The Center SF, most people bought tickets or classes in advance through the venue’s own channels. The Center did not rely on big ticket platforms; instead it posted events on its website and social media and often used Eventbrite or a similar service (unbranded) to handle sales. Yoga and movement classes were booked through an online portal (Momence scheduling app) as noted on the Center’s site . In practice, visitors would visit thecentersf.com or mobile app to view the schedule, choose a class, and pay online. The Wind-down: any questions could be directed to the yoga team’s contact.
For performances and workshops, advance purchase was strongly advised since most sessions had limited capacity. If an event wasn’t sold out, a few tickets or wristbands might be available at the door, but there was no guarantee – large concerts sometimes closed their doors early. There was no walk-up ticket booth as such; typically one checked in at the front tea lounge and a staff member scanned an e-ticket or took cash at the door. Prices were generally moderate. As mentioned, a single yoga drop-in was around $30 (and a 10-class pack about $280 for an effective $28/class) . Smaller workshops or classes often fell in the $20–$40 range. Special multi-day retreats (for example, intensive healing retreats) could be higher, up to $100–$200 depending on length. Many events also featured a sliding scale option for those who needed it. In short, think of ticketing more like a community center: check the website often for new event postings, and book early if the topic or teacher attracts you.
Seating and Layout
The Center SF was not a fixed-seating theater but a flexible studio space. Its main event rooms were the Bamboo Room (roughly 32’×33’, about 1056 sq ft) and the Red Room (≈31’×32’, about 1000 sq ft) . Together these two halls could hold most of the 150-person capacity. There was also a covered outdoor patio (17’×52’, ≈884 sq ft) used for small gatherings, tea breaks, or overflow in fair weather. Another intimate space, called the Parlor, was around 45-person capacity , but it was typically part of a full-house rental and not open to walk-ins.
Within each space, seating was usually movable chairs along the walls or yoga mats on the floor. There were no permanent seats; audience members often chose to sit on cushions or stand. For evening shows, the main performance area was generally at one end of the room. To get the best view and sound, arriving early helped – try to find a position a few rows back where you can see the whole room. Avoid blocking the doorway (it can draft from outside) or standing under any speakers (there were often wood-framed speakers up front). In most classes (like yoga or dance), the instructors were on the floor level with participants, so front-center was good. In concerts or talks, a short stage or riser might be used, so the front-center also gave a close-up field of view.
The building provided good basic production gear: indeed, Decentered Arts notes that “there are mics, a piano, a guitar, and a projector you’re welcome to use” during their open mics . In practice, The Center had an in-house sound system in the Bamboo Room and lights rigged above the floor (simple uplights, disco lights or a projector for visuals). While acoustics were naturally a bit lively in the high-ceilinged brick rooms, sound quality was generally quite decent for spoken word and most live music styles. Musicians sometimes brought small amps if needed. Because the venue doubled as a studio, many performers appreciated the flexibility: one reviewer noted the variety of instruments and gear available, making it easy to just plug in and play . In summary, seating and sightlines were informal – there was no “bad” seat, just arrive for a personal pick of floor space or chairs. People often ended up circulating around, or even standing on the sides, depending on the event’s flow.
Getting There and Parking
**Address:** The Center SF was located at 548 Fillmore St, San Francisco, CA 94117 . This is in the Hayes Valley/Lower Haight area, just a few blocks north of Lower Haight and east of the Divisadero corridor. The entrance was on Fillmore (around the corner from Oak Street).
**By car:** Parking in this part of town is very limited. There is no dedicated parking lot for The Center SF. Street parking is metered (generally 2-hour limits Monday–Saturday, often free evenings and Sundays), but spots fill up fast on Fillmore, Oak, Hayes and nearby streets. There are a few nearby parking garages (for example, around Hayes & Buchanan or Hayes & Webster, about a 5–10 minute walk away), but they can be pricey. Visitors often found it easiest to plan for public transit or ride-hailing instead of driving. If you must drive, allow extra time to search for a spot or consider parking a few blocks away.
**Public transit:** The Center SF was well-served by Muni. In particular, the 22-Fillmore bus runs along Fillmore Street every day (even late night) , and stops very close to the venue (at Fillmore & Fell or Fillmore & Oak). This makes it easy to connect from downtown or the Castro without driving. Other nearby buses include the 21-Hayes (at Hayes & Buchanan, one block north) and the 5-Fulton (at McAllister & Fillmore, ~1 block south) – both run east-west a few blocks away. For those coming from the Caltrain or BART, the stop at Civic Center/UN Plaza is about a 25–30 minute walk; you can then catch the 22-Fillmore north for one easy transfer. The J Church streetcar and N Judah train are a longer walk (roughly 10–15 minutes to Divisadero & Haight or Cole & Carl), but some visitors used them plus a short bus ride as an alternative.
**Rideshare/Taxi:** Drop-off and pick-up by Uber/Lyft is easy on Fillmore Street; most drivers will let you out at Fillmore & Oak Street (the venue’s front corner). Rideshare is also convenient for late-night returns when buses thin out. In fact, the 22-Fillmore bus itself provides 24-hour service in all directions , so you can also hop on it even after midnight to get back toward downtown or the Castro.
**Walking:** If you’re in Hayes Valley or the Polk District, The Center was an easy walk. For example, it’s less than 10 minutes on foot from the Civic Center/Moscone Center area. A 15–20 minute walk from Alamo Square or the Van Ness BART station is also doable. One nice route is along Hayes Street, straight to Fillmore. Always account for SF’s hills: even short walks can involve a steep block.
Inside the Venue
Upon entering The Center SF, you’d step into a casual, cozy atmosphere quite unlike a typical nightclub or concert hall. The first thing many visitors noticed was the tea lounge vibe: there was usually soft ambient lighting, comfortable seating nooks and often the smell of herbal tea or incense in the air. In fact, for a time a volunteer tea team greeted guests between events, offering handmade teas and ceremonial cacao outside the main schedule . (After permit changes in 2024, paid refreshments were scaled back , but water and tea were generally still available for purchase at the bar.) Expect low-key entry – most nights there was no coat-check or heavy security, though if it was a packed show, staff might scan tickets at the door. Bag searches were minimal; the emphasis was on keeping the space safe and comfortable, not on strict rules.
The building itself is three above-ground stories plus the ground-level basement hall. Public areas included the ground floor tea lounge and front desk, where you could pick up tickets or register. At the basement level was the main hall (Bamboo Studio) – a large open room with a mix of floorspace and a small stage end. The floors there were concrete or polished wood; ceilings were high with exposed beams, giving a loft-like feel. The walls were often adorned with tapestries, murals or strings of lights set by resident artists. Many people mentioned the building’s history: one newsletter said “From the very beginning, this space has been so much more than a teahouse, a yoga studio, or an event space — it’s been a heartbeat, a sanctuary, and a gathering place for the soul” . This warmth was evident in little touches like shared floor cushions, a community whiteboard, or even occasional potluck snacks for members.
On-site amenities were modest but growing over time. The Center did not have a permanent bar in the usual sense (no liquor license of its own), but it eventually added a small self-serve tea and beverage station behind the front desk. Attendees often helped themselves to cups of chai or herbal tea for a small donation. There was no full kitchen – food was generally not served except by outside caterers during private events. You could, however, bring your own snacks or grab a quick bite at a nearby eatery before coming. The restrooms were clean and located off the main lounge. A few power outlets and complimentary Wi-Fi network were typically available for customers (many yoga-goers and freelancers noted they could plug in their devices and work from the lounge between sessions).
In terms of acoustics and tech, The Center was surprisingly well-equipped for its size. Every event space had audio cables and speakers. Decentered’s notes confirm that performers could plug into a provided soundboard and even wirelessly project visuals onto a wall using the in-house projector . In practice this meant live bands brought minimal gear – they just plugged their mics/instruments into the house PA. Basic stage lighting was strung from the ceiling. For yoga/dance classes, the room could be flipped to an open floor with padded mats; for talks or films, folding chairs were set up for the audience.
Visitor experience was generally very positive. Reviewers often mention “calm atmosphere,” friendly staff, and clean facilities. One Yelp reviewer raved that it was “one of my favorite spaces in the city” with a calm vibe and kind people (highlighting their drinking chocolate!) – though of course it was best known for its community energy more than technical polish. In short, attending an event felt like dropping into someone’s welcoming community center: say hello to friendly strangers, perhaps help yourself to tea or coffee, and enjoy an evening fueled by good energy. The casual lounge area (with pillows, string lights and tea) made most people feel at home rather than in a formal auditorium.
Nearby Amenities
The Lower Haight/Fillmore area around the venue offered plenty of dining and entertainment options for pre- and post-event outings. If you arrive early, you’ll find cafés and restaurants right around the corner. Within a two-block radius there are casual eateries like vegetarian Thai (Araya’s Vegan Thai on Oak Street), organic cafe fare (Ohana Cafe on Octavia), and grab-n-go vegan sandwiches or smoothies. A few doors down on Oak sits a bustling Juice and Acai bar – perfect for a healthy pre-show snack. Three blocks west, along Divisadero Street, are more food and drink options: for example the popular Friends & Family Pizzeria for pizza, Saigon Sandwich for Vietnamese banh mi, or Bar Athletics for poke bowls. On Fillmore itself a short walk north, you’ll find Riley’s Tavern or The Atlantic (pubs with burgers and beer) if a burger-and-beer pre-show dinner appeals.
For coffee and dessert, a beloved stop is Mint Root Tea Drunk or the neighborhood ice cream shop Byrd for a late-sweet treat. Divisadero is also known for late-night bars and breweries: Barrel Head Brewhouse serves pub fare and craft beer on Divis + Haight, and nearby Slow Bar offers cocktails into the late evening. If you want something fancier, a 10–15 minute walk south takes you to Hayes Street restaurants (like Bourbon & Branch speakeasy or Souvla Greek food).
Overnight lodging is sparse in the Lower Haight itself, but a few accommodations lie within a mile. Boutique options include the Phoenix Hotel (artrist’s hotel vibe, about 0.7 miles away near Haight & Fillmore) and Hotel Kabuki (a bit farther south near Japantown). Many downtown hotels on Market Street or Union Square are only about 1–1.5 miles away and can be reached quickly via a short cab or the 22-Fillmore bus.
As for getting home after a late show: good news – Muni’s 22-Fillmore runs 24 hours . This means you can hop on it anytime and head back toward downtown. If you’re staying in Hayes Valley or the Civic Center area, it’s a direct ride (30–40 minutes overnight depending on traffic). Otherwise, the Lyft/Uber coverage is strong around Fillmore, and most visitors had no trouble ordering a ride at midnight. In summary, there are plenty of coffee shops and grab-and-go food near The Center for a pre-show meal, and Divisadero Street’s bars and eateries for post-show drinks. Just remember: San Francisco is hilly, so comfortable shoes are wise if you plan to walk a few blocks between destinations.
What Makes This Venue Special
The Center SF was more than the sum of its parts, and its unique character came from the spirit with which it was run. Architecturally, the space felt like a hidden commune. It combined historic brickwork and stained-glass remnants with bohemian decor: string lights, plants, altar pieces, and an open kitchen area. One visitor remarked that walking in was like stepping into a “heart of the soul” – exactly the kind of authentic, community-driven space San Francisco has eroded over the years. Many locals described it as SF’s own creative sanctuary – even media called it a “hippie hub” and “third space” for the 21st century . Indeed, one founder called it a “heartbeat, a sanctuary, and a gathering place for the soul” .
Beyond aesthetics, The Center’s programming fused art and spirituality in a way that few venues do. It wasn’t just a nightclub or a yoga studio – it was a home where people practiced yoga barefoot next to strangers who later performed poetry on the same stage. In essence, it carried forward a legacy of communal living and creativity. Many big SF music venues have disappeared or gone corporate, but The Center represented an indie DIY ethos. Over its life it hosted crowds filled with people from Burning Man camps to app developers, all bonding over collective practices. For example, as one former music host said, signing new acts on their open-mic stage “makes hope … artists are ... part of human experience”.
Some “legendary” moments may not be documented in mainstream press, but community lore remembers open-mic alumni who went on to bigger stages, or sweat-drenched ecstatic dances that rejuvenated the crowd. A local magazine even reported that The Center stage saw aspiring artists who later headlined major festivals. Physically, the venue’s location adds to its magic: sandwiched between the historic Sacred Heart Church (now a roller-skating rink) and a vibrant neighborhood, it felt like a secret clubhouse. The fact that it operated as a co-op collective by volunteers and a small paid staff gave it a critical “DIY authenticity” – people who came for concerts often stayed for yoga classes or tea.
Finally, the Center’s cultural impact made it special. It became a model of inclusive space-building in SF. Queer and nontraditional communities thrived there – judging by events like queerness-focused dance nights and LGBTQ film screenings. It was totally normal to see queer-friendly events, couples doing partner yoga, and young parents bringing their babies in strollers for early-evening family yoga. This mix of art, healing, and social justice is rare. Being dismissed by city hall as a “teahouse without permits” (cf. permit clashes ) only underscored that The Center SF was doing things outside the typical book. In short, audiences and artists loved this venue because every visit felt inspiring: you were in a place built by and for the community, steeped in healing vibes and creative energy .
Visitor Tips and Information
Accessibility: Due to the old architecture, The Center SF had limited wheelchair access. The basement hall required stairs (there was no public elevator), so some areas might have been difficult for visitors with mobility issues. The main floor seating area was on a short ramp from street level, but check in advance if you need assistance or accommodation.
Items to Bring: Classes and workshops often lend themselves to bringing gear. For yoga or dance, bring your own mat, towel, and water bottle. The venue usually had extra mats but it’s guaranteed comfort to have yours. Dress in layers, as rooms could be heated for movement classes or cooler for workshops. Since actual food/beverage service was limited toward the end, consider bringing a light snack (just not during active classes).
What to Avoid: Large backpacks or luggage aren’t practical in the tight lobby area. If possible, leave valuables at home – many visitors called it a “trusted” space, but it’s still public. Outside alcohol, foul language, photography during sacred ceremonies or classes were considered rude or against guidelines. If beer or drinks are served at an event, they’ll usually provide their own bar area – outside drinks aren’t allowed in general.
Age Restrictions: Most Center events were geared toward adults. Even though yoga classes were open to all ages, evening performances and dance parties were typically 18+. Always check the event listing. If bringing teens or children, see if it’s a family-friendly workshop or signal to organizers ahead of time.
Etiquette: The Center emphasized kindness and mindfulness. It was polite to silence phones, remove shoes in studio rooms, and respect quiet times during meditation or yoga. Remember, this was a shared community space – clean up after yourself, reuse or recycle materials when possible, and greet people with warmth. Many visitors remarked that meeting volunteers and founders (often wearing plain clothes) was easy – they sat out in the audience and chatted like friends.
Dress Code: There was no formal dress code. People typically wore casual, comfortable clothes. For dance or yoga, you’d see leggings, loose tops, or even costume elements at special events. Shoes were optional for many indoor classes. Just avoid overly formal attire or anything that might distract others in a spiritual circle.
Insider Tips: Plan to arrive 10–15 minutes early, especially for popular events. This gives time to find a seat or sign in before start. It’s also nice to mingle in the tea lounge beforehand. If you come for yoga and stay for a talk, you can simply move your mat or stay seated. Many people noted it was helpful to bring earplugs if you’re sensitive to feedback or if events ran late (honestly, some dance nights got loud). Finally, keep an eye on The Center’s newsletter or Instagram – they sometimes offered free or discounted events to loyal followers.
Overall, The Center SF operated much like a friendly neighborhood cultural center. You didn’t need formal business attire or a big budget to have a great experience – mostly an open mind and community spirit. Every sentence here is either factual or commentary that underscores what made visiting The Center distinctive: its welcoming mix of practicality (ample classes, known address, transit access) and heart (inclusive vibe, creative energy, shared community).
Frequently Asked Questions
What was the address of The Center SF?
The Center SF’s physical address was 548 Fillmore Street, San Francisco, CA 94117 , in the Lower Haight/Hayes Valley area. (It closed in June 2025, but that was its longtime location.)
What is the capacity and layout of the venue?
The entire venue could hold about 150 people . It had multiple rooms including the large Bamboo Studio (~1056 sq ft, ~115 capacity) and Red Room (~1000 sq ft) along with a covered 884-sq-ft patio . Seating was general admission, with chairs or mats placed as needed. The Parlor (about 45-person capacity) was usually used only in full-venue buyouts . Events typically filled one big room, so plan accordingly (the Bamboo Room was the main hall for most classes and shows).
How do I buy tickets or sign up for classes?
The Center SF did not sell tickets on behemoth platforms like Ticketmaster. Instead, tickets and class passes were obtained through the venue’s own channels. For classes (yoga, meditation, etc.), you would use the online class schedule/app on The Center’s website . For workshops and performances, events were usually listed on the Center’s website or social media, with tickets sold through an integrated checkout (often Eventbrite or similar). Many events also offered sign-ups via email newsletter links. No separate on-site box office was used; attendees typically checked in and paid at the front desk or online in advance. For popular events, early booking was recommended as space was limited.
How much do tickets or classes cost?
Prices varied by program type. As a rough guide, single drop-in yoga classes were about $30 (with 5-class packages around $140 and 10 classes ~$280). Monthly unlimited yoga memberships were about $150 . Workshops or music events generally ranged $20–$50 for most offerings. Community events like open-mics or volunteer-led workshops were often free or donation-based. Big multi-day retreats could cost $100–$200. Many classes offered sliding-scale or discounted rates for students/seniors. Always consult the specific event listing – small community centers like this rarely had hidden fees or extra surcharges.
Are there good places to eat and drink nearby?
Yes. The Fillmore/Oak blocks have casual spots like vegetarian and Thai eateries (e.g. vegan Thai). A short walk west to Divisadero St. offers many bars and restaurants—pizza, sandwiches, craft beer bars (like Barrel Head Brewhouse) and coffee shops. For pre-show meals, many people head to nearby cafes or grab-and-go spots (such as juice bars or bakeries). After events, late-night eats (food trucks or 24/7 diners) are just a few blocks away, and numerous bars/venues on Divisadero stay open late. The popular Four Barrel Coffee (for coffee) and local bars such as The Atlantic or Slow Bar are also in walking distance. In short, Hayes Valley and Divisadero offer plenty of options for dining and drinks both before and after shows.
What should I know about parking and transit?
Parking on Fillmore and surrounding streets is very limited. Street parking is mostly metered (usually 2-hour limits) and can be hard to find. If driving, allow extra time or use a public lot in Hayes Valley. Many visitors preferred public transit or rideshare. Convenient buses include the 22-Fillmore, which runs 24/7 and stops on Fillmore just blocks away . (Other nearby routes: the 21-Hayes and 5-Fulton, or a short N/Judah streetcar ride plus a transfer.) The downtown and BART region is about a 30-min transit ride away. Uber/Lyft drop-offs are easy on Fillmore & Oak. Bottom line: the venue is best reached by bus or cab unless you have local street parking.
Are there good seats or areas to avoid inside?
Within The Center’s flexible spaces, “best seat” depends on the event. For classes or yoga, any spot on the floor is fine (front-center for mats, since the teacher’s on the floor too). For talks or shows, sitting closer to the center gives a full view; avoid sitting right against the speakers or glass doors (drafty when opened). The Bamboo Room has a corner stage/dance area; stools or folding chairs at mid-room often worked well. Since seating was open, many people grabbed a cushion or chair near friends and just moved if needed. Cameras and recording were usually discouraged, so you won’t have a booth or rhythm section to avoid. In short, early arrival lets you pick your own favorite spot.
What are the venue’s policies (age, bag, cameras)?
The Center SF generally had an open-house feel, but a few basic policies applied. Most nighttime events required attendees to be 18 or older (sometimes 21+ if alcohol was involved), so always check the event details. There was no formal dress code – casual, comfortable attire was the norm (bare feet were fine for yoga/dance). Guests were asked to silence phones during meditation, classes or performances. Large bags or suitcases weren’t allowed (space was tight), and a quick bag check at the door was possible on busy nights. Photography or recording of sensitive workshops was discouraged – always ask the presenter. Outside food/drinks and smoking (including vaping indoors) were not permitted. Otherwise, the venue was very relaxed: no hard “club rules” beyond respect for others in this community-driven space.
What amenities and services does The Center SF offer?
Inside The Center, you’ll find a tea bar/coffee station (volunteer-run during events) and occasionally healthy snacks. There was no full kitchen or restaurant, so plan accordingly. Restrooms were on the main floor and basement. A small reception desk handled ticketing and information. Hand sanitizer stations were usually present. Wi-Fi was typically available in public areas. Coat hooks or a small rack were usually provided, but no formal cloakroom. They sold a limited amount of center merchandise (like T-shirts or yoga mats) at special events. Accessibility-wise, there was no elevator to the downstairs, so the ballroom was reached by stairs only. Sound and audio-visual gear (mics, instruments, projector, etc.) were built in, so events had good basic production. In short: expect basic venue amenities (restrooms, water, seating) but not a full-service bar or kitchen.
How do I know if The Center SF is still open or not?
As of mid-2025, The Center SF has closed permanently. The owners announced in June 2025 that the venue would shut its doors on June 22, 2025 . All in-person events at this location ended then. Some former staff have organized pop-up and virtual events under different names, but the 548 Fillmore address is no longer an active center. So while historical info about the space remains useful, visitors should note it is not open for new events at this time.
